The Rossini Edition

~ Release by Gioachino Rossini (see all versions of this release, 1 available)

Tracklist

1▶CD: L’inganno felice (cond. M. Minkowski)
2▶CD: La scala di seta - Disc 1 (cond. G. Ferro)
3▶CD: La scala di seta - Disc 2 (cond. G. Ferro)
4▶CD: Tancredi - Disc 1 (cond. G. Ferro)
5▶CD: Tancredi - Disc 2 (cond. G. Ferro)
6▶CD: Tancredi - Disc 3 (cond. G. Ferro)
7▶CD: L’italiana in Algeri - Disc 1 (cond. C. Scimone)
8▶CD: L’italiana in Algeri - Disc 2 (cond. C. Scimone)
9▶CD: Il turco in Italia - Disc 1 (cond. G. Gavazzeni)
10▶CD: Il turco in Italia - Disc 2 (cond. G. Gavazzeni)
11▶CD: Il barbiere di Siviglia - Disc 1 (cond. J. Levine)
12▶CD: Il barbiere di Siviglia - Disc 2 (cond. J. Levine)
13▶CD: La Cenerentola - Disc 1 (cond. V. Gui)
14▶CD: La Cenerentola - Disc 2 (cond. V. Gui)
15▶CD: Ermione - Disc 1 (cond. C. Scimone)
16▶CD: Ermione - Disc 2 (cond. C. Scimone)
17▶CD: Bianca e Falliero - Disc 1 (cond. D. Renzetti)
18▶CD: Bianca e Falliero - Disc 2 (cond. D. Renzetti)
19▶CD: Bianca e Falliero - Disc 3 (cond. D. Renzetti)
20▶CD: Zelmira (1822 version) - Disc 1 (cond. C. Scimone)
21▶CD: Zelmira (1822 version) - Disc 2 (cond. C. Scimone)
22▶CD: Semiramide - Disc 1 (cond. A. Zedda)
23▶CD: Semiramide - Disc 2 (cond. A. Zedda)
24▶CD: Semiramide - Disc 3 (cond. A. Zedda)
25▶CD: L’assedio di Corinto - Disc 1 (cond. T. Schippers; mixed 1820/1826 version)
26▶CD: L’assedio di Corinto - Disc 2 (cond. T. Schippers; mixed 1820/1826 version)
27▶CD: L’assedio di Corinto - Disc 3 (cond. T. Schippers; mixed 1820/1826 version)
28▶CD: Le Comte Ory - Disc 1 (cond. V. Gui)
29▶CD: Le Comte Ory - Disc 2 (cond. V. Gui)
30▶CD: Guillaume Tell - Disc 1 (cond. L. Gardelli)
31▶CD: Guillaume Tell - Disc 2 (cond. L. Gardelli)
32▶CD: Guillaume Tell - Disc 3 (cond. L. Gardelli)
33▼CD: Guillaume Tell - Disc 4 (cond. L. Gardelli)
#TitleRatingLength
1Guillaume Tell, Acte III, Appendice: "Ah! que ton âme se rassure" (Jemmy)
soprano vocals [Jemmy]:
Mady Mesplé (soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
recording of:
Guillaume Tell : Acte III. Final: Air: « Ah, que ton âme se rassure » (Jemmy)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte III
6:01
2Guillaume Tell, Acte IV, Scène 1 No. 19: "Ne m'abandonne pas, espoir de la vengeance!" (Arnold)
tenor vocals [Arnold]:
Nicolai Gedda (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
recording of:
Guillaume Tell : Acte IV. No. 18 "Ne m'abandonne point" (Arnold)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte IV
3:20
3Guillaume Tell, Acte IV, Scène 1: Air "Asile héréditaire" (Arnold)
tenor vocals [Arnold]:
Nicolai Gedda (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
recording of:
Guillaume Tell : Acte IV. "Asile héréditaire" (Arnold)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte IV
3:37
4Guillaume Tell, Acte IV, Scène 1: "Vengeance! Vengeance!" (Arnold)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
tenor vocals [Arnold]:
Nicolai Gedda (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
partial recording of:
Guillaume Tell : Acte IV. « Vengeance ! » (Chœur, Arnold)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte IV
2:23
5Guillaume Tell, Acte IV, Scène 2: "Amis, amis, secondez ma vengeance" (Chorus, Arnold)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
tenor vocals [Arnold]:
Nicolai Gedda (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
partial recording of:
