The Rossini Edition

~ Release by Gioachino Rossini (see all versions of this release, 1 available)

Tracklist

1▶CD: L’inganno felice (cond. M. Minkowski)
2▶CD: La scala di seta - Disc 1 (cond. G. Ferro)
3▶CD: La scala di seta - Disc 2 (cond. G. Ferro)
4▶CD: Tancredi - Disc 1 (cond. G. Ferro)
5▶CD: Tancredi - Disc 2 (cond. G. Ferro)
6▶CD: Tancredi - Disc 3 (cond. G. Ferro)
7▶CD: L’italiana in Algeri - Disc 1 (cond. C. Scimone)
8▶CD: L’italiana in Algeri - Disc 2 (cond. C. Scimone)
9▶CD: Il turco in Italia - Disc 1 (cond. G. Gavazzeni)
10▶CD: Il turco in Italia - Disc 2 (cond. G. Gavazzeni)
11▶CD: Il barbiere di Siviglia - Disc 1 (cond. J. Levine)
12▶CD: Il barbiere di Siviglia - Disc 2 (cond. J. Levine)
13▶CD: La Cenerentola - Disc 1 (cond. V. Gui)
14▶CD: La Cenerentola - Disc 2 (cond. V. Gui)
15▶CD: Ermione - Disc 1 (cond. C. Scimone)
16▶CD: Ermione - Disc 2 (cond. C. Scimone)
17▶CD: Bianca e Falliero - Disc 1 (cond. D. Renzetti)
18▶CD: Bianca e Falliero - Disc 2 (cond. D. Renzetti)
19▶CD: Bianca e Falliero - Disc 3 (cond. D. Renzetti)
20▶CD: Zelmira (1822 version) - Disc 1 (cond. C. Scimone)
21▶CD: Zelmira (1822 version) - Disc 2 (cond. C. Scimone)
22▶CD: Semiramide - Disc 1 (cond. A. Zedda)
23▶CD: Semiramide - Disc 2 (cond. A. Zedda)
24▶CD: Semiramide - Disc 3 (cond. A. Zedda)
25▶CD: L’assedio di Corinto - Disc 1 (cond. T. Schippers; mixed 1820/1826 version)
26▶CD: L’assedio di Corinto - Disc 2 (cond. T. Schippers; mixed 1820/1826 version)
27▶CD: L’assedio di Corinto - Disc 3 (cond. T. Schippers; mixed 1820/1826 version)
28▶CD: Le Comte Ory - Disc 1 (cond. V. Gui)
29▶CD: Le Comte Ory - Disc 2 (cond. V. Gui)
30▶CD: Guillaume Tell - Disc 1 (cond. L. Gardelli)
31▶CD: Guillaume Tell - Disc 2 (cond. L. Gardelli)
32▶CD: Guillaume Tell - Disc 3 (cond. L. Gardelli)
33▶CD: Guillaume Tell - Disc 4 (cond. L. Gardelli)
34▶CD: Edipo a Colono (cond. C. Scimone)
35▶CD: Rossini: Bicentenary Gala Concert Disc 1
36▶CD: Rossini: Bicentenary Gala Concert Disc 2
37▼CD: Colbran, the Muse
#TitleRatingLength
1Armida, 2. Akt - D'Amor al dolce impero
mezzo-soprano vocals:
Joyce DiDonato (mezzo-soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Edoardo Müller (conductor)
recording of:
Armida: Atto II. N. 10 Finale secondo “D'amore al dolce impero” (Armida, coro)
composer:
Gioachino Rossini (composer)
librettist:
Giovanni Schmidt (librettist)
part of:
Armida: Atto II
7:37
2La donna del lago, 1. Akt, 1. Szene - Oh mattutinit albori!
