Bach 333 - J.S. Bach The New Complete Edition

~ Uitgave van Johann Sebastian Bach (Bekijk alle versies van deze uitgave, 11 beschikbaar)

Aantekening

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Aantekening het laatst bewerkt op 2020-03-13 23:27 UTC.

Nummerlijst

1▶cd: Cantatas 150, 4, 71, 196 (1706-1708)
2▶cd: Cantatas 131, 106, 143, 18 (1708-1713)
3▶cd: Cantatas 182, 12, 54, 172 (1714)
4▶cd: Cantatas 21, 199 (1714)
5▶cd: Cantatas 61, 63, 152, 158, 31 (1714-1715)
6▶cd: Cantatas 165, 185, 163, 132, 155 (1715-1716)
7▶cd: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
8▶cd: Cantatas 75, 76, 24 (1723)
9▶cd: Cantatas 167, 147, 186, 136 (1723)
10▶cd: Cantatas 105, 46, 179, 50, 69a (1723)
11▶cd: Cantatas 77, 25, 119, 138 (1723)
12▶cd: Cantatas 95, 148, 48, 109 (1723)
13▶cd: Cantatas 89, 60, 90, 70, 40 (1723)
14▶cd: Cantatas 64, 190, 153, 65, 154 (1723-1724)
15▶cd: Cantatas 73, 81, 83, 144, 181 (1724)
16▶cd: Cantatas 18, 66, 134, 67 (1724)
17▶cd: Cantatas 104, 166, 86, 37, 44 (1724)
18▶cd: Cantatas 173, 184, 194 (1724)
19▶cd: Cantatas 20, 2, 7, 135 (1724)
20▶cd: Cantatas 10, 93, 107, 178 (1724)
21▶cd: Cantatas 94, 101, 113 (1724)
22▶cd: Cantatas 33, 78, 99, 8 (1724)
23▶cd: Cantatas 130, 114, 96, 5 (1724)
24▶cd: Cantatas 180, 38, 115, 139 (1724)
25▶cd: Cantatas 26, 116, 62, 91, 121 (1724)
26▶cd: Cantatas 133, 122, 41, 123 (1724-1725)
27▶cd: Cantatas 124, 3, 111, 92 (1725)
28▶cd: Cantatas 125, 126, 127 (1725)
29▶cd: Cantatas 1, 6, 42 (1725)
30▶cd: Cantatas 85, 103, 108, 87, 128 (1725)
31▶cd: Cantatas 183, 74, 68, 175, 176 (1725)
32▶cd: Cantatas 168, 137, 164, 79, 110 (1725)
33▶cd: Cantatas 57, 151, 28, 16 (1725-1726)
34▶cd: Cantatas 32, 13, 72, 43 (1726)
35▶cd: Cantatas 146, 129, 39 (1726)
36▶cd: Cantatas 88, 170, 187, 45 (1726)
37▶cd: Cantatas 102, 35, 17, 19 (1726)
38▶cd: Cantatas 27, 47, 169, 56 (1726)
39▶cd: Cantatas 49, 98, 55, 52, 58 (1726-1727)
40▶cd: Cantatas 82, 157, 84 (1727)
41▶cd: Cantatas 34, 193, 117, 188 (1727-1728)
42▶cd: Cantatas 171, 156, 159, 120a (1729)
43▶cd: Cantatas 174, 149, 51, 192, 112 (1729-1731)
44▶cd: Cantatas 29, 140, 36 (1731)
45▶cd: Cantatas 177, 9, 97, 14 (1732-1735)
46▶cd: Cantatas 100, 195, 197, 197a (c. 1728-1736)
47▶cd: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
48▶cd: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
49▶cd: 4-Part Chorales, BWV 250-318 AC-GO
50▶cd: 4-Part Chorales, BWV 319-381 GO-ME
51▶cd: 4-Part Chorales, BWV 382-438 MI-WO
52▶cd: Magnificat BWV 243, 243a
53▶cd: Motets
54▶cd: Mass in B minor (1 Mortensen)
55▶cd: Mass in B minor (2 Mortensen)
56▶cd: Mass in B minor (1 Brüggen)
57▶cd: Mass in B minor (2 Brüggen) / Missa BWV 233
58▶cd: Missas BWV 234-236
59▶cd: St. John Passion (1724) (1 Gardiner)
60▶cd: St. John Passion (1724) (2 Gardiner)
61▶cd: St. John Passion (1749) (1 Suzuki)
62▶cd: St. John Passion (1749) (2 Suzuki)
63▶cd: St. Matthew Passion (1 Gardiner)
64▶cd: St. Matthew Passion (2 Gardiner)
65▶cd: St. Matthew Passion (1 McCreesh)
66▶cd: St. Matthew Passion (2 McCreesh)
67▶cd: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
68▶cd: Easter Oratorio / Ascension Oratorio (Leonhardt)
69▶cd: Christmas Oratorio (1 Gardiner)
70▶cd: Christmas Oratorio (2 Gardiner)
71▶cd: Christmas Oratorio (1 Chailly)
72▶cd: Christmas Oratorio (2 Chailly)
73▶cd: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
74▶cd: Cantatas 134a, 203, 173a (1719-c. 1723)
75▶cd: Cantatas 36c, 205, 34a (1725-1726)
76▶cd: Cantatas 207, 204, 216a (1726-1728)
77▶cd: Cantatas 198, 201 (1727-1729)
78▶cd: Cantatas 213, 214 (1733)
79▶cd: Cantatas 211, 215 (1734)
80▶cd: Cantatas 206, 30a (1736-1737)
81▶cd: Cantatas 209, 210, 212 (1730s-1740s)
82▶cd: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
83▶cd: Cantatas 56, 82, 4
84▶cd: Cantatas 31, 104, 57
85▶cd: Cantatas 199, 173, 74, 151
86▶cd: Easter Oratorio / Cantata 140
87▶cd: Cantatas 170, 159, 102
88▶cd: Cantatas 80, 52, 84, 209
89▶cd: Cantatas 82, 158, 56
90▶cd: Cantatas 61, 63, 121, 28 (Advent & Christmas)
91▶cd: Cantatas 64, 65, 111, 81 (Advent & Christmas)
92▶cd: Cantatas 92, 126, 182 (Easter)
93▶cd: Cantatas 1, 4, 67, 104 (Easter)
94▶cd: Cantatas 34, 68, 39 (Whitsun)
95▶cd: Cantatas 30, 147 (Whitsun)
96▶cd: Cantatas 76, 21 (Trinity)
97▶cd: Cantatas 135, 10, 45, 105 (Trinity)
98▶cd: Cantatas 51, 78, 8, 130 (Trinity)
99▼cd: Cantatas 27, 5, 60, 26 (Trinity)
#TitelWaarderingDuur
1"Wer weiß, wie nahe mir mein Ende", BWV 27: 1. [Chorale &] Recitative: "Wer weiß, wie nahe mir mein Ende"
