Bach 333 - J.S. Bach The New Complete Edition

~ Uitgave van Johann Sebastian Bach (Bekijk alle versies van deze uitgave, 11 beschikbaar)

Aantekening

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Aantekening het laatst bewerkt op 2020-03-13 23:27 UTC.

Nummerlijst

1▶cd: Cantatas 150, 4, 71, 196 (1706-1708)
2▶cd: Cantatas 131, 106, 143, 18 (1708-1713)
3▶cd: Cantatas 182, 12, 54, 172 (1714)
4▶cd: Cantatas 21, 199 (1714)
5▶cd: Cantatas 61, 63, 152, 158, 31 (1714-1715)
6▶cd: Cantatas 165, 185, 163, 132, 155 (1715-1716)
7▶cd: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
8▶cd: Cantatas 75, 76, 24 (1723)
9▶cd: Cantatas 167, 147, 186, 136 (1723)
10▶cd: Cantatas 105, 46, 179, 50, 69a (1723)
11▶cd: Cantatas 77, 25, 119, 138 (1723)
12▶cd: Cantatas 95, 148, 48, 109 (1723)
13▶cd: Cantatas 89, 60, 90, 70, 40 (1723)
14▶cd: Cantatas 64, 190, 153, 65, 154 (1723-1724)
15▶cd: Cantatas 73, 81, 83, 144, 181 (1724)
16▶cd: Cantatas 18, 66, 134, 67 (1724)
17▶cd: Cantatas 104, 166, 86, 37, 44 (1724)
18▶cd: Cantatas 173, 184, 194 (1724)
19▶cd: Cantatas 20, 2, 7, 135 (1724)
20▶cd: Cantatas 10, 93, 107, 178 (1724)
21▶cd: Cantatas 94, 101, 113 (1724)
22▶cd: Cantatas 33, 78, 99, 8 (1724)
23▶cd: Cantatas 130, 114, 96, 5 (1724)
24▶cd: Cantatas 180, 38, 115, 139 (1724)
25▶cd: Cantatas 26, 116, 62, 91, 121 (1724)
26▶cd: Cantatas 133, 122, 41, 123 (1724-1725)
27▶cd: Cantatas 124, 3, 111, 92 (1725)
28▶cd: Cantatas 125, 126, 127 (1725)
29▶cd: Cantatas 1, 6, 42 (1725)
30▶cd: Cantatas 85, 103, 108, 87, 128 (1725)
31▶cd: Cantatas 183, 74, 68, 175, 176 (1725)
32▶cd: Cantatas 168, 137, 164, 79, 110 (1725)
33▶cd: Cantatas 57, 151, 28, 16 (1725-1726)
34▶cd: Cantatas 32, 13, 72, 43 (1726)
35▶cd: Cantatas 146, 129, 39 (1726)
36▶cd: Cantatas 88, 170, 187, 45 (1726)
37▶cd: Cantatas 102, 35, 17, 19 (1726)
38▼cd: Cantatas 27, 47, 169, 56 (1726)
#TitelWaarderingDuur
1"Wer weiß, wie nahe mir mein Ende", BWV 27: 1. [Chorale &] Recitative: "Wer weiß, wie nahe mir mein Ende?"