mezzo-soprano vocals:
Joyce DiDonato (mezzo-soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Edoardo Müller (conductor)
recording of:
La donna del lago: Atto I, scena 1. “Oh mattutini albori!” (Elena)
composer:
Gioachino Rossini (composer)
librettist:
Andrea Leone Tottola
part of:
La donna del lago: Atto I
4:42
3La donna del lago, 2. Akt, Scena ultima - Tanti affetti in talmomento
mezzo-soprano vocals:
Joyce DiDonato (mezzo-soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Edoardo Müller (conductor)
recording of:
La donna del lago: Atto II, scena 3. No. 13. Rondò finale “Tanti affetti in tal momento” (Elena, tutti gli altri)
composer:
Gioachino Rossini (composer)
librettist:
Andrea Leone Tottola
part of:
La donna del lago: Atto II
4:17
4La donna del lago, 1. Akt, 3. Szene - Fra il padre, e fra l'amante
mezzo-soprano vocals:
Joyce DiDonato (mezzo-soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Edoardo Müller (conductor)
recording of:
La donna del lago: Atto II, scena 3. No. 13. Rondò finale “Fra il padre, e fra l'amante” (Elena, tutti gli altri)
composer:
Gioachino Rossini (composer)
librettist:
Andrea Leone Tottola
part of:
La donna del lago: Atto II
4:07
5Maometto II, 1. Akt, 3. Szene - Giusto ciel, in tal periglio
mezzo-soprano vocals:
Joyce DiDonato (mezzo-soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Edoardo Müller (conductor)
recording of:
Maometto II: Atto I. Preghiera “Giusto ciel, in tal periglio” (Anna, donne)
composer:
Gioachino Rossini (composer)
librettist:
Cesare della Valle
part of:
Maometto II: Atto I
3:38
6Elisabetta, reginad'Inghilterra, 1. Akt, 2. Szene - Quant'è frato all'alma mia
mezzo-soprano vocals:
Joyce DiDonato (mezzo-soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Edoardo Müller (conductor)
recording of:
Elisabetta, regina d'Inghilterra: Atto I. “Quant'è grato all'alma mia” (Elisabetta)
composer:
Gioachino Rossini (composer)
librettist:
Giovanni Schmidt (librettist)
part of:
Elisabetta, regina d'Inghilterra, Atto I
6:50
7Semiramide, 1. Akt, 9. Szene - Serena i vaghi rai
mezzo-soprano vocals:
Joyce DiDonato (mezzo-soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Edoardo Müller (conductor)
recording of:
Semiramide: Atto I. No. 5 Coro di donne “Serena i vaghi rai” (Coro)
composer:
Gioachino Rossini (composer)
librettist:
Gaetano Rossi (librettist)
part of:
Semiramide: Atto I
3:16
8Semiramide, 1. Akt, 9. Szene - Bel raggio lusinghier
mezzo-soprano vocals:
Joyce DiDonato (mezzo-soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Edoardo Müller (conductor)
recording of:
Semiramide: Atto I. Cavatina “Bel raggio lusinghier” (Semiramide)
composer:
Gioachino Rossini (composer)
librettist:
Gaetano Rossi (librettist)
part of:
Semiramide: Atto I
6:10
9Otello, 3. Akt - Ah! Dagli afanni oppressa
mezzo-soprano vocals:
Joyce DiDonato (mezzo-soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Edoardo Müller (conductor)
recording of:
Otello: Atto III. No. 10. Scena e recitativo “Ah! Dagli affanni oppressa” (Emilia, Desdemona)
composer:
Gioachino Rossini (composer)
part of:
Otello: Atto III
3:37
10Otello, 3. Akt - Nessun maggior dolore
mezzo-soprano vocals:
Joyce DiDonato (mezzo-soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Edoardo Müller (conductor)
recording of:
Otello: Atto III. Canzone del gondoliero: “Nessun maggior dolore” … “Oh come infino al core” (Gondoliero, Desdemona, Emilia)
composer:
Gioachino Rossini (composer)
part of:
Otello: Atto III
part of:
