Cantatas, Vol. 2

~ Release by J.S. Bach; Fritz Werner, Agnes Giebel, Helmut Krebs, Heinrich-Schütz Choir, Heilbronn, Pforzheim Chamber Orchestra (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Herz und Mund und Tat und Leben, BWV 147: 1. Coro: "Herz und Mund und Tat und Lebens"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1963)
tenor vocals:
Helmut Krebs (tenor) (in 1963)
orchestra:
Pforzheim Chamber Orchestra (in 1963)
conductor:
Fritz Werner (German conductor and organist) (in 1963)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (in 1963)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach5:08
2Herz und Mund und Tat und Leben, BWV 147: 2. Recitativo: (Tenore) "Gebenedeiter Mund!"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
tenor vocals:
Helmut Krebs (tenor) (in 1963)
orchestra:
Pforzheim Chamber Orchestra (in 1963)
conductor:
Fritz Werner (German conductor and organist) (in 1963)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, II. Recitativo (Tenore) „Gebenedeiter Mund!“ (in 1963)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach1:42
3Herz und Mund und Tat und Leben, BWV 147: 3. Aria: (Alto) "Schäme dich, o Seele, nicht"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
alto vocals:
Claudia Hellmann (contralto) (in 1963)
orchestra:
Pforzheim Chamber Orchestra (in 1963)
conductor:
Fritz Werner (German conductor and organist) (in 1963)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, III. Aria (Alto) „Schäme dich, o Seele, nicht“ (in 1963)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:21
4Herz und Mund und Tat und Leben, BWV 147: 4. Recitativo: (Basso) "Verstockung kann Gewaltige verblenden"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
bass vocals:
Prof. Jakob Stämpfli (operatic bass / recording engineer) (in 1963)
orchestra:
Pforzheim Chamber Orchestra (in 1963)
conductor:
Fritz Werner (German conductor and organist) (in 1963)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, IV. Recitativo (Basso) „Verstockung kann Gewaltige verblenden“ (in 1963)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach1:57
5Herz und Mund und Tat und Leben, BWV 147: 5. Aria: (Soprano) "Bereite dir, Jesu, noch itzo die Bahn"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
soprano vocals:
Agnes Giebel (soprano) (in 1963)
orchestra:
Pforzheim Chamber Orchestra (in 1963)
conductor:
Fritz Werner (German conductor and organist) (in 1963)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (in 1963)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach4:29
6Herz und Mund und Tat und Leben, BWV 147: 6. Choral: "Wohl mir, daß ich Jesum habe"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1963)
orchestra:
Pforzheim Chamber Orchestra (in 1963)
conductor:
Fritz Werner (German conductor and organist) (in 1963)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, VI. Choral „Wohl mir, dass ich Jesum habe“ (in 1963)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach4:00
7Herz und Mund und Tat und Leben, BWV 147: 7. Aria: (Tenore) "Hilf, Jesu, hilf"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
tenor vocals:
Helmut Krebs (tenor) (in 1963)
orchestra:
Pforzheim Chamber Orchestra (in 1963)
conductor:
Fritz Werner (German conductor and organist) (in 1963)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VII. Aria (Tenore) „Hilf, Jesu, hilf, dass ich auch dich bekenne“ (in 1963)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:03
8Herz und Mund und Tat und Leben, BWV 147: 8. Recitativo: (Alto) "Der höchsten Allmacht Wunderhand"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
alto vocals:
Claudia Hellmann (contralto) (in 1963)
orchestra:
Pforzheim Chamber Orchestra (in 1963)
conductor:
Fritz Werner (German conductor and organist) (in 1963)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VIII. Recitativo (Alto) „Der höchsten Allmacht Wunderhand“ (in 1963)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:35
9Herz und Mund und Tat und Leben, BWV 147: 9. Aria: (Basso) "Ich will von Jesu Wunden singen"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
bass vocals:
Prof. Jakob Stämpfli (operatic bass / recording engineer) (in 1963)
orchestra:
Pforzheim Chamber Orchestra (in 1963)
conductor:
Fritz Werner (German conductor and organist) (in 1963)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, IX. Aria (Basso) „Ich will von Jesu Wundern singen“ (in 1963)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:19