Guillaume Tell : Acte IV. « Vengeance ! » (Chœur, Arnold)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte IV
3:33
6Guillaume Tell, Acte IV, Scène 3: "Où vas-tu? Ta douleur t'égare" (Chorus, Hedwige, Jemmy)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals [Hedwige]:
Jocelyne Taillon (mezzo-soprano)
soprano vocals [Jemmy]:
Mady Mesplé (soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
recording of:
Guillaume Tell : Acte IV. Récitatif: « Où vas-tu ? ta douleur t'égare » (Chœur, Hedwige, Jemmy)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte IV
1:56
7Guillaume Tell, Acte IV, Scène 2 No. 20 Trio "Je rends à vostre aour un fils digne de vous" (Mathilde, Jemmy, Hedwige)
mezzo-soprano vocals [Hedwige]:
Jocelyne Taillon (mezzo-soprano)
soprano vocals [Jemmy]:
Mady Mesplé (soprano)
soprano vocals [Mathilde]:
Montserrat Caballé (soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
recording of:
Guillaume Tell : Acte IV. No. 18 bis Trio: « Je rends a votre amour » (Mathilde, Jemmy, Hedwige)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte IV
4:21
8Guillaume Tell, Acte IV, Scène 4 No. 21: Trio "Quoi! dans nos maux acceptant un partage" (Mahtilde, Jemmy, Hedwige)
mezzo-soprano vocals [Hedwige]:
Jocelyne Taillon (mezzo-soprano)
soprano vocals [Jemmy]:
Mady Mesplé (soprano)
soprano vocals [Mathilde]:
Montserrat Caballé (soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
partial recording of:
Guillaume Tell : Acte IV. No. 19 Final: Récitatif, prière et Chœur: « Quoi ! Dans nos maux » (Hedwige, Mathilde, Jemmy, Chœur)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte IV
2:26
9Guillaume Tell, Acte IV, Scène 5: Prière "Toi, qui du faible es l'espérance" (Hedwige, Mathilde, Chorus)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals [Hedwige]:
Jocelyne Taillon (mezzo-soprano)
soprano vocals [Mathilde]:
Montserrat Caballé (soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
partial recording of:
Guillaume Tell : Acte IV. No. 19 Final: Récitatif, prière et Chœur: « Quoi ! Dans nos maux » (Hedwige, Mathilde, Jemmy, Chœur)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte IV
2:43
10Guillaume Tell, Acte IV, Scènes 6-7: "Suivez-moi! suivez-moi!" (Leuthold, Hedwige, Mathilde)
bass vocals [Leuthold]:
Nicolas Christou (Belgian Bass-Baritone)
mezzo-soprano vocals [Hedwige]:
Jocelyne Taillon (mezzo-soprano)
soprano vocals [Mathilde]:
Montserrat Caballé (soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
partial recording of:
Guillaume Tell : Acte IV. Final: « Je l’ai vu ! » (Leuthold, Hedwige, Mathilde, Chœur, Gessler, Guillaume, Jemmy)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte IV
2:52
11Guillaume Tell, Acte IV, Scène 8: "Je te revois!" (Hedwige, Jemmy, Tell, Soldiers, Gessler, Chorus, Mathilde)
baritone vocals [Guillaume Tell]:
Gabriel Bacquier (French baritone)
bass vocals [Gessler]:
Louis Hendrikx (Belgian operatic bass)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals [Hedwige]:
Jocelyne Taillon (mezzo-soprano)
soprano vocals [Jemmy]:
Mady Mesplé (soprano)
soprano vocals [Mathilde]:
Montserrat Caballé (soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
partial recording of:
Guillaume Tell : Acte IV. Final: « Je l’ai vu ! » (Leuthold, Hedwige, Mathilde, Chœur, Gessler, Guillaume, Jemmy)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte IV
0:40
12Guillaume Tell, Acte IV, Scène 9: "En vain il veut noous fuir" (Walter, Tell, Jemmy, Hedwige, Mathilde, Chorus, Arnold)
baritone vocals [Guillaume Tell]:
Gabriel Bacquier (French baritone)
bass vocals [Walter]:
Kolos Kováts (operatic bass)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals [Hedwige]:
Jocelyne Taillon (mezzo-soprano)
soprano vocals [Jemmy]:
Mady Mesplé (soprano)
soprano vocals [Mathilde]:
Montserrat Caballé (soprano)
tenor vocals [Arnold]:
Nicolai Gedda (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
partial recording of:
Guillaume Tell : Acte IV. Final: « En vain il veut nous fuir » (Chœur, Gessler, Hedwige, Jemmy, Walter, Arnold, Mathilde)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte IV
1:22
13Guillaume Tell, Acte IV, Scène 10: "A ces signaux de flamme enfin cessons de craindre" (Walter, Tell, Jemmy, Hedwige, Mathilde, Chorus, Arnold)
baritone vocals [Guillaume Tell]:
Gabriel Bacquier (French baritone)
bass vocals [Walter]:
Kolos Kováts (operatic bass)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals [Hedwige]:
Jocelyne Taillon (mezzo-soprano)
soprano vocals [Jemmy]:
Mady Mesplé (soprano)
soprano vocals [Mathilde]:
Montserrat Caballé (soprano)
tenor vocals [Arnold]:
Nicolai Gedda (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
partial recording of:
Guillaume Tell : Acte IV. Final: « En vain il veut nous fuir » (Chœur, Gessler, Hedwige, Jemmy, Walter, Arnold, Mathilde)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte IV
1:22
14Guillaume Tell, Acte IV, Scène 11: "Pourquoi ta présence, ô mon père! ... Tout change et grandit en ce lieux!" (Arnold, Tell, Hedwige, Jemmy, Chorus)
baritone vocals [Guillaume Tell]:
Gabriel Bacquier (French baritone)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals [Hedwige]:
Jocelyne Taillon (mezzo-soprano)
soprano vocals [Jemmy]:
Mady Mesplé (soprano)
tenor vocals [Arnold]:
Nicolai Gedda (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
recording of:
Guillaume Tell : Acte IV. Final: « Tu n'as plus à former de vœux » … « Tout change et grandit en ces lieux » (Guillaume, Hedwige, Jemmy, Mathilde, Arnold, Walter, Chœur)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte IV
3:38
34▶CD: Edipo a Colono (cond. C. Scimone)
35▶CD: Rossini: Bicentenary Gala Concert Disc 1
36▶CD: Rossini: Bicentenary Gala Concert Disc 2
37▶CD: Colbran, the Muse
38▶CD: The Rossini Tenor
39▶CD: Encore: Rossini
40▶CD: Rossini Mélodies
41▶CD: Giovanna d’Arco e Ariette rare
42▶CD
43▶CD
44▶CD
45▶CD: Stabat Mater (cond. A. Pappano)
46▶CD: Petite Messe solennelle (cond. A. Pappano)
47▶CD: Messa di Gloria (cond. S. Accardo) - Improvisations & Transcriptions
48▶CD: 6 Sonatas for Strings (cond. C. Scimone)
49▶CD: La Boutique fantasque - Péchés de vieillesse
50▶CD: Quartets for Flute, Clarinet, Horn & Bassoon - Introduction, Theme And Variations

Credits

Release group

includes:Bianca e Falliero by Gioachino Rossini (composer); Katia Ricciarelli (soprano), Chris Merritt (American opera singer, tenor), Marilyn Horne (American operatic mezzo-soprano), Giorgio Surjan (bass-baritone), The London Sinfonietta Opera Orchestra, Donato Renzetti (Italian conductor)
Edipo a Colono by Rossini (composer); Ghiuselev (operatic bass), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Claudio Scimone (conductor)
Ermione by Rossini (composer); Gasdia (Italian operatic soprano), Zimmermann (mezzo-soprano), Merritt (American opera singer, tenor), Chœur Philharmonique de Prague (Czech Philharmonic Chorus, Prague Philharmonic Choir), Orchestre Philharmonique de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra), Claudio Scimone (conductor)