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch (engineer)
althobo:
Edgar Shann (oboist) (in 1976-03, in 1976-10, in 1977-06)
hobo [oboe I]:
Manfred Clement (oboist) (in 1976-03, in 1976-10, in 1977-06)
hobo [oboe II]:
Robert Eliscú (in 1976-03, in 1976-10, in 1977-06)
hoornfamilie:
Hermann Baumann (horn player) (in 1976-03, in 1976-10, in 1977-06)
orgel:
Elmar Schloter (organist) (in 1976-03, in 1976-10, in 1977-06)
altvocalen:
Julia Hamari (Hungarian mezzo-soprano) (in 1976-03, in 1976-10, in 1977-06)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1976-03, in 1976-10, in 1977-06)
sopraanvocalen:
Edith Mathis (soprano) (in 1976-03, in 1976-10, in 1977-06)
tenorvocalen:
Peter Schreier (German tenor and conductor) (in 1976-03, in 1976-10, in 1977-06)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1978)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1976-03, in 1976-10, in 1977-06)
is een opname van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": I. Choral e Recitativi (Soprano, Alto, Tenore, Basso) "Wer weiß, wie nahe mir mein Ende?" (in 1977-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ämilie Juliane von Schwarzburg-Rudolstadt (in 1695)
deel van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
4:16
2"Wer weiß, wie nahe mir mein Ende", BWV 27: 2. Recitative: "Mein Leben hat kein ander Ziel"
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch (engineer)
althobo:
Edgar Shann (oboist) (in 1976-03, in 1976-10, in 1977-06)
hobo [oboe I]:
Manfred Clement (oboist) (in 1976-03, in 1976-10, in 1977-06)
hobo [oboe II]:
Robert Eliscú (in 1976-03, in 1976-10, in 1977-06)
hoornfamilie:
Hermann Baumann (horn player) (in 1976-03, in 1976-10, in 1977-06)
orgel:
Elmar Schloter (organist) (in 1976-03, in 1976-10, in 1977-06)
tenorvocalen:
Peter Schreier (German tenor and conductor) (in 1976-03, in 1976-10, in 1977-06)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1978)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1976-03, in 1976-10, in 1977-06)
is een opname van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": II. Recitativo (Tenore) "Mein Leben hat kein ander Ziel" (in 1977-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
1:07
3"Wer weiß, wie nahe mir mein Ende", BWV 27: 3. Aria: "Willkommen! will ich sagen"
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch (engineer)
althobo:
Edgar Shann (oboist) (in 1976-03, in 1976-10, in 1977-06)
hobo [oboe I]:
Manfred Clement (oboist) (in 1976-03, in 1976-10, in 1977-06)
hobo [oboe II]:
Robert Eliscú (in 1976-03, in 1976-10, in 1977-06)
hoornfamilie:
Hermann Baumann (horn player) (in 1976-03, in 1976-10, in 1977-06)
orgel:
Elmar Schloter (organist) (in 1976-03, in 1976-10, in 1977-06)
altvocalen:
Julia Hamari (Hungarian mezzo-soprano) (in 1976-03, in 1976-10, in 1977-06)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1978)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1976-03, in 1976-10, in 1977-06)
is een opname van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": III. Aria (Alto) "Willkommen! will ich sagen" (in 1977-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Erdmann Neumeister
deel van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
5:52
4"Wer weiß, wie nahe mir mein Ende", BWV 27: 4. Recitative: "Ach, wer doch schon im Himmel wär!"
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch (engineer)
althobo:
Edgar Shann (oboist) (in 1976-03, in 1976-10, in 1977-06)
hobo [oboe I]:
Manfred Clement (oboist) (in 1976-03, in 1976-10, in 1977-06)
hobo [oboe II]:
Robert Eliscú (in 1976-03, in 1976-10, in 1977-06)
hoornfamilie:
Hermann Baumann (horn player) (in 1976-03, in 1976-10, in 1977-06)
orgel:
Elmar Schloter (organist) (in 1976-03, in 1976-10, in 1977-06)
sopraanvocalen:
Edith Mathis (soprano) (in 1976-03, in 1976-10, in 1977-06)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1978)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1976-03, in 1976-10, in 1977-06)
is een opname van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": IV. Recitativo (Soprano) "Ach, wer doch schon im Himmel wär!" (in 1977-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
0:59
5"Wer weiß, wie nahe mir mein Ende", BWV 27: 5. Aria: "Gute Nacht, du Weltgetümmel!"
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch (engineer)
althobo:
Edgar Shann (oboist) (in 1976-03, in 1976-10, in 1977-06)
hobo [oboe I]:
Manfred Clement (oboist) (in 1976-03, in 1976-10, in 1977-06)
