Bach 333 - J.S. Bach The New Complete Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Annotation

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Annotation last modified on 2020-03-13 23:27 UTC.

Tracklist

1CD: Cantatas 150, 4, 71, 196 (1706-1708)
2CD: Cantatas 131, 106, 143, 18 (1708-1713)
3CD: Cantatas 182, 12, 54, 172 (1714)
4CD: Cantatas 21, 199 (1714)
5CD: Cantatas 61, 63, 152, 158, 31 (1714-1715)
6CD: Cantatas 165, 185, 163, 132, 155 (1715-1716)
7CD: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
8CD: Cantatas 75, 76, 24 (1723)
9CD: Cantatas 167, 147, 186, 136 (1723)
10CD: Cantatas 105, 46, 179, 50, 69a (1723)
11CD: Cantatas 77, 25, 119, 138 (1723)
12CD: Cantatas 95, 148, 48, 109 (1723)
13CD: Cantatas 89, 60, 90, 70, 40 (1723)
14CD: Cantatas 64, 190, 153, 65, 154 (1723-1724)
15CD: Cantatas 73, 81, 83, 144, 181 (1724)
16CD: Cantatas 18, 66, 134, 67 (1724)
17CD: Cantatas 104, 166, 86, 37, 44 (1724)
18CD: Cantatas 173, 184, 194 (1724)
19CD: Cantatas 20, 2, 7, 135 (1724)
20CD: Cantatas 10, 93, 107, 178 (1724)
21CD: Cantatas 94, 101, 113 (1724)
22CD: Cantatas 33, 78, 99, 8 (1724)
23CD: Cantatas 130, 114, 96, 5 (1724)
24CD: Cantatas 180, 38, 115, 139 (1724)
25CD: Cantatas 26, 116, 62, 91, 121 (1724)
26CD: Cantatas 133, 122, 41, 123 (1724-1725)
27CD: Cantatas 124, 3, 111, 92 (1725)
28CD: Cantatas 125, 126, 127 (1725)
29CD: Cantatas 1, 6, 42 (1725)
30CD: Cantatas 85, 103, 108, 87, 128 (1725)
31CD: Cantatas 183, 74, 68, 175, 176 (1725)
32CD: Cantatas 168, 137, 164, 79, 110 (1725)
33CD: Cantatas 57, 151, 28, 16 (1725-1726)
34CD: Cantatas 32, 13, 72, 43 (1726)
35CD: Cantatas 146, 129, 39 (1726)
36CD: Cantatas 88, 170, 187, 45 (1726)
37CD: Cantatas 102, 35, 17, 19 (1726)
38CD: Cantatas 27, 47, 169, 56 (1726)
39CD: Cantatas 49, 98, 55, 52, 58 (1726-1727)
40CD: Cantatas 82, 157, 84 (1727)
41CD: Cantatas 34, 193, 117, 188 (1727-1728)
42CD: Cantatas 171, 156, 159, 120a (1729)
43CD: Cantatas 174, 149, 51, 192, 112 (1729-1731)
44CD: Cantatas 29, 140, 36 (1731)
45CD: Cantatas 177, 9, 97, 14 (1732-1735)
46CD: Cantatas 100, 195, 197, 197a (c. 1728-1736)
47CD: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
48CD: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
49CD: 4-Part Chorales, BWV 250-318 AC-GO
50CD: 4-Part Chorales, BWV 319-381 GO-ME
51CD: 4-Part Chorales, BWV 382-438 MI-WO
52CD: Magnificat BWV 243, 243a
53CD: Motets
54CD: Mass in B minor (1 Mortensen)
55CD: Mass in B minor (2 Mortensen)
56CD: Mass in B minor (1 Brüggen)
57CD: Mass in B minor (2 Brüggen) / Missa BWV 233
58CD: Missas BWV 234-236
59CD: St. John Passion (1724) (1 Gardiner)
60CD: St. John Passion (1724) (2 Gardiner)
61CD: St. John Passion (1749) (1 Suzuki)
62CD: St. John Passion (1749) (2 Suzuki)
63CD: St. Matthew Passion (1 Gardiner)
64CD: St. Matthew Passion (2 Gardiner)
65CD: St. Matthew Passion (1 McCreesh)
66CD: St. Matthew Passion (2 McCreesh)
67CD: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
68CD: Easter Oratorio / Ascension Oratorio (Leonhardt)
69CD: Christmas Oratorio (1 Gardiner)
70CD: Christmas Oratorio (2 Gardiner)
71CD: Christmas Oratorio (1 Chailly)
72CD: Christmas Oratorio (2 Chailly)
73CD: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
74CD: Cantatas 134a, 203, 173a (1719-c. 1723)
75CD: Cantatas 36c, 205, 34a (1725-1726)
76CD: Cantatas 207, 204, 216a (1726-1728)
77CD: Cantatas 198, 201 (1727-1729)
78CD: Cantatas 213, 214 (1733)
79CD: Cantatas 211, 215 (1734)
80CD: Cantatas 206, 30a (1736-1737)
81CD: Cantatas 209, 210, 212 (1730s-1740s)
82CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
83CD: Cantatas 56, 82, 4
84CD: Cantatas 31, 104, 57
85CD: Cantatas 199, 173, 74, 151
86CD: Easter Oratorio / Cantata 140
87CD: Cantatas 170, 159, 102
88CD: Cantatas 80, 52, 84, 209
89CD: Cantatas 82, 158, 56
90CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
91CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
92CD: Cantatas 92, 126, 182 (Easter)
93CD: Cantatas 1, 4, 67, 104 (Easter)
94CD: Cantatas 34, 68, 39 (Whitsun)
95CD: Cantatas 30, 147 (Whitsun)
#TitleRatingLength
1"Freue dich, erlöste Schar", BWV 30: 1. Chorus: "Freue dich, erlöste Schar"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, I. Coro "Freue dich, erlöste Schar" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