geluidstechnicus:
Andreas Ruge (in 2010-02)
producent:
Rita Hermeyer
basvocalen:
Peter Kooij (Peter Kooy, baritone) (in 2010-02)
contratenorvocalen:
Robin Blaze (countertenor) (in 2010-02)
sopraanvocalen:
Hana Blažíková (in 2010-02)
tenorvocalen:
Satoshi Mizukoshi (in 2010-02)
was dirigent:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
uitvoerend artiest:
Bach Collegium Japan (in 2010-02)
opgenomen bij:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
is een opname van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": I. Choral e Recitativi (Soprano, Alto, Tenore, Basso) "Wer weiß, wie nahe mir mein Ende?" (in 2010-02)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ämilie Juliane von Schwarzburg-Rudolstadt (in 1695)
deel van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
4:31
2"Wer weiß, wie nahe mir mein Ende", BWV 27: 2. Recitative: "Mein Leben hat kein ander Ziel"
geluidstechnicus:
Andreas Ruge (in 2010-02)
producent:
Rita Hermeyer
tenorvocalen:
Satoshi Mizukoshi (in 2010-02)
was dirigent:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
uitvoerend artiest:
Bach Collegium Japan (in 2010-02)
opgenomen bij:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
is een opname van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": II. Recitativo (Tenore) "Mein Leben hat kein ander Ziel" (in 2010-02)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
0:55
3"Wer weiß, wie nahe mir mein Ende", BWV 27: 3. Aria: "Willkommen! will ich sagen"
geluidstechnicus:
Andreas Ruge (in 2010-02)
producent:
Rita Hermeyer
contratenorvocalen:
Robin Blaze (countertenor) (in 2010-02)
was dirigent:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
uitvoerend artiest:
Bach Collegium Japan (in 2010-02)
opgenomen bij:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
is een opname van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": III. Aria (Alto) "Willkommen! will ich sagen" (in 2010-02)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Erdmann Neumeister
deel van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
3:51
4"Wer weiß, wie nahe mir mein Ende", BWV 27: 4. Recitative: "Ach, wer doch schon im Himmel wär!"
geluidstechnicus:
Andreas Ruge (in 2010-02)
producent:
Rita Hermeyer
sopraanvocalen:
Hana Blažíková (in 2010-02)
was dirigent:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
uitvoerend artiest:
Bach Collegium Japan (in 2010-02)
opgenomen bij:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
is een opname van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": IV. Recitativo (Soprano) "Ach, wer doch schon im Himmel wär!" (in 2010-02)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
0:47
5"Wer weiß, wie nahe mir mein Ende", BWV 27: 5. Aria: "Gute Nacht, du Weltgetümmel!"
geluidstechnicus:
Andreas Ruge (in 2010-02)
producent:
Rita Hermeyer
basvocalen:
Peter Kooij (Peter Kooy, baritone) (in 2010-02)
was dirigent:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
uitvoerend artiest:
Bach Collegium Japan (in 2010-02)
opgenomen bij:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
is een opname van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": V. Aria (Basso) "Gute Nacht, du Weltgetümmel!" (in 2010-02)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
3:22
6"Wer weiß, wie nahe mir mein Ende", BWV 27: 6. Chorale: "Welt, ade! ich bin dein müde"
geluidstechnicus:
Andreas Ruge (in 2010-02)
producent:
Rita Hermeyer
was dirigent:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
uitvoerend artiest:
Bach Collegium Japan (in 2010-02)
opgenomen bij:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
is een opname van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": VI. Choral "Welt, ade! ich bin dein müde" (in 2010-02)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Georg Albinus (in 1649)
deel van:
Breitkopf 389 Choralgesänge (nummer: 350)
deel van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
1:17
7"Wer weiß, wie nahe mir mein Ende", BWV 27: 7. Aria: "Willkommen! will ich sagen" [Organ version]
geluidstechnicus:
Andreas Ruge (in 2010-02)
producent:
Rita Hermeyer
contratenorvocalen:
Robin Blaze (countertenor) (in 2010-02)
was dirigent:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
uitvoerend artiest:
Bach Collegium Japan (in 2010-02)
opgenomen bij:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
is een opname van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": III. Aria (Alto) "Willkommen! will ich sagen" (organ version) (in 2010-02)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Erdmann Neumeister
arrangement van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": III. Aria (Alto) "Willkommen! will ich sagen"
4:02
8"Wer sich selbst erhöhet, der soll erniedriget werden", BWV 47: 1. [Chorus:] "Wer sich selbst erhöhet, der soll erniedriget werden"
koor:
Monteverdi Choir (English vocal Baroque ensemble) (op 2000-10-14)
orkest:
English Baroque Soloists (The English Baroque Soloists) (op 2000-10-14)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (op 2000-10-14)
opgenomen bij:
Alhelgonakyrkan in Lund, Skåne (Skåne county), Zweden (op 2000-10-14)
is een live-opname van:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": I. Coro "Wer sich selbst erhöhet, der soll erniedriget werden" (op 2000-10-14)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
deel van:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
5:22
9"Wer sich selbst erhöhet, der soll erniedriget werden", BWV 47: 2. Aria: "Wer ein wahrer Christ will heißen"
altvocalen:
Nathalie Stutzmann (contralto and conductor) (op 2000-10-14)
sopraanvocalen:
Katherine Fuge (op 2000-10-14)
orkest:
English Baroque Soloists (The English Baroque Soloists) (op 2000-10-14)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (op 2000-10-14)
opgenomen bij:
Alhelgonakyrkan in Lund, Skåne (Skåne county), Zweden (op 2000-10-14)
is een live-opname van:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": II. Aria (Soprano) "Wer ein wahrer Christ will heißen" (op 2000-10-14)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Friedrich Helbig (in 1720)
deel van:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
9:55
10"Wer sich selbst erhöhet, der soll erniedriget werden", BWV 47: 3. Recitative: "Der Mensch ist Kot, Staub, Asch und Erde"
basvocalen:
Stephan Loges (bass-baritone) (op 2000-10-14)
orkest:
English Baroque Soloists (The English Baroque Soloists) (op 2000-10-14)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (op 2000-10-14)
opgenomen bij:
Alhelgonakyrkan in Lund, Skåne (Skåne county), Zweden (op 2000-10-14)
is een live-opname van:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": III. Recitativo (Basso) "Der Mensch ist Kot, Stank, Asch und Erde" (op 2000-10-14)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Friedrich Helbig (in 1720)
deel van:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
1:37
11"Wer sich selbst erhöhet, der soll erniedriget werden", BWV 47: 4. Aria: "Jesu, beuge doch mein Herze"
basvocalen:
Stephan Loges (bass-baritone) (op 2000-10-14)
orkest:
English Baroque Soloists (The English Baroque Soloists) (op 2000-10-14)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (op 2000-10-14)
opgenomen bij:
Alhelgonakyrkan in Lund, Skåne (Skåne county), Zweden (op 2000-10-14)
is een live-opname van:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": IV. Aria (Basso) "Jesu, beuge doch mein Herze" (op 2000-10-14)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Friedrich Helbig (in 1720)
deel van:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
4:08
12"Wer sich selbst erhöhet, der soll erniedriget werden", BWV 47: 5. Chorale: "Der zeitlichen Ehrn will ich gern entbehrn"
koor:
Monteverdi Choir (English vocal Baroque ensemble) (op 2000-10-14)
orkest:
English Baroque Soloists (The English Baroque Soloists) (op 2000-10-14)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (op 2000-10-14)
opgenomen bij:
Alhelgonakyrkan in Lund, Skåne (Skåne county), Zweden (op 2000-10-14)
is een live-opname van:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": V. Choral "Der zeitlichen Ehrn will ich gern entbehrn" (op 2000-10-14)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] ([anoniem], special purpose artist) (in 1557)
deel van:
Breitkopf 389 Choralgesänge (nummer: 333)
deel van:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
0:50
13"Gott soll allein mein Herze haben", BWV 169: 1. Sinfonia
orkest:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
opgenomen bij:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), Frankrijk
is een opname van:
Kantate, BWV 169 "Gott soll allein mein Herze haben": I. Sinfonia (van 2011-01-23 tot 2011-01-28)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland (op 1726-10-26)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
deel van:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
7:55
14"Gott soll allein mein Herze haben", BWV 169: 2. Arioso: "Gott soll allein mein Herze haben"
contratenorvocalen:
Andreas Scholl (countertenor)
orkest:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
was dirigent:
Julia Schröder (violinist)
opgenomen bij:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), Frankrijk
is een opname van:
Kantate, BWV 169 "Gott soll allein mein Herze haben": II. Arioso (Alt) "Gott soll allein mein Herze haben" (van 2011-01-23 tot 2011-01-28)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland (op 1726-10-26)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
2:46
15"Gott soll allein mein Herze haben", BWV 169: 3. Aria: "Gott soll allein mein Herze haben"
contratenorvocalen:
Andreas Scholl (countertenor)
orkest:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
opgenomen bij:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), Frankrijk
is een opname van:
Kantate, BWV 169 "Gott soll allein mein Herze haben": III. Aria (Alt) "Gott soll allein mein Herze haben" (van 2011-01-23 tot 2011-01-28)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland (op 1726-10-26)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
6:18
16"Gott soll allein mein Herze haben", BWV 169: 4. Recitative: "Was ist die Liebe Gottes?"