hobo [oboe II]:
Robert Eliscú (in 1976-03, in 1976-10, in 1977-06)
hoornfamilie:
Hermann Baumann (horn player) (in 1976-03, in 1976-10, in 1977-06)
orgel:
Elmar Schloter (organist) (in 1976-03, in 1976-10, in 1977-06)
basvocalen:
Dietrich Fischer‐Dieskau (baritone) (in 1976-03, in 1976-10, in 1977-06)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1978)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1976-03, in 1976-10, in 1977-06)
is een opname van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": V. Aria (Basso) "Gute Nacht, du Weltgetümmel!" (in 1977-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
3:30
6"Wer weiß, wie nahe mir mein Ende", BWV 27: 6. Chorale: "Welt, ade! ich bin dein müde"
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch (engineer)
althobo:
Edgar Shann (oboist) (in 1976-03, in 1976-10, in 1977-06)
hobo [oboe I]:
Manfred Clement (oboist) (in 1976-03, in 1976-10, in 1977-06)
hobo [oboe II]:
Robert Eliscú (in 1976-03, in 1976-10, in 1977-06)
hoornfamilie:
Hermann Baumann (horn player) (in 1976-03, in 1976-10, in 1977-06)
orgel:
Elmar Schloter (organist) (in 1976-03, in 1976-10, in 1977-06)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1976-03, in 1976-10, in 1977-06)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1978)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1976-03, in 1976-10, in 1977-06)
is een opname van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": VI. Choral "Welt, ade! ich bin dein müde" (in 1977-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Georg Albinus (in 1649)
deel van:
Breitkopf 389 Choralgesänge (nummer: 350)
deel van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
1:46
7"Wo soll ich fliehen hin", BWV 5: 1. [Chorale:] "Wo soll ich fliehen hin"
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch (engineer)
altviool:
Fritz Ruf (violist) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
hobo [oboe I]:
Manfred Clement (oboist) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
hobo [oboe II]:
Martin Spanner (oboist) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
trompet:
Chandler Goetting (trumpeter) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1979)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
techniek verzorgd bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland
is een opname van:
Kantate, BWV 5 "Wo soll ich fliehen hin": I. Coro "Wo soll ich fliehen hin" (in 1978-03)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland (op 1724-10-15)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (in 1724)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Heermann (in 1630)
deel van:
Kantate, BWV 5 "Wo soll ich fliehen hin"
4:16
8"Wo soll ich fliehen hin", BWV 5: 2. Recitative: "Der Sünden Wust hat mich nicht nur befleckt"
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch (engineer)
altviool:
Fritz Ruf (violist) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
hobo [oboe I]:
Manfred Clement (oboist) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
hobo [oboe II]:
Martin Spanner (oboist) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
trompet:
Chandler Goetting (trumpeter) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
basvocalen:
Dietrich Fischer‐Dieskau (baritone) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1979)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
is een opname van:
Kantate, BWV 5 "Wo soll ich fliehen hin": II. Recitativo (Basso) "Der Sünden Wust hat mich nicht nur befleckt" (in 1978-03)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland (op 1724-10-15)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (in 1724)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 5 "Wo soll ich fliehen hin"
1:22
9"Wo soll ich fliehen hin", BWV 5: 3. Aria: "Ergieße dich reichlich"
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch (engineer)
altviool:
Fritz Ruf (violist) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
hobo [oboe I]:
Manfred Clement (oboist) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
hobo [oboe II]:
Martin Spanner (oboist) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
trompet:
Chandler Goetting (trumpeter) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
tenorvocalen:
Peter Schreier (German tenor and conductor) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1979)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
is een opname van:
Kantate, BWV 5 "Wo soll ich fliehen hin": III. Aria (Tenore) "Ergieße dich reichlich, du göttliche Quelle" (in 1978-03)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland (op 1724-10-15)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (in 1724)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 5 "Wo soll ich fliehen hin"
6:44
10"Wo soll ich fliehen hin", BWV 5: 4. Recitative: "Mein treuer Heiland tröstet mich"
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch (engineer)
altviool:
Fritz Ruf (violist) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
hobo [oboe I]:
Manfred Clement (oboist) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
hobo [oboe II]:
Martin Spanner (oboist) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
trompet:
Chandler Goetting (trumpeter) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
altvocalen:
Trudeliese Schmidt (mezzo-soprano) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1979)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
is een opname van:
Kantate, BWV 5 "Wo soll ich fliehen hin": IV. Recitativo (Alto) "Mein treuer Heiland tröstet mich" (in 1978-03)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland (op 1724-10-15)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (in 1724)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 5 "Wo soll ich fliehen hin"
1:42
11"Wo soll ich fliehen hin", BWV 5: 5. Aria: "Verstumme, Höllenheer"
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch (engineer)
altviool:
Fritz Ruf (violist) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
hobo [oboe I]:
Manfred Clement (oboist) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
hobo [oboe II]:
Martin Spanner (oboist) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
trompet:
Chandler Goetting (trumpeter) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
basvocalen:
Dietrich Fischer‐Dieskau (baritone) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1979)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
is een opname van:
Kantate, BWV 5 "Wo soll ich fliehen hin": V. Aria (Basso) "Verstumme, Höllenheer, Du machst mich nicht verzagt!" (in 1978-03)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland (op 1724-10-15)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (in 1724)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 5 "Wo soll ich fliehen hin"
6:09
12"Wo soll ich fliehen hin", BWV 5: 6. Recitative: "Ich bin ja nur das kleinste Teil der Welt"
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch (engineer)
altviool:
Fritz Ruf (violist) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
hobo [oboe I]:
Manfred Clement (oboist) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
hobo [oboe II]:
Martin Spanner (oboist) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
trompet:
Chandler Goetting (trumpeter) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
sopraanvocalen:
Edith Mathis (soprano) (van 1978-02 tot 1978-03)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1979)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
is een opname van:
Kantate, BWV 5 "Wo soll ich fliehen hin": VI. Recitativo (Soprano) "Ich bin ja nur das kleinste Teil der Welt" (in 1978-03)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland (op 1724-10-15)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (in 1724)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 5 "Wo soll ich fliehen hin"
1:02
13"Wo soll ich fliehen hin", BWV 5: 7. Chorale: "Führ auch mein Herz und Sinn"
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch (engineer)
altviool:
Fritz Ruf (violist) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
hobo [oboe I]:
Manfred Clement (oboist) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
hobo [oboe II]:
Martin Spanner (oboist) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
trompet:
Chandler Goetting (trumpeter) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1979)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1977-10, van 1978-02 tot 1978-03, in 1978-05)
is een opname van:
Kantate, BWV 5 "Wo soll ich fliehen hin": VII. Choral "Führ auch mein Herz und Sinn" (in 1978-03)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland (op 1724-10-15)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (in 1724)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Heermann (in 1630)
deel van:
Breitkopf 389 Choralgesänge (nummer: 28)
deel van:
Kantate, BWV 5 "Wo soll ich fliehen hin"
1:09
14"O Ewigkeit, du Donnerswort", BWV 60: 1. Aria [& Chorale]:"O Ewigkeit, du Donnerswort"
leidinggevend producent:
Prof. Dr. Hans Hickmann
producent:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
hoornfamilie:
Kurt Richter (German horn player) (in 1964-02)
oboe d’amore [oboe d'amore I]:
Edgar Shann (oboist) (in 1964-02)
oboe d’amore [oboe d'amore II]:
Kurt Hausmann (oboist) (in 1964-02)
viool:
Fritz Sonnleitner (in 1964-02)
altvocalen:
Hertha Töpper (mezzo soprano) (in 1964-02)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1964-02)
tenorvocalen:
Ernst Haefliger (tenor) (in 1964-02)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1964-02)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-02)
balanstechnicus:
Heinz Wildhagen (engineer, producer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1964)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1964-02)
is een opname van:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": I. Aria (Coro Alto, Tenore) "O Ewigkeit, du Donnerwort" (in 1964-02)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
deel van:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
4:05
15"O Ewigkeit, du Donnerswort", BWV 60: 2. Recitative: "O schwerer Gang zum letzen Kampf und Streitel"
leidinggevend producent:
Prof. Dr. Hans Hickmann
producent:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
hoornfamilie:
Kurt Richter (German horn player) (in 1964-02)
oboe d’amore [oboe d'amore I]:
Edgar Shann (oboist) (in 1964-02)
oboe d’amore [oboe d'amore II]:
Kurt Hausmann (oboist) (in 1964-02)
viool:
Fritz Sonnleitner (in 1964-02)
altvocalen:
Hertha Töpper (mezzo soprano) (in 1964-02)
tenorvocalen:
Ernst Haefliger (tenor) (in 1964-02)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1964-02)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-02)
balanstechnicus:
Heinz Wildhagen (engineer, producer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1964)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1964-02)
is een opname van:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": II. Recitativo (Alto, Tenore) "O schwerer Gang" (in 1964-02)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
deel van:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
2:13
16"O Ewigkeit, du Donnerswort", BWV 60: 3. Aria: "Mein letztes Lager will mich schrecken"
leidinggevend producent:
Prof. Dr. Hans Hickmann
producent:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
hoornfamilie:
Kurt Richter (German horn player) (in 1964-02)
oboe d’amore [oboe d'amore I]:
Edgar Shann (oboist) (in 1964-02)
oboe d’amore [oboe d'amore II]:
Kurt Hausmann (oboist) (in 1964-02)
viool:
Fritz Sonnleitner (in 1964-02)
altvocalen:
Hertha Töpper (mezzo soprano) (in 1964-02)
tenorvocalen:
Ernst Haefliger (tenor) (in 1964-02)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1964-02)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-02)
balanstechnicus:
Heinz Wildhagen (engineer, producer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1964)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1964-02)
is een opname van:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": III. Aria (Alto, Tenore) "Mein letztes Lager will mich schrecken" (in 1964-02)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
deel van:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
3:14
17"O Ewigkeit, du Donnerswort", BWV 60: 4. Recitative:: "Der Tod bleibt doch der menschlichen Natur verhasst"
leidinggevend producent:
Prof. Dr. Hans Hickmann
producent:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
hoornfamilie:
Kurt Richter (German horn player) (in 1964-02)
oboe d’amore [oboe d'amore I]:
Edgar Shann (oboist) (in 1964-02)
oboe d’amore [oboe d'amore II]:
Kurt Hausmann (oboist) (in 1964-02)
viool:
Fritz Sonnleitner (in 1964-02)
altvocalen:
Hertha Töpper (mezzo soprano) (in 1964-02)
basvocalen:
Kieth Engen (operatic bass) (in 1964-02)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1964-02)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-02)
balanstechnicus:
Heinz Wildhagen (engineer, producer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1964)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1964-02)
is een opname van:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": IV. Recitativo (Alto, Basso) "Der Tod bleibt doch der menschlichen Natur verhaßt" (in 1964-02)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