10Herz und Mund und Tat und Leben, BWV 147: 10. Choral: "Jesus bleibet meine Freude"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1963)
orchestra:
Pforzheim Chamber Orchestra (in 1963)
conductor:
Fritz Werner (German conductor and organist) (in 1963)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (in 1963)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach4:13
11Herr, gehe nicht ins Gericht, BWV 105: 1. Coro: "Herr, gehe nicht ins Gericht"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1963-06)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1963-06)
orchestra:
Pforzheim Chamber Orchestra (in 1963-06)
conductor:
Fritz Werner (German conductor and organist) (in 1963-06)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": I. Coro (+ Sopran, Alt, Tenor, Bass) "Herr, gehe nicht ins Gericht mit deinem Knecht" (in 1963-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach8:01
12Herr, gehe nicht ins Gericht, BWV 105: 2. Recitativo: (Alto) "Mein Gott, verwirf mich nicht"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1963-06)
alto vocals:
Claudia Hellmann (contralto) (in 1963-06)
orchestra:
Pforzheim Chamber Orchestra (in 1963-06)
conductor:
Fritz Werner (German conductor and organist) (in 1963-06)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": II. Recitativo (Alt) "Mein Gott, verwirf mich nicht" (in 1963-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach1:22
13Herr, gehe nicht ins Gericht, BWV 105: 3. Aria: (Soprano) "Wie zittern und wanken"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1963-06)
soprano vocals:
Agnes Giebel (soprano) (in 1963-06)
orchestra:
Pforzheim Chamber Orchestra (in 1963-06)
conductor:
Fritz Werner (German conductor and organist) (in 1963-06)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": III. Aria (Sopran) "Wie zittern und wanken" (in 1963-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach6:11
14Herr, gehe nicht ins Gericht, BWV 105: 4. Recitativo: (Basso) "Wohl aber dem, der seinen Bürgen weiß"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1963-06)
bass vocals:
Erich Wenk (bass-baritone) (in 1963-06)
orchestra:
Pforzheim Chamber Orchestra (in 1963-06)
conductor:
Fritz Werner (German conductor and organist) (in 1963-06)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": IV. Recitativo (Bass) "Wohl aber dem, der seinen Bürgen weiß" (in 1963-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach2:25
15Herr, gehe nicht ins Gericht, BWV 105: 5. Aria: (Tenore) "Kann ich nur Jesum mir zum Freunde machen"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1963-06)
tenor vocals:
Helmut Krebs (tenor) (in 1963-06)
orchestra:
Pforzheim Chamber Orchestra (in 1963-06)
conductor:
Fritz Werner (German conductor and organist) (in 1963-06)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": V. Aria (Tenor) "Kann ich nur Jesum mir zum Freunde machen" (in 1963-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach6:31
16Herr, gehe nicht ins Gericht, BWV 105: 6. Choral: "Nun, ich weiß, du wirst mir stillen"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1963-06)
orchestra:
Pforzheim Chamber Orchestra (in 1963-06)
conductor:
Fritz Werner (German conductor and organist) (in 1963-06)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": VI. Choral "Nun, ich weiß, du wirst mir stillen" (in 1963-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach2:08
17Ich weiß, daß mein Erlöser lebt, BWV 160: 1. Aria: (Tenore) "Ich weiß, daß mein Erlöser lebt"
tenor vocals:
Helmut Krebs (tenor) (from 1957-03-02 until 1957-03-04)
orchestra:
Südwestfunk-Orchester Baden-Baden (SWR Baden-Baden and Freiburg Symphony Orchestra) (from 1957-03-02 until 1957-03-04)
conductor:
Fritz Werner (German conductor and organist) (from 1957-03-02 until 1957-03-04)
recorded at:
Johanneskirche (Weinsberg) in Weinsberg, Baden-Württemberg, Germany (from 1957-03-02 until 1957-03-04)
recording of:
Cantata "Ich weiss, dass mein Erlöser lebt", TWV 1:877 : I. Aria (tenor). "Ich weiß, daß mein Erlöser lebt" (from 1957-03-02 until 1957-03-04)
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, "Ich weiss, dass mein Erlöser lebt", TWV 1:877 (formerly BWV 160)
Johann Sebastian Bach4:09
18Ich weiß, daß mein Erlöser lebt, BWV 160: 2. Recitativo: (Tenore) "Er lebt und ist von Toten auferstanden!"