contratenorvocalen:
Andreas Scholl (countertenor)
orkest:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
opgenomen bij:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), Frankrijk
is een opname van:
Kantate, BWV 169 "Gott soll allein mein Herze haben": IV. Recitativo (Alt) "Was ist die Liebe Gottes?" (van 2011-01-23 tot 2011-01-28)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland (op 1726-10-26)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
0:53
17"Gott soll allein mein Herze haben", BWV 169: 5. Aria "Stirb in mir"
contratenorvocalen:
Andreas Scholl (countertenor)
orkest:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
opgenomen bij:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), Frankrijk
is een opname van:
Kantate, BWV 169 "Gott soll allein mein Herze haben": V. Aria (Alt) "Stirb in mir, Welt" (van 2011-01-23 tot 2011-01-28)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland (op 1726-10-26)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
5:06
18"Gott soll allein mein Herze haben", BWV 169: 6. Recitative: "Doch meint es auch dabei"
contratenorvocalen:
Andreas Scholl (countertenor)
orkest:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
opgenomen bij:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), Frankrijk
is een opname van:
Kantate, BWV 169 "Gott soll allein mein Herze haben": VI. Recitativo (Alt) "Doch meint es auch dabei" (van 2011-01-23 tot 2011-01-28)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland (op 1726-10-26)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
0:28
19"Gott soll allein mein Herze haben", BWV 169: 7. Chorale: "Du süße Liebe, schenk uns deine Gunst"
basvocalen:
Raitis Grigalis (Latvian conductor and bass)
contratenorvocalen:
Andreas Scholl (countertenor)
sopraanvocalen:
Junko Takamaya (soprano)
tenorvocalen:
Michael Feyfar (Swiss tenor)
orkest:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
opgenomen bij:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), Frankrijk
is een opname van:
Kantate, BWV 169 "Gott soll allein mein Herze haben": VII. Choral "Du süße Liebe, schenk uns deine Gunst" (van 2011-01-23 tot 2011-01-28)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland (op 1726-10-26)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
deel van:
Breitkopf 389 Choralgesänge (nummer: 256)
deel van:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
1:17
20"Ich will den Kreuzstab gerne tragen", BWV 56: 1. Aria "Ich will den Kreuzstab gerne tragen"
bas-baritonvocalen:
Thomas Quasthoff (bass-baritone)
orkest:
Berliner Barock Solisten
was dirigent:
Rainer Kussmaul (violinist) (in 2004-01)
uitvoerend artiest:
Thomas Quasthoff (bass-baritone) (in 2004-01)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 2004-01)
is een opname van:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria "Ich will den Kreuzstab gerne tragen" (in 2004-01)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
7:00
21"Ich will den Kreuzstab gerne tragen", BWV 56: 2. Recitative: "Mein Wandel auf der Welt"
bas-baritonvocalen:
Thomas Quasthoff (bass-baritone)
orkest:
Berliner Barock Solisten
was dirigent:
Rainer Kussmaul (violinist) (in 2004-01)
uitvoerend artiest:
Thomas Quasthoff (bass-baritone) (in 2004-01)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 2004-01)
is een opname van:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitative "Mein Wandel auf der Welt" (in 2004-01)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
2:06
22"Ich will den Kreuzstab gerne tragen", BWV 56: 3. Aria: "Endlich, endlich wird mein Joch"
