The Roulette Years

~ Veröffentlichung von Sarah Vaughan (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

CD shows "Volumes 1 / 2" on cover.

Anmerkung zuletzt geändert am 2020-02-13 04:25 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Ev’ry Time We Say Goodbye
Bass:
George Duvivier (am 1961-07-18)
Gitarre:
Mundell Lowe (am 1961-07-18)
vocals:
Sarah Vaughan (am 1961-07-18)
aufgenommen bei:
RKO-Pathé Studios in New York, New York, Vereinigte Staaten (am 1961-07-18)
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (am 1961-07-18)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:27
2Great Day
cover recording of:
(It’s Gonna Be a) Great Day
Texter:
Edward Eliscu und Billy Rose (lyricist and Broadway producer)
Komponist(in):
Vincent Youmans
publisher:
Anne-Rachel Music Corp., LSQ Music Co. und WC Music Corp.
2:13
3Just in Time
Produzent(in):
Teddy Reig
Bass und Kontrabass:
Joe Comfort (von 1962-08-07 bis 1962-08-08)
Gitarre:
Barney Kessel (von 1962-08-07 bis 1962-08-08)
vocals:
Sarah Vaughan (von 1962-08-07 bis 1962-08-08)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1962-08-07 bis 1962-08-08) und United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1962-08-07 bis 1962-08-08)
recording of:
Just in Time (Bells Are Ringing) (von 1962-08-07 bis 1962-08-08)
Texter:
Betty Comden (in 1956) und Adolph Green (in 1956)
Komponist(in):
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Bells Are Ringing (stage musical)
2:21
4You Stepped Out of a Dream
cover recording of:
You Stepped Out of a Dream (Ziegfeld Girl, 1941 film)
Texter:
Gus Kahn
Komponist(in):
Nacio Herb Brown (US songwriter)
publisher:
EMI Feist Catalog Inc.
Teil von:
Ziegfeld Girl (1941)
2:19
5Have You Met Miss Jones?
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1960-10-19)
vocals:
Sarah Vaughan (am 1960-10-19)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1960-10-19)
cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (am 1960-10-19)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Williamson Music Company
Teil von:
I’d Rather Be Right
2:21
6Jump for Joy
cover recording of:
Jump for Joy
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader), Sid Kuller und Paul Francis Webster
2:29
7Perdido
cover recording of:
Perdido (with lyrics)
Texter:
Ervin Drake (songwriter) (in 1944) und Hans J. Lengsfelder (in 1944)
Komponist(in):
Juan Tizol (in 1941)
arranger:
Les Harris (Sr., arranger)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
Version von:
Perdido (original instrumental version)
42:11
8I Cried for You
Produzent(in):
Teddy Reig
Bass:
Eddie Jones (US jazz double bassist) (am 1961-01-13)
Gitarre:
Freddie Green (am 1961-01-13)
Holzblasinstrumente:
Charlie Fowlkes (baritone saxophonist) (am 1961-01-13) und Frank Wess (am 1961-01-13)
Klavier:
Count Basie (pianist) (von 1960-07 bis 1961-01) und Kirk Stuart (am 1961-01-13)
Posaune:
Henry Coker (jazz trombonist) (am 1961-01-13), Al Grey (trombone) (am 1961-01-13) und Benny Powell (jazz trombonist) (am 1961-01-13)
Rohrblattinstrumente:
Marshall Royal (am 1961-01-13)
Schlagzeug:
Sonny Payne (am 1961-01-13)
Tenorsaxophon:
Frank Foster (saxophonist) (am 1961-01-13) und Billy Mitchell (US jazz saxophonist) (am 1961-01-13)
Trompete:
Sonny Cohn (am 1961-01-13), Thad Jones (American jazz trumpeter) (am 1961-01-13), Joe Newman (US jazz trumpeter) (am 1961-01-13) und Snooky Young (am 1961-01-13)
vocals:
Sarah Vaughan (am 1961-01-13)
arranger:
Thad Jones (American jazz trumpeter)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1961-01-13)
cover recording of:
I Cried for You (am 1961-01-13)
Texter:
Arthur Freed
Komponist(in):
Gus Arnheim und Abe Lyman
publisher:
Arthur Freed Music, CBS Miller Catalog, Inc. und Miller Music Corp.