deel van:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
5:06
18"O Ewigkeit, du Donnerswort", BWV 60: 5. Chorale: "Es ist genung"
leidinggevend producent:
Prof. Dr. Hans Hickmann
producent:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
hoornfamilie:
Kurt Richter (German horn player) (in 1964-02)
oboe d’amore [oboe d'amore I]:
Edgar Shann (oboist) (in 1964-02)
oboe d’amore [oboe d'amore II]:
Kurt Hausmann (oboist) (in 1964-02)
viool:
Fritz Sonnleitner (in 1964-02)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1964-02)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1964-02)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-02)
balanstechnicus:
Heinz Wildhagen (engineer, producer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1964)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1964-02)
is een opname van:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": V. Choral "Es ist genug; Herr, wenn es dir gefällt" (in 1964-02)
tekstschrijver:
Franz Joachim Burmeister (German hymn writer)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
deel van:
Breitkopf 389 Choralgesänge (nummer: 91)
deel van:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
1:45
19"Ach wie flüchtig, ach wie nichtig", BWV 26: 1. [Chorale:] "Ach wie flüchtig, ach wie nichtig"
leidinggevend producent:
Prof. Dr. Hans Hickmann
producent:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
fluit:
Paul Meisen (flautist)
hobo [oboe I]:
Manfred Clement (oboist)
hobo [oboe II]:
Andreas Schwinn (oboist)
hobo [oboe III]:
Gustav Meyer (oboist)
hoornfamilie:
Norbert Hauptmann (horn player)
viool:
Kurt Christian Stier (violist / violinist)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1966-10)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balanstechnicus:
Harald Baudis (sound engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1967)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1966-10)
is een opname van:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": I. Choral "Ach wie flüchtig, ach wie nichtig" (in 1966-10)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Michael Franck (German hymn writer)
deel van:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
2:28
20"Ach wie flüchtig, ach wie nichtig", BWV 26: 2. Aria: "So schnell ein rauschend Wasser schießt"
leidinggevend producent:
Prof. Dr. Hans Hickmann
producent:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
fluit:
Paul Meisen (flautist)
hobo [oboe I]:
Manfred Clement (oboist)
hobo [oboe II]:
Andreas Schwinn (oboist)
hobo [oboe III]:
Gustav Meyer (oboist)
hoornfamilie:
Norbert Hauptmann (horn player)
viool:
Kurt Christian Stier (violist / violinist)
tenorvocalen:
Ernst Haefliger (tenor) (in 1966-10)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balanstechnicus:
Harald Baudis (sound engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1967)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1966-10)
is een opname van:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": II. Aria (Tenore) "So schnell ein rauschend Wasser schießt" (in 1966-10)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
6:08
21"Ach wie flüchtig, ach wie nichtig", BWV 26: 3. Recitative: "Die Freude wird zur Traurigkeit"
leidinggevend producent:
Prof. Dr. Hans Hickmann
producent:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
fluit:
Paul Meisen (flautist)
hobo [oboe I]:
Manfred Clement (oboist)
hobo [oboe II]:
Andreas Schwinn (oboist)
hobo [oboe III]:
Gustav Meyer (oboist)
hoornfamilie:
Norbert Hauptmann (horn player)
viool:
Kurt Christian Stier (violist / violinist)
altvocalen:
Hertha Töpper (mezzo soprano) (in 1966-10)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balanstechnicus:
Harald Baudis (sound engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1967)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1966-10)
is een opname van:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": III. Recitativo (Alto) "Die Freude wird zur Traurigkeit" (in 1966-10)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
1:17
22"Ach wie flüchtig, ach wie nichtig", BWV 26: 4. Aria: "An irdische Schätze das Herze zu hängen"
leidinggevend producent:
Prof. Dr. Hans Hickmann
producent:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
fluit:
Paul Meisen (flautist)
hobo [oboe I]:
Manfred Clement (oboist)
hobo [oboe II]:
Andreas Schwinn (oboist)
hobo [oboe III]:
Gustav Meyer (oboist)
hoornfamilie:
Norbert Hauptmann (horn player)
viool:
Kurt Christian Stier (violist / violinist)
basvocalen:
Theo Adam (German classical bass-baritone) (in 1966-10)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balanstechnicus:
Harald Baudis (sound engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1967)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1966-10)
is een opname van:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": IV. Aria (Basso) "An irdische Schätze das Herze zu hängen" (in 1966-10)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
3:41
23"Ach wie flüchtig, ach wie nichtig", BWV 26: 5. Recitative: "Die höchste Herrlichkeit und Pracht"
leidinggevend producent:
Prof. Dr. Hans Hickmann
producent:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
fluit:
Paul Meisen (flautist)
hobo [oboe I]:
Manfred Clement (oboist)
hobo [oboe II]:
Andreas Schwinn (oboist)
hobo [oboe III]:
Gustav Meyer (oboist)
hoornfamilie:
Norbert Hauptmann (horn player)
viool:
Kurt Christian Stier (violist / violinist)
sopraanvocalen:
Ursula Buckel (soprano) (in 1966-10)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balanstechnicus:
Harald Baudis (sound engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1967)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1966-10)
is een opname van:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": V. Recitativo (Soprano) "Die höchste Herrlichkeit und Pracht" (in 1966-10)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
0:55
24"Ach wie flüchtig, ach wie nichtig", BWV 26: 6. Chorale: "Ach wie flüchtig, ach wie nichtig"
leidinggevend producent:
Prof. Dr. Hans Hickmann
producent:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
fluit:
Paul Meisen (flautist)
hobo [oboe I]:
Manfred Clement (oboist)
hobo [oboe II]:
Andreas Schwinn (oboist)
hobo [oboe III]:
Gustav Meyer (oboist)
hoornfamilie:
Norbert Hauptmann (horn player)
viool:
Kurt Christian Stier (violist / violinist)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1966-10)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balanstechnicus:
Harald Baudis (sound engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1967)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1966-10)
is een opname van:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": VI. Choral "Ach wie flüchtig, ach wie nichtig" (in 1966-10)
tekstschrijver en librettist:
Michael Franck (German hymn writer)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
deel van:
Breitkopf 389 Choralgesänge (nummer: 11)
deel van:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
1:02
100▶cd: St. Matthew Passion (1 Richter)
101▶cd: St. Matthew Passion (2 Richter)
102▶cd: St. Matthew Passion (3 Richter)
103▶cd: Great Singers (1952-1965)
104▶cd: Great Singers (1967-2011)
105▶cd: Great Singers (Period Instruments)
106▶cd: Organ Works (Introduction 1)
107▶cd: Organ Works (Introduction 2)
108▶cd: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
109▶cd: Passacaglia & Fugue, BWV 582 / Other Weimar works
110▶cd: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
111▶cd: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
112▶cd: 6 Trio Sonatas, BWV 525-530 (Koopman)
113▶cd: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
114▶cd: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
115▶cd: Early Chorale Preludes / Chorale Partitas
116▶cd: Chorale Preludes (Mühlhausen & Weimar)
117▶cd: Breitkopf Collection, BWV 690-713
118▶cd: Orgelbüchlein (Preston)
119▶cd: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
120▶cd: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
121▶cd: 21 Chorale Preludes, BWV 669-689 (Walcha)
122▶cd: Clavier-Übung III (1) (Preston)
123▶cd: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
124▶cd: Free Works of Unproven Authenticity
125▶cd: Chorale-Based Works of Unproven Authenticity (Fragments)
126▶cd: Keyboard Works (Introduction 1: Harpsichord)
127▶cd: Keyboard Works (Introduction 2: Piano)
128▶cd: Early Fugues & Capriccios
129▶cd: Early Suites & Sonatas
130▶cd: Toccatas, BWV 910-916
131▶cd: Virtuoso Fantasias & Fugues
132▶cd: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
133▶cd: 2- & 3-Part Inventions / Preludes, BWV 924-943
134▶cd: English Suites 1-3 (Dreyfus)
135▶cd: English Suites 4-6 (Dreyfus)
136▶cd: French Suites 1-4 (Hogwood)
137▶cd: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
138▶cd: Partitas 1, 2, 6 (Rousset)
139▶cd: Partitas 3-5 (Rousset)