4:15
2"Freue dich, erlöste Schar", BWV 30: 2. Recitative: "Wir haben Rast"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, II. Recitativo (Basso) "Wir haben Rast" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
1:13
3"Freue dich, erlöste Schar", BWV 30: 3. Aria: "Gelobet sei Gott, gelobet sein Name"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, III. Aria (Basso) "Gelobet sei Gott, gelobet sein Name" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
4:34
4"Freue dich, erlöste Schar", BWV 30: 4. Recitative: "Der Herold kömmt und meldt den König an"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
alto vocals:
Anna Reynolds (alto) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, IV. Recitativo (Alto) "Der Herold kömmt und meldt den König an" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
0:55
5"Freue dich, erlöste Schar", BWV 30: 5. Aria: "Kommt, ihr angefochtnen Sünder"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
alto vocals:
Anna Reynolds (alto) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, V. Aria (Alto) "Kommt, ihr angefochtnen Sünder" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
8:01
6"Freue dich, erlöste Schar", BWV 30: 6. Chorale: "Eine Stimme lässt sich hören"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, VI. Choral "Eine Stimme lässt sich hören" (in 1975-01)
lyricist:
Johann Olearius
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Breitkopf 389 Choralgesänge (number: 103)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
1:11
7"Freue dich, erlöste Schar", BWV 30: 7. Recitative: "So bist du denn, mein Heil, bedacht"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil II, VII. Recitativo (Basso) "So bist du denn, mein Heil, bedacht" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
1:08
8"Freue dich, erlöste Schar", BWV 30: 8. Aria: "Ich will nun hassen"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil II, VIII. Aria (Basso) "Ich will nun hassen" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
6:21
9"Freue dich, erlöste Schar", BWV 30: 9. Recitative: "Und obwohl sonst der Unbestand"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
soprano vocals:
Edith Mathis (soprano) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil II, IX. Recitativo (Soprano) "Und obwohl sonst der Unbestand" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
1:02
10"Freue dich, erlöste Schar", BWV 30: 10. Aria: "Eilt, ihr Stunden, kommt herbei"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
soprano vocals:
Edith Mathis (soprano) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil II, X. Aria (Soprano) "Eilt, ihr Stunden, kommt herbei" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
6:12
11"Freue dich, erlöste Schar", BWV 30: 11. Recitative: "Geduld, der angenehme Tag"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil II, XI. Recitativo (Tenore) "Geduld, der angenehme Tag" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
1:11
12"Freue dich, erlöste Schar", BWV 30: 12. Chorus: "Freue dich, geheilgte Schar"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil II, XII. Coro "Freude dich, geheilgte Schar" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
4:22
13"Herz und Mund und Tat und Leben", BWV 147: 1. Chorus: "Herz und Mund und Tat und Leben"
producer:
Prof. Dr. Hans Hickmann
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
4:06
14"Herz und Mund und Tat und Leben", BWV 147: 2. Recitative: "Gebenedeiter Mund!"
producer:
Prof. Dr. Hans Hickmann
tenor vocals:
John van Kesteren (tenor) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, II. Recitativo (Tenore) „Gebenedeiter Mund!“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:08
15"Herz und Mund und Tat und Leben", BWV 147: 3. Aria: "Schäme dich, o Seele, nicht"
producer:
Prof. Dr. Hans Hickmann
alto vocals:
Hertha Töpper (mezzo soprano) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, III. Aria (Alto) „Schäme dich, o Seele, nicht“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
4:07
16"Herz und Mund und Tat und Leben", BWV 147: 4. Recitative: "Verstockung kann Gewaltige verblenden"