tenor vocals:
Helmut Krebs (tenor) (from 1957-03-02 until 1957-03-04)
orchestra:
Südwestfunk-Orchester Baden-Baden (SWR Baden-Baden and Freiburg Symphony Orchestra) (from 1957-03-02 until 1957-03-04)
conductor:
Fritz Werner (German conductor and organist) (from 1957-03-02 until 1957-03-04)
recorded at:
Johanneskirche (Weinsberg) in Weinsberg, Baden-Württemberg, Germany (from 1957-03-02 until 1957-03-04)
recording of:
Cantata "Ich weiss, dass mein Erlöser lebt", TWV 1:877 : II. Recitative (tenor). "Er lebt und ist von Toten auferstanden" (from 1957-03-02 until 1957-03-04)
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, "Ich weiss, dass mein Erlöser lebt", TWV 1:877 (formerly BWV 160)
Johann Sebastian Bach2:56
19Ich weiß, daß mein Erlöser lebt, BWV 160: 3. Aria: (Tenore) "Gott Lob, daß mein Erlöser lebt"
tenor vocals:
Helmut Krebs (tenor) (from 1957-03-02 until 1957-03-04)
orchestra:
Südwestfunk-Orchester Baden-Baden (SWR Baden-Baden and Freiburg Symphony Orchestra) (from 1957-03-02 until 1957-03-04)
conductor:
Fritz Werner (German conductor and organist) (from 1957-03-02 until 1957-03-04)
recorded at:
Johanneskirche (Weinsberg) in Weinsberg, Baden-Württemberg, Germany (from 1957-03-02 until 1957-03-04)
recording of:
Cantata "Ich weiss, dass mein Erlöser lebt", TWV 1:877 : III. Aria (tenor). "Gott Lob! Daß mein Erlöser lebt" (from 1957-03-02 until 1957-03-04)
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, "Ich weiss, dass mein Erlöser lebt", TWV 1:877 (formerly BWV 160)
Johann Sebastian Bach2:50
20Ich weiß, daß mein Erlöser lebt, BWV 160: 4. Recitativo: (Tenore) "So biet" ich allen Teufeln Trutz!"
tenor vocals:
Helmut Krebs (tenor) (from 1957-03-02 until 1957-03-04)
orchestra:
Südwestfunk-Orchester Baden-Baden (SWR Baden-Baden and Freiburg Symphony Orchestra) (from 1957-03-02 until 1957-03-04)
conductor:
Fritz Werner (German conductor and organist) (from 1957-03-02 until 1957-03-04)
recorded at:
Johanneskirche (Weinsberg) in Weinsberg, Baden-Württemberg, Germany (from 1957-03-02 until 1957-03-04)
recording of:
Cantata "Ich weiss, dass mein Erlöser lebt", TWV 1:877 : IV. Recitative (tenor). "So biet ich allen Teufeln Trutz" (from 1957-03-02 until 1957-03-04)
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, "Ich weiss, dass mein Erlöser lebt", TWV 1:877 (formerly BWV 160)
Johann Sebastian Bach1:01
21Ich weiß, daß mein Erlöser lebt, BWV 160: 5. Aria: (Tenore) "Nun, ich halte mich bereit"
tenor vocals:
Helmut Krebs (tenor) (from 1957-03-02 until 1957-03-04)
orchestra:
Südwestfunk-Orchester Baden-Baden (SWR Baden-Baden and Freiburg Symphony Orchestra) (from 1957-03-02 until 1957-03-04)
conductor:
Fritz Werner (German conductor and organist) (from 1957-03-02 until 1957-03-04)
recorded at:
Johanneskirche (Weinsberg) in Weinsberg, Baden-Württemberg, Germany (from 1957-03-02 until 1957-03-04)
recording of:
Cantata "Ich weiss, dass mein Erlöser lebt", TWV 1:877 : V. Aria (tenor). "Nun, ich halte mich bereit" (from 1957-03-02 until 1957-03-04)
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, "Ich weiss, dass mein Erlöser lebt", TWV 1:877 (formerly BWV 160)
Johann Sebastian Bach1:47
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Credits

Release

manufactured in:EU (Europe)
art direction:Stuart Wilson (Art director)
liner notes:Nele Anders
Nicholas Anderson (producer and liner notes writer)
Alfred Dürr (German musicologist)
Ludwig Finscher (musicologist and author)
Wolfgang Marx (liner notes)
Gerhard Schumacher
remastering:Tony Bridge (mastering engineer)
Stephen Frost (sound engineer)
Tony Harrison (producer and sound engineer for classical music)
Mike Hatch (engineer/editor)
Limo Hearn
David Hinitt (UK recording engineer, early 21c)
Geoff Miles (editor and engineer)
Raphael Mouterde
booklet editor:Fabian Watkinson
artwork:Pieter Bruegel de Oude (in 1562: task: cover "The Fall of the Rebel Angel")
phonographic copyright (℗) by:Warner Classics (in 2004)
Warner Music UK Ltd. (not for release label use!) (in 2004)
art direction:WLP Ltd. (graphic design agency)
remastered at:Floating Earth Ltd. in London (Greater London), England, United Kingdom
Discogs:https://www.discogs.com/release/31180624 [info]