Otello: Atto III
1:49
11Otello, 3. Akt - Oh come infino al core
mezzo-soprano vocals:
Joyce DiDonato (mezzo-soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Edoardo Müller (conductor)
recording of:
Otello: Atto III. Canzone del gondoliero: “Nessun maggior dolore” … “Oh come infino al core” (Gondoliero, Desdemona, Emilia)
composer:
Gioachino Rossini (composer)
part of:
Otello: Atto III
part of:
Otello: Atto III
2:58
12Otello, 3. Akt - Assisa appiè d'un salice
mezzo-soprano vocals:
Joyce DiDonato (mezzo-soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Edoardo Müller (conductor)
recording of:
Otello: Atto III. Canzone del salice “Assisa a piè d'un salice” (Desdemona, Emilia) (Willow Song)
composer:
Gioachino Rossini (composer)
part of:
Otello: Atto III
7:49
13Otello, 3. Akt - Deh calma, o ciel, nel sonno
mezzo-soprano vocals:
Joyce DiDonato (mezzo-soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Edoardo Müller (conductor)
recording of:
Otello: Atto III. No. 11. “M’ascolta …” (Desdemona, Emilia)
composer:
Gioachino Rossini (composer)
part of:
Otello: Atto III
2:35
14Armida, 3. Akt, 9. Szene - Se al mie crudel tormento
mezzo-soprano vocals:
Joyce DiDonato (mezzo-soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Edoardo Müller (conductor)
recording of:
Armida: Atto III. N. 15 Finale terzo “Se al mio crudel tormento” (Armida, Rinaldo, Carlo, Ubaldo)
lyricist and librettist:
Giovanni Schmidt (librettist)
composer:
Gioachino Rossini (composer)
part of:
Armida: Atto III
5:39
15Armida, 3. Akt, 10. Szene - Dove son io!
mezzo-soprano vocals:
Joyce DiDonato (mezzo-soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Edoardo Müller (conductor)
recording of:
Armida: Atto II. N. 9 Duetto “Dove son io!” (Rinaldo, Armida)
composer:
Gioachino Rossini (composer)
librettist:
Giovanni Schmidt (librettist)
part of:
Armida: Atto II
4:33
16Armida, 3. Akt, 10. Szene - È ver... gode quest'anima
mezzo-soprano vocals:
Joyce DiDonato (mezzo-soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Edoardo Müller (conductor)
recording of:
Armida: Atto III. N. 15 Finale terzo “E' ver... gode quest anima” (Armida, coro)
lyricist:
Giovanni Schmidt (librettist)
composer:
Gioachino Rossini (composer)
part of:
Armida: Atto III
2:21
38▶CD: The Rossini Tenor
39▶CD: Encore: Rossini
40▶CD: Rossini Mélodies
41▶CD: Giovanna d’Arco e Ariette rare
42▶CD
43▶CD
44▶CD
45▶CD: Stabat Mater (cond. A. Pappano)
46▶CD: Petite Messe solennelle (cond. A. Pappano)
47▶CD: Messa di Gloria (cond. S. Accardo) - Improvisations & Transcriptions
48▶CD: 6 Sonatas for Strings (cond. C. Scimone)
49▶CD: La Boutique fantasque - Péchés de vieillesse
50▶CD: Quartets for Flute, Clarinet, Horn & Bassoon - Introduction, Theme And Variations

Credits

Release group

includes:Bianca e Falliero by Gioachino Rossini (composer); Katia Ricciarelli (soprano), Chris Merritt (American opera singer, tenor), Marilyn Horne (American operatic mezzo-soprano), Giorgio Surjan (bass-baritone), The London Sinfonietta Opera Orchestra, Donato Renzetti (Italian conductor)
Edipo a Colono by Rossini (composer); Ghiuselev (operatic bass), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Claudio Scimone (conductor)
Ermione by Rossini (composer); Gasdia (Italian operatic soprano), Zimmermann (mezzo-soprano), Merritt (American opera singer, tenor), Chœur Philharmonique de Prague (Czech Philharmonic Chorus, Prague Philharmonic Choir), Orchestre Philharmonique de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra), Claudio Scimone (conductor)