producer:
Prof. Dr. Hans Hickmann
bass vocals:
Kieth Engen (operatic bass) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, IV. Recitativo (Basso) „Verstockung kann Gewaltige verblenden“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:15
17"Herz und Mund und Tat und Leben", BWV 147: 5. Aria: "Bereite dir, Jesu, noch itzo die Bahn"
producer:
Prof. Dr. Hans Hickmann
soprano vocals:
Ursula Buckel (soprano) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, V. Aria (Soprano) „Bereite dir, Jesu, noch itzo die Bahn“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
4:28
18"Herz und Mund und Tat und Leben", BWV 147: 6. Chorale: "Wohl mir, dass ich Jesum habe"
producer:
Prof. Dr. Hans Hickmann
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, VI. Choral „Wohl mir, dass ich Jesum habe“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:29
19"Herz und Mund und Tat und Leben", BWV 147: 7. Aria: "Hilf, Jesu, hilf"
producer:
Prof. Dr. Hans Hickmann
tenor vocals:
John van Kesteren (tenor) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VII. Aria (Tenore) „Hilf, Jesu, hilf, dass ich auch dich bekenne“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:35
20"Herz und Mund und Tat und Leben", BWV 147: 8. Recitative: "Der höchsten Allmacht Wunderhand"
producer:
Prof. Dr. Hans Hickmann
alto vocals:
Hertha Töpper (mezzo soprano) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VIII. Recitativo (Alto) „Der höchsten Allmacht Wunderhand“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:48
21"Herz und Mund und Tat und Leben", BWV 147: 9. Aria: "Ich will von Jesu Wundern singen"
producer:
Prof. Dr. Hans Hickmann
bass vocals:
Kieth Engen (operatic bass) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, IX. Aria (Basso) „Ich will von Jesu Wundern singen“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:36
22"Herz und Mund und Tat und Leben", BWV 147: 10. Chorale: "Jesus bleibet meine Freude"
producer:
Prof. Dr. Hans Hickmann
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) and Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:33
96CD: Cantatas 76, 21 (Trinity)
97CD: Cantatas 135, 10, 45, 105 (Trinity)
98CD: Cantatas 51, 78, 8, 130 (Trinity)
99CD: Cantatas 27, 5, 60, 26 (Trinity)
100CD: St. Matthew Passion (1 Richter)
101CD: St. Matthew Passion (2 Richter)
102CD: St. Matthew Passion (3 Richter)
103CD: Great Singers (1952-1965)
104CD: Great Singers (1967-2011)
105CD: Great Singers (Period Instruments)
106CD: Organ Works (Introduction 1)
107CD: Organ Works (Introduction 2)
108CD: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
109CD: Passacaglia & Fugue, BWV 582 / Other Weimar works
110CD: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
111CD: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
112CD: 6 Trio Sonatas, BWV 525-530 (Koopman)
113CD: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
114CD: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
115CD: Early Chorale Preludes / Chorale Partitas
116CD: Chorale Preludes (Mühlhausen & Weimar)
117CD: Breitkopf Collection, BWV 690-713
118CD: Orgelbüchlein (Preston)
119CD: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
120CD: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
121CD: 21 Chorale Preludes, BWV 669-689 (Walcha)
122CD: Clavier-Übung III (1) (Preston)
123CD: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
124CD: Free Works of Unproven Authenticity
125CD: Chorale-Based Works of Unproven Authenticity (Fragments)
126CD: Keyboard Works (Introduction 1: Harpsichord)
127CD: Keyboard Works (Introduction 2: Piano)
128CD: Early Fugues & Capriccios
129CD: Early Suites & Sonatas
130CD: Toccatas, BWV 910-916
131CD: Virtuoso Fantasias & Fugues
132CD: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
133CD: 2- & 3-Part Inventions / Preludes, BWV 924-943
134CD: English Suites 1-3 (Dreyfus)
135CD: English Suites 4-6 (Dreyfus)
136CD: French Suites 1-4 (Hogwood)
137CD: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
138CD: Partitas 1, 2, 6 (Rousset)
139CD: Partitas 3-5 (Rousset)
140CD: Italian Concerto / French Overture / 4 Duets (Rousset)