Il barbiere di Siviglia (London, 1975) by Gioachino Rossini (composer); Beverly Sills (soprano), Sherrill Milnes (baritone), Nicolai Gedda (tenor), Renato Capecchi (baritone), Fedora Barbieri (mezzo-soprano), Ruggero Raimondi (bass-baritone), The John Alldis Choir, London Symphony Orchestra, James Levine (US conductor and pianist)
Il turco in Italia (1954 studio cast) by Gioachino Rossini (composer); Maria Callas (soprano), Nicola Rossi‐Lemeni (operatic bass), Nicolai Gedda (tenor), Mariano Stabile (baritone), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Gianandrea Gavazzeni (conductor)
L’assedio di Corinto (Live, 1969-04-11, Milano) by Gioachino Rossini (composer); Beverly Sills (soprano), Marilyn Horne (American operatic mezzo-soprano), Franco Bonisolli (tenor), Thomas Schippers (conductor and composer)
L’inganno felice by Gioachino Rossini (composer); Annick Massis (soprano), Raúl Giménez (tenor), Rodney Gilfry (baritone), Pietro Spagnoli (baritone), Lorenzo Regazzo (bass-baritone), Le Concert des Tuileries, Marc Minkowski (bassoonist and conductor)
L’italiana in Algeri (1980 studio cast) by Gioachino Rossini (composer); Marilyn Horne (American operatic mezzo-soprano), Samuel Ramey (bass-baritone), Ernesto Palacio (Peruvian tenor), Kathleen Battle (soprano), Clara Foti (alto / contralto), Domenico Trimarchi (bass-baritone), Nicola Zaccaria (operatic bass), Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir), I Solisti Veneti, Claudio Scimone (conductor)
La Cenerentola (1953 studio cast) by Gioachino Rossini (composer); Marina de Gabarain (mezzo-soprano), Juan Oncina (tenor), Sesto Bruscantini (bass-baritone), Alda Noni (soprano), Glyndebourne Festival Chorus & Orchestra, Vittorio Gui (conductor and composer)
La scala di seta by Gioachino Rossini (composer); Luciana Serra (soprano), Cecilia Bartoli (mezzo‐soprano), William Matteuzzi (tenor), Roberto Coviello (baritone), Natale de Carolis (Italian operatic baritone), Oslavio di Credico (tenor), Orchestra del Teatro Comunale di Bologna, Gabriele Ferro (conductor)
Messa di Gloria by Gioachino Rossini (composer); Antonacci (soprano), Manca di Nissa (contralto), Araiza (tenor), Gambill (tenor), Spagnoli (baritone), Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Salvatore Accardo (violinist and conductor)
Petite messe solennelle by Gioachino Rossini (composer): Antonio Pappano (conductor and pianist), Marina Rebeka (soprano), Sara Mingardo (contralto), Francesco Meli (operatic tenor), Alex Esposito (Operatic bass baritone)
Semiramide by Gioachino Rossini (composer); Iano Tamar (soprano), Gloria Scalchi (mezzo-soprano), Michele Pertusi (operatic bass), Gregory Kunde (tenor), Coro Filarmonico di Praga (Czech Philharmonic Chorus, Prague Philharmonic Choir), Orchestra del Teatro Comunale di Bologna, Alberto Zedda (conductor)
Tancredi by Gioachino Rossini (composer); Fiorenza Cossotto (mezzo-soprano), Lella Cuberli (soprano), Werner Hollweg (tenor), Nicola Ghiuselev (operatic bass), Helga Müller (mezzo-soprano), Lucia Rizzi (soprano / mezzo-soprano), Chor des WDR Köln, Cappella Coloniensis, Gabriele Ferro (conductor)
Zelmira by Gioachino Rossini (composer); Cecilia Gasdia (Italian operatic soprano), Bernarda Fink (mezzo-soprano), William Matteuzzi (tenor), Chris Merritt (American opera singer, tenor), The Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), I Solisti Veneti, Claudio Scimone (conductor)