Il barbiere di Siviglia (London, 1975) by Gioachino Rossini (composer); Beverly Sills (soprano), Sherrill Milnes (baritone), Nicolai Gedda (tenor), Renato Capecchi (baritone), Fedora Barbieri (mezzo-soprano), Ruggero Raimondi (bass-baritone), The John Alldis Choir, London Symphony Orchestra, James Levine (US conductor and pianist)
Il turco in Italia (1954 studio cast) by Gioachino Rossini (composer); Maria Callas (soprano), Nicola Rossi‐Lemeni (operatic bass), Nicolai Gedda (tenor), Mariano Stabile (baritone), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Gianandrea Gavazzeni (conductor)
L’assedio di Corinto (Live, 1969-04-11, Milano) by Gioachino Rossini (composer); Beverly Sills (soprano), Marilyn Horne (American operatic mezzo-soprano), Franco Bonisolli (tenor), Thomas Schippers (conductor and composer)
L’inganno felice by Gioachino Rossini (composer); Annick Massis (soprano), Raúl Giménez (tenor), Rodney Gilfry (baritone), Pietro Spagnoli (baritone), Lorenzo Regazzo (bass-baritone), Le Concert des Tuileries, Marc Minkowski (bassoonist and conductor)
L’italiana in Algeri (1980 studio cast) by Gioachino Rossini (composer); Marilyn Horne (American operatic mezzo-soprano), Samuel Ramey (bass-baritone), Ernesto Palacio (Peruvian tenor), Kathleen Battle (soprano), Clara Foti (alto / contralto), Domenico Trimarchi (bass-baritone), Nicola Zaccaria (operatic bass), Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir), I Solisti Veneti, Claudio Scimone (conductor)
La Cenerentola (1953 studio cast) by Gioachino Rossini (composer); Marina de Gabarain (mezzo-soprano), Juan Oncina (tenor), Sesto Bruscantini (bass-baritone), Alda Noni (soprano), Glyndebourne Festival Chorus & Orchestra, Vittorio Gui (conductor and composer)
La scala di seta by Gioachino Rossini (composer); Luciana Serra (soprano), Cecilia Bartoli (mezzo‐soprano), William Matteuzzi (tenor), Roberto Coviello (baritone), Natale de Carolis (Italian operatic baritone), Oslavio di Credico (tenor), Orchestra del Teatro Comunale di Bologna, Gabriele Ferro (conductor)
Messa di Gloria by Gioachino Rossini (composer); Antonacci (soprano), Manca di Nissa (contralto), Araiza (tenor), Gambill (tenor), Spagnoli (baritone), Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Salvatore Accardo (violinist and conductor)
Petite messe solennelle by Gioachino Rossini (composer): Antonio Pappano (conductor and pianist), Marina Rebeka (soprano), Sara Mingardo (contralto), Francesco Meli (operatic tenor), Alex Esposito (Operatic bass baritone)
Semiramide by Gioachino Rossini (composer); Iano Tamar (soprano), Gloria Scalchi (mezzo-soprano), Michele Pertusi (operatic bass), Gregory Kunde (tenor), Coro Filarmonico di Praga (Czech Philharmonic Chorus, Prague Philharmonic Choir), Orchestra del Teatro Comunale di Bologna, Alberto Zedda (conductor)
Tancredi by Gioachino Rossini (composer); Fiorenza Cossotto (mezzo-soprano), Lella Cuberli (soprano), Werner Hollweg (tenor), Nicola Ghiuselev (operatic bass), Helga Müller (mezzo-soprano), Lucia Rizzi (soprano / mezzo-soprano), Chor des WDR Köln, Cappella Coloniensis, Gabriele Ferro (conductor)
Zelmira by Gioachino Rossini (composer); Cecilia Gasdia (Italian operatic soprano), Bernarda Fink (mezzo-soprano), William Matteuzzi (tenor), Chris Merritt (American opera singer, tenor), The Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), I Solisti Veneti, Claudio Scimone (conductor)