141CD: The Well-Tempered Clavier, Book I (1 Gilbert)
142CD: The Well-Tempered Clavier, Book I (2 Gilbert)
143CD: The Well-Tempered Clavier, Book II (1 Gilbert)
144CD: The Well-Tempered Clavier, Book II (2 Gilbert)
145CD: Goldberg Variations (Rousset)
146CD: Goldberg Variations (Esfahani)
147CD: English Suites 1-3 (Pogorelich / Schiff / Argerich)
148CD: English Suites 4-6 (Schiff / Bahrami / Hewitt)
149CD: French Suites 1-3 (Perahia)
150CD: French Suites 4-6 (Perahia)
151CD: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
152CD: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
153CD: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
154CD: The Well-Tempered Clavier, Book I (1 Pollini)
155CD: The Well-Tempered Clavier, Book I (2 Pollini)
156CD: The Well-Tempered Clavier, Book II (1 Schiff)
157CD: The Well-Tempered Clavier, Book II (2 Schiff)
158CD: Goldberg Variations (Schiff)
159CD: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
160CD: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
161CD: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
162CD: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
163CD: Orgelbüchlein (Walcha)
164CD: Brandenburg Concertos 1-6 (Goebel)
165CD: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
166CD: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
167CD: Orchestral Suites 1-3 (Goebel)
168CD: Orchestral Suites 2-4 (Goebel / Hogwood)
169CD: Orchestral Suites 1-4 (Pinnock)
170CD: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
171CD: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
172CD: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
173CD: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
174CD: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
175CD: Brandenburg Concertos (Landmark Performances 1935-1964)
176CD: Brandenburg Concertos (Landmark Performances 1967-2013)
177CD: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
178CD: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
179CD: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
180CD: Concertos (Alternative Instrumentations)
181CD: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
182CD: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
183CD: Suites for "Lute"
184CD: Cello Suites 1, 3, 5 (Watkin)
185CD: Cello Suites 2, 4, 6 (Watkin)
186CD: Violin Sonatas BWV 1014-1018
187CD: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
188CD: 5 Flute Sonatas / Partita for Solo Flute
189CD: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
190CD: Musical Offering / Canons (Goebel)
191CD: The Art of Fugue (Accademia Bizantina, Dantone)
192CD: The Art of Fugue (Aimard)
193CD: The Art of Fugue (1742) (Gilbert)
194CD: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
195CD: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
196CD: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
197CD: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
198CD: Cello Suites 1-3 (Fournier)
199CD: Cello Suites 4-6 (Fournier)
200CD: Solo & Chamber Works (Alternative Instrumentations)
201CD: Clavier-Büchlein W. F. Bach (1)
202CD: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
203CD: Notenbüchlein A. M. Bach (1725) (1)
204CD: Notenbüchlein A. M. Bach (1725) (2)
205CD: Schemelli Gesangbuch BWV 439-474
206CD: Schemelli Gesangbuch BWV 475-507
207CD: Bach: Early Influences
208CD: Concertos at Weimar (Telemann / Prince Johann Ernst)
209CD: Concertos at Weimar (Vivaldi)
210CD: Concertos at Weimar (Vivaldi / A. & B. Marcello)
211CD: The Bach Family
212CD: Bach & Other Composers (c. 1715-1730)
213CD: Bach & Other Composers (c. 1730-1742)
214CD: Bach & Other Composers (1742-1750)
215CD: Bach Renewed (From Bach's Sons to Mahler)
216CD: Bach Reimagined (Chaconne & Passacaglia)
217CD: Bach Orchestrated (Reger to Stokowski)
218CD: Inspired by Bach (Gounod to Pärt)
219CD: Bach & The Virtuoso Piano (Liszt and Busoni)
220CD: Bach & The Virtuoso Piano (The 20th Century)
221CD: Bach à la Jazz
222CD: New Colours of Bach
223DVD-Video: Bach: A Passionate Life

Credits

Release

ASIN:US: B07D2Y539K [info]
discography entry:https://www.bach333.com/en/ [info]

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]