bas-baritonvocalen:
Thomas Quasthoff (bass-baritone)
orkest:
Berliner Barock Solisten
was dirigent:
Rainer Kussmaul (violinist) (in 2004-01)
uitvoerend artiest:
Thomas Quasthoff (bass-baritone) (in 2004-01)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 2004-01)
is een opname van:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria "Endlich, endlich wird mein Joch" (in 2004-01)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
5:44
23"Ich will den Kreuzstab gerne tragen", BWV 56: 4. Recitative: "Ich stehe fertig und bereit"
bas-baritonvocalen:
Thomas Quasthoff (bass-baritone)
orkest:
Berliner Barock Solisten
was dirigent:
Rainer Kussmaul (violinist) (in 2004-01)
uitvoerend artiest:
Thomas Quasthoff (bass-baritone) (in 2004-01)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 2004-01)
is een opname van:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitative and Arioso "Ich stehe fertig und bereit" (in 2004-01)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
1:46
24"Ich will den Kreuzstab gerne tragen", BWV 56: 5. Chorale: "Komm, o Tod, du Schlafes Bruder"
koor:
RIAS Kammerchor (German chamber choir)
orkest:
Berliner Barock Solisten
was dirigent:
Rainer Kussmaul (violinist) (in 2004-01)
was koorleider:
Daniel Reuss (conductor) (in 2004-01)
uitvoerend artiest:
RIAS Kammerchor (German chamber choir) (in 2004-01)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 2004-01)
is een opname van:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Chorale "Komm, o Tod, du Schlafes Bruder" (in 2004-01)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
John Franck (in 1653)
deel van:
Breitkopf 389 Choralgesänge (nummer: 72)
deel van:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
1:34
39▶cd: Cantatas 49, 98, 55, 52, 58 (1726-1727)
40▶cd: Cantatas 82, 157, 84 (1727)
41▶cd: Cantatas 34, 193, 117, 188 (1727-1728)
42▶cd: Cantatas 171, 156, 159, 120a (1729)
43▶cd: Cantatas 174, 149, 51, 192, 112 (1729-1731)
44▶cd: Cantatas 29, 140, 36 (1731)
45▶cd: Cantatas 177, 9, 97, 14 (1732-1735)
46▶cd: Cantatas 100, 195, 197, 197a (c. 1728-1736)
47▶cd: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
48▶cd: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
49▶cd: 4-Part Chorales, BWV 250-318 AC-GO
50▶cd: 4-Part Chorales, BWV 319-381 GO-ME
51▶cd: 4-Part Chorales, BWV 382-438 MI-WO
52▶cd: Magnificat BWV 243, 243a
53▶cd: Motets
54▶cd: Mass in B minor (1 Mortensen)
55▶cd: Mass in B minor (2 Mortensen)
56▶cd: Mass in B minor (1 Brüggen)
57▶cd: Mass in B minor (2 Brüggen) / Missa BWV 233
58▶cd: Missas BWV 234-236
59▶cd: St. John Passion (1724) (1 Gardiner)
60▶cd: St. John Passion (1724) (2 Gardiner)
61▶cd: St. John Passion (1749) (1 Suzuki)
62▶cd: St. John Passion (1749) (2 Suzuki)
63▶cd: St. Matthew Passion (1 Gardiner)
64▶cd: St. Matthew Passion (2 Gardiner)
65▶cd: St. Matthew Passion (1 McCreesh)
66▶cd: St. Matthew Passion (2 McCreesh)
67▶cd: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
68▶cd: Easter Oratorio / Ascension Oratorio (Leonhardt)
69▶cd: Christmas Oratorio (1 Gardiner)
70▶cd: Christmas Oratorio (2 Gardiner)
71▶cd: Christmas Oratorio (1 Chailly)
72▶cd: Christmas Oratorio (2 Chailly)
73▶cd: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
74▶cd: Cantatas 134a, 203, 173a (1719-c. 1723)
75▶cd: Cantatas 36c, 205, 34a (1725-1726)
76▶cd: Cantatas 207, 204, 216a (1726-1728)
77▶cd: Cantatas 198, 201 (1727-1729)
78▶cd: Cantatas 213, 214 (1733)
79▶cd: Cantatas 211, 215 (1734)
80▶cd: Cantatas 206, 30a (1736-1737)