140▶cd: Italian Concerto / French Overture / 4 Duets (Rousset)
141▶cd: The Well-Tempered Clavier, Book I (1 Gilbert)
142▶cd: The Well-Tempered Clavier, Book I (2 Gilbert)
143▶cd: The Well-Tempered Clavier, Book II (1 Gilbert)
144▶cd: The Well-Tempered Clavier, Book II (2 Gilbert)
145▶cd: Goldberg Variations (Rousset)
146▶cd: Goldberg Variations (Esfahani)
147▶cd: English Suites 1-3 (Pogorelich / Schiff / Argerich)
148▶cd: English Suites 4-6 (Schiff / Bahrami / Hewitt)
149▶cd: French Suites 1-3 (Perahia)
150▶cd: French Suites 4-6 (Perahia)
151▶cd: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
152▶cd: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
153▶cd: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
154▶cd: The Well-Tempered Clavier, Book I (1 Pollini)
155▶cd: The Well-Tempered Clavier, Book I (2 Pollini)
156▶cd: The Well-Tempered Clavier, Book II (1 Schiff)
157▶cd: The Well-Tempered Clavier, Book II (2 Schiff)
158▶cd: Goldberg Variations (Schiff)
159▶cd: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
160▶cd: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
161▶cd: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
162▶cd: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
163▶cd: Orgelbüchlein (Walcha)
164▶cd: Brandenburg Concertos 1-6 (Goebel)
165▶cd: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
166▶cd: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
167▶cd: Orchestral Suites 1-3 (Goebel)
168▶cd: Orchestral Suites 2-4 (Goebel / Hogwood)
169▶cd: Orchestral Suites 1-4 (Pinnock)
170▶cd: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
171▶cd: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
172▶cd: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
173▶cd: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
174▶cd: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
175▶cd: Brandenburg Concertos (Landmark Performances 1935-1964)
176▶cd: Brandenburg Concertos (Landmark Performances 1967-2013)
177▶cd: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
178▶cd: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
179▶cd: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
180▶cd: Concertos (Alternative Instrumentations)
181▶cd: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
182▶cd: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
183▶cd: Suites for "Lute"
184▶cd: Cello Suites 1, 3, 5 (Watkin)
185▶cd: Cello Suites 2, 4, 6 (Watkin)
186▶cd: Violin Sonatas BWV 1014-1018
187▶cd: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
188▶cd: 5 Flute Sonatas / Partita for Solo Flute
189▶cd: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
190▶cd: Musical Offering / Canons (Goebel)
191▶cd: The Art of Fugue (Accademia Bizantina, Dantone)
192▶cd: The Art of Fugue (Aimard)
193▶cd: The Art of Fugue (1742) (Gilbert)
194▶cd: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
195▶cd: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
196▶cd: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
197▶cd: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
198▶cd: Cello Suites 1-3 (Fournier)
199▶cd: Cello Suites 4-6 (Fournier)
200▶cd: Solo & Chamber Works (Alternative Instrumentations)
201▶cd: Clavier-Büchlein W. F. Bach (1)
202▶cd: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
203▶cd: Notenbüchlein A. M. Bach (1725) (1)
204▶cd: Notenbüchlein A. M. Bach (1725) (2)
205▶cd: Schemelli Gesangbuch BWV 439-474
206▶cd: Schemelli Gesangbuch BWV 475-507
207▶cd: Bach: Early Influences
208▶cd: Concertos at Weimar (Telemann / Prince Johann Ernst)
209▶cd: Concertos at Weimar (Vivaldi)
210▶cd: Concertos at Weimar (Vivaldi / A. & B. Marcello)
211▶cd: The Bach Family
212▶cd: Bach & Other Composers (c. 1715-1730)
213▶cd: Bach & Other Composers (c. 1730-1742)
214▶cd: Bach & Other Composers (1742-1750)
215▶cd: Bach Renewed (From Bach's Sons to Mahler)
216▶cd: Bach Reimagined (Chaconne & Passacaglia)
217▶cd: Bach Orchestrated (Reger to Stokowski)
218▶cd: Inspired by Bach (Gounod to Pärt)
219▶cd: Bach & The Virtuoso Piano (Liszt and Busoni)
220▶cd: Bach & The Virtuoso Piano (The 20th Century)
221▶cd: Bach à la Jazz
222▶cd: New Colours of Bach
223▶dvd-video: Bach: A Passionate Life

Relaties

Uitgave

ASIN:US: B07D2Y539K [info]
discografisch lemma:https://www.bach333.com/en/ [info]

Uitgavegroep

deel van:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (volgorde: 1)
eigen website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]