81▶cd: Cantatas 209, 210, 212 (1730s-1740s)
82▶cd: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
83▶cd: Cantatas 56, 82, 4
84▶cd: Cantatas 31, 104, 57
85▶cd: Cantatas 199, 173, 74, 151
86▶cd: Easter Oratorio / Cantata 140
87▶cd: Cantatas 170, 159, 102
88▶cd: Cantatas 80, 52, 84, 209
89▶cd: Cantatas 82, 158, 56
90▶cd: Cantatas 61, 63, 121, 28 (Advent & Christmas)
91▶cd: Cantatas 64, 65, 111, 81 (Advent & Christmas)
92▶cd: Cantatas 92, 126, 182 (Easter)
93▶cd: Cantatas 1, 4, 67, 104 (Easter)
94▶cd: Cantatas 34, 68, 39 (Whitsun)
95▶cd: Cantatas 30, 147 (Whitsun)
96▶cd: Cantatas 76, 21 (Trinity)
97▶cd: Cantatas 135, 10, 45, 105 (Trinity)
98▶cd: Cantatas 51, 78, 8, 130 (Trinity)
99▶cd: Cantatas 27, 5, 60, 26 (Trinity)
100▶cd: St. Matthew Passion (1 Richter)
101▶cd: St. Matthew Passion (2 Richter)
102▶cd: St. Matthew Passion (3 Richter)
103▶cd: Great Singers (1952-1965)
104▶cd: Great Singers (1967-2011)
105▶cd: Great Singers (Period Instruments)
106▶cd: Organ Works (Introduction 1)
107▶cd: Organ Works (Introduction 2)
108▶cd: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
109▶cd: Passacaglia & Fugue, BWV 582 / Other Weimar works
110▶cd: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
111▶cd: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
112▶cd: 6 Trio Sonatas, BWV 525-530 (Koopman)
113▶cd: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
114▶cd: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
115▶cd: Early Chorale Preludes / Chorale Partitas
116▶cd: Chorale Preludes (Mühlhausen & Weimar)
117▶cd: Breitkopf Collection, BWV 690-713
118▶cd: Orgelbüchlein (Preston)
119▶cd: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
120▶cd: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
121▶cd: 21 Chorale Preludes, BWV 669-689 (Walcha)
122▶cd: Clavier-Übung III (1) (Preston)
123▶cd: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
124▶cd: Free Works of Unproven Authenticity
125▶cd: Chorale-Based Works of Unproven Authenticity (Fragments)
126▶cd: Keyboard Works (Introduction 1: Harpsichord)
127▶cd: Keyboard Works (Introduction 2: Piano)
128▶cd: Early Fugues & Capriccios
129▶cd: Early Suites & Sonatas
130▶cd: Toccatas, BWV 910-916
131▶cd: Virtuoso Fantasias & Fugues
132▶cd: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
133▶cd: 2- & 3-Part Inventions / Preludes, BWV 924-943
134▶cd: English Suites 1-3 (Dreyfus)
135▶cd: English Suites 4-6 (Dreyfus)
136▶cd: French Suites 1-4 (Hogwood)
137▶cd: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
138▶cd: Partitas 1, 2, 6 (Rousset)
139▶cd: Partitas 3-5 (Rousset)
140▶cd: Italian Concerto / French Overture / 4 Duets (Rousset)
141▶cd: The Well-Tempered Clavier, Book I (1 Gilbert)
142▶cd: The Well-Tempered Clavier, Book I (2 Gilbert)
143▶cd: The Well-Tempered Clavier, Book II (1 Gilbert)
144▶cd: The Well-Tempered Clavier, Book II (2 Gilbert)
145▶cd: Goldberg Variations (Rousset)
146▶cd: Goldberg Variations (Esfahani)
147▶cd: English Suites 1-3 (Pogorelich / Schiff / Argerich)
148▶cd: English Suites 4-6 (Schiff / Bahrami / Hewitt)
149▶cd: French Suites 1-3 (Perahia)
150▶cd: French Suites 4-6 (Perahia)
151▶cd: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
152▶cd: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
153▶cd: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
154▶cd: The Well-Tempered Clavier, Book I (1 Pollini)
155▶cd: The Well-Tempered Clavier, Book I (2 Pollini)
156▶cd: The Well-Tempered Clavier, Book II (1 Schiff)
157▶cd: The Well-Tempered Clavier, Book II (2 Schiff)
158▶cd: Goldberg Variations (Schiff)
159▶cd: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
160▶cd: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
161▶cd: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
162▶cd: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
163▶cd: Orgelbüchlein (Walcha)
164▶cd: Brandenburg Concertos 1-6 (Goebel)
165▶cd: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
166▶cd: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
167▶cd: Orchestral Suites 1-3 (Goebel)
168▶cd: Orchestral Suites 2-4 (Goebel / Hogwood)
169▶cd: Orchestral Suites 1-4 (Pinnock)
170▶cd: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
171▶cd: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
172▶cd: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
173▶cd: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
174▶cd: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
175▶cd: Brandenburg Concertos (Landmark Performances 1935-1964)
176▶cd: Brandenburg Concertos (Landmark Performances 1967-2013)
177▶cd: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
178▶cd: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
179▶cd: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
180▶cd: Concertos (Alternative Instrumentations)
181▶cd: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
182▶cd: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
183▶cd: Suites for "Lute"
184▶cd: Cello Suites 1, 3, 5 (Watkin)
185▶cd: Cello Suites 2, 4, 6 (Watkin)
186▶cd: Violin Sonatas BWV 1014-1018
187▶cd: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
188▶cd: 5 Flute Sonatas / Partita for Solo Flute
189▶cd: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
190▶cd: Musical Offering / Canons (Goebel)
191▶cd: The Art of Fugue (Accademia Bizantina, Dantone)
192▶cd: The Art of Fugue (Aimard)
193▶cd: The Art of Fugue (1742) (Gilbert)
194▶cd: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
195▶cd: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
196▶cd: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
197▶cd: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
198▶cd: Cello Suites 1-3 (Fournier)
199▶cd: Cello Suites 4-6 (Fournier)
200▶cd: Solo & Chamber Works (Alternative Instrumentations)
201▶cd: Clavier-Büchlein W. F. Bach (1)
202▶cd: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
203▶cd: Notenbüchlein A. M. Bach (1725) (1)
204▶cd: Notenbüchlein A. M. Bach (1725) (2)
205▶cd: Schemelli Gesangbuch BWV 439-474
206▶cd: Schemelli Gesangbuch BWV 475-507
207▶cd: Bach: Early Influences
208▶cd: Concertos at Weimar (Telemann / Prince Johann Ernst)
209▶cd: Concertos at Weimar (Vivaldi)
210▶cd: Concertos at Weimar (Vivaldi / A. & B. Marcello)
211▶cd: The Bach Family
212▶cd: Bach & Other Composers (c. 1715-1730)
213▶cd: Bach & Other Composers (c. 1730-1742)
214▶cd: Bach & Other Composers (1742-1750)
215▶cd: Bach Renewed (From Bach's Sons to Mahler)
216▶cd: Bach Reimagined (Chaconne & Passacaglia)
217▶cd: Bach Orchestrated (Reger to Stokowski)
218▶cd: Inspired by Bach (Gounod to Pärt)
219▶cd: Bach & The Virtuoso Piano (Liszt and Busoni)
220▶cd: Bach & The Virtuoso Piano (The 20th Century)
221▶cd: Bach à la Jazz
222▶cd: New Colours of Bach
223▶dvd-video: Bach: A Passionate Life

Relaties

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ASIN:US: B07D2Y539K [info]
discografisch lemma:https://www.bach333.com/en/ [info]

Uitgavegroep

deel van:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (volgorde: 1)
eigen website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]