52:57
9Mean to Me
Bass:
Eddie Jones (US jazz double bassist) (am 1961-01-12)
Gitarre:
Freddie Green (am 1961-01-12)
Holzblasinstrumente:
Charlie Fowlkes (baritone saxophonist) (am 1961-01-12) und Frank Wess (am 1961-01-12)
Klavier:
Kirk Stuart (am 1961-01-12)
Posaune:
Henry Coker (jazz trombonist) (am 1961-01-12), Al Grey (trombone) (am 1961-01-12) und Benny Powell (jazz trombonist) (am 1961-01-12)
Rohrblattinstrumente:
Marshall Royal (am 1961-01-12)
Schlagzeug:
Sonny Payne (am 1961-01-12)
Tenorsaxophon:
Frank Foster (saxophonist) (am 1961-01-12) und Billy Mitchell (US jazz saxophonist) (am 1961-01-12)
Trompete:
Sonny Cohn (am 1961-01-12), Thad Jones (American jazz trumpeter) (am 1961-01-12), Joe Newman (US jazz trumpeter) (am 1961-01-12) und Snooky Young (am 1961-01-12)
vocals:
Sarah Vaughan (am 1961-01-12)
arranger:
Thad Jones (American jazz trumpeter)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1961-01-12)
cover recording of:
Mean to Me (am 1961-01-12)
Texter:
Roy Turk
Komponist(in):
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. und Pencil Mark Music (ASCAP)
2:52
10Lover Man
cover recording of:
Lover Man
Texter:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
Komponist(in):
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (beendet) und Universal Music Corp. (USA, affiliated with ASCAP)
3:59
11Honeysuckle Rose
alto saxophone:
Paul Horn (am 1962-09-09) und Wilbur Schwartz (am 1962-09-09)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (am 1962-09-09)
Bass:
Joe Comfort (am 1962-09-09)
Bassposaune:
Ken Shroyer (trombonist) (am 1962-09-09)
Gitarre:
Ulysses Livingston (am 1962-09-09)
Klavier:
Lou Levy (am 1962-09-09)
Posaune:
Lou Blackburn (am 1962-09-09), Ed Kusby (am 1962-09-09) und Tommy Shepard (trombonist) (am 1962-09-09)
Schlagzeug:
Earl Palmer (am 1962-09-09)
Tenorsaxophon:
Buddy Collette (am 1962-09-09), Plas Johnson (am 1962-09-09) und Dave Pell (am 1962-09-09)
Trompete:
Don Fagerquist (am 1962-09-09), Carmell Jones (am 1962-09-09), Al Porcino (am 1962-09-09) und Shorty Sherock (am 1962-09-09)
Tuba:
Red Callender (am 1962-09-09)
vocals:
Sarah Vaughan (am 1962-09-09)
conductor:
Benny Carter (am 1962-09-09)
arranger:
Benny Carter
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-09-09)
cover recording of:
Honeysuckle Rose (am 1962-09-09)
Texter:
Andy Razaf (in 1928)
Komponist(in):
Fats Waller (in 1928)
publisher:
Intersong Music
Teil von:
New York, New York (1977 musical film soundtrack)
Teil von:
Thousands Cheer (1943 movie)
3:19
12I Can’t Give You Anything but Love
alto saxophone:
Bill Green (woodwind) (am 1962-08-15) und Paul Horn (am 1962-08-15)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (am 1962-08-15)
Bass:
Joe Comfort (am 1962-08-15)
Bassposaune:
George Roberts (american bass trombone) (am 1962-08-15)
Gitarre:
Ulysses Livingston (am 1962-08-15)
Klavier:
Jimmy Rowles (am 1962-08-15)
Posaune:
Lou Blackburn (am 1962-08-15), Ed Kusby (am 1962-08-15) und Tommy Shepard (trombonist) (am 1962-08-15)
Schlagzeug:
Earl Palmer (am 1962-08-15)
Tenorsaxophon:
Buddy Collette (am 1962-08-15) und Plas Johnson (am 1962-08-15)
Trompete:
Don Fagerquist (am 1962-08-15), Carmell Jones (am 1962-08-15), Al Porcino (am 1962-08-15) und Shorty Sherock (am 1962-08-15)
Tuba:
Red Callender (am 1962-08-15)
vocals:
Sarah Vaughan (am 1962-08-15)
conductor:
Benny Carter (am 1962-08-15)
arranger:
Benny Carter
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-08-15)
cover recording of:
I Can’t Give You Anything but Love, Baby (am 1962-08-15)
Texter:
Dorothy Fields (American librettist and lyricist)
Verfasser(in):
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3:11
13When Lights are Low
Produzent(in):
Teddy Reig
Bass und Kontrabass:
Joe Comfort (von 1962-08-07 bis 1962-08-08)
Gitarre:
Barney Kessel (von 1962-08-07 bis 1962-08-08)
vocals:
Sarah Vaughan (von 1962-08-07 bis 1962-08-08)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1962-08-07 bis 1962-08-08) und United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1962-08-07 bis 1962-08-08)
cover recording of:
When Lights Are Low (von 1962-08-07 bis 1962-08-08)
Texter:
Spencer Williams (US jazz composer, pianist & singer)
Komponist(in):
Benny Carter
publisher:
Bee Cee Music Co. und Mills Music
2:58
14All or Nothing at All
Produzent(in):
Teddy Reig
Bass und Kontrabass:
Joe Comfort (von 1962-08-07 bis 1962-08-08)
Gitarre:
Barney Kessel (von 1962-08-07 bis 1962-08-08)
vocals:
Sarah Vaughan (von 1962-08-07 bis 1962-08-08)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1962-08-07 bis 1962-08-08) und United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1962-08-07 bis 1962-08-08)
cover recording of:
All or Nothing at All (von 1962-08-07 bis 1962-08-08)
Texter:
Jack Lawrence (US songwriter)
Komponist(in):
Arthur Altman und Jack Lawrence (US songwriter)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. und Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:14
15’Round Midnight
Gitarre:
John Collins (US jazz guitarist) (am 1963-05-29)
Kontrabass:
Al McKibbon (double bassist) (am 1963-05-29)
Orgel:
Ernie Freeman (am 1963-05-29)
Schlagzeug:
Milt Turner (am 1963-05-29)
Tenorsaxophon:
Teddy Edwards (jazz saxophonist) (am 1963-05-29)
Trompete:
Carmell Jones (am 1963-05-29)
vocals:
Sarah Vaughan (am 1963-05-29)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-05-29)
cover recording of:
’Round Midnight (am 1963-05-29)
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
3:36
16Solitude
Bass:
Red Callender (am 1963-06-13)
Gitarre:
Barney Kessel (am 1963-06-13) und Tommy Tedesco (guitar) (am 1963-06-13)
Klavier:
Jimmy Rowles (am 1963-06-13)
Posaune:
Ed Kusby (am 1963-06-13) und Dick Nash (am 1963-06-13)
Rohrblattinstrumente:
Bill Green (woodwind) (am 1963-06-13), Buddy Collette (am 1963-06-13), Bill Hood (Jazz multi-instrumentalist) (am 1963-06-13), Plas Johnson (am 1963-06-13) und Wilbur Schwartz (am 1963-06-13)
Schlagzeug:
Alvin Stoller (am 1963-06-13)
Trompete:
Bobby Bryant (am 1963-06-13), Conrad Gozzo (am 1963-06-13), Carmell Jones (am 1963-06-13) und Shorty Sherock (am 1963-06-13)
vocals:
Sarah Vaughan (am 1963-06-13)
conductor:
Benny Carter (am 1963-06-13)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-06-13)
cover recording of:
(In My) Solitude (am 1963-06-13)
Texter:
Eddie DeLange (in 1934) und Irving Mills (in 1934)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) und J. R. Lafleur & Son Ltd.
3:51
17I’ll Never be the Same
Bass:
Red Callender (am 1963-06-13)
Gitarre:
Barney Kessel (am 1963-06-13) und Tommy Tedesco (guitar) (am 1963-06-13)
Klavier:
Jimmy Rowles (am 1963-06-13)
Posaune:
Ed Kusby (am 1963-06-13) und Dick Nash (am 1963-06-13)
Rohrblattinstrumente:
Bill Green (woodwind) (am 1963-06-13), Buddy Collette (am 1963-06-13), Bill Hood (Jazz multi-instrumentalist) (am 1963-06-13), Plas Johnson (am 1963-06-13) und Wilbur Schwartz (am 1963-06-13)
Schlagzeug:
Alvin Stoller (am 1963-06-13)
Trompete:
Bobby Bryant (am 1963-06-13), Conrad Gozzo (am 1963-06-13), Carmell Jones (am 1963-06-13) und Shorty Sherock (am 1963-06-13)
vocals:
Sarah Vaughan (am 1963-06-13)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-06-13)
cover recording of:
I’ll Never Be the Same (am 1963-06-13)
Texter:
Gus Kahn
Komponist(in):
Matty Malneck und Frank Signorelli
publisher:
EMI Robbins Catalog Inc. (ASCAP) und France Mélodie
3:47
18The Man I Love
cover recording of:
The Man I Love
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Lady, Be Good (full musical)
Teil von:
New York, New York (1977 musical film soundtrack)
4:09
19I’ll Be Seeing You
Gitarre:
Barry Galbraith (in 1960-04)
Harfe:
Janet Soyer (in 1960-04)
Schlagzeug:
Percy Brice (in 1960-04)
Trompete:
Harry “Sweets” Edison (in 1960-04)
vocals:
Sarah Vaughan (in 1960-04)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (in 1960-04)
cover recording of:
I’ll Be Seeing You (in 1960-04)
Texter:
Irving Kahal (in 1938)
Komponist(in):
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music und Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
2:55
20Maria
recording of:
West Side Story: Maria (Tony)
Texter:
Stephen Sondheim (in 1956)
Komponist(in):
Leonard Bernstein (American conductor, composer, pianist) (in 1956)
publisher:
Campbell Connelly & Co. Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Teil von:
West Side Story
3:18
21I Fall in Love Too Easily
recorded in:
New York, New York, Vereinigte Staaten (von 1962-07-23 bis 1962-07-24)
vocals:
Sarah Vaughan (von 1962-07-23 bis 1962-07-24)
conductor:
Don Costa (US pop music arranger & producer) (von 1962-07-23 bis 1962-07-24)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
I Fall in Love Too Easily (von 1962-07-23 bis 1962-07-24)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Feist Catalog Inc., EMI United Partnership Ltd. und Leo Feist, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 2)
3:23
22Glad to be Unhappy
recorded in:
New York, New York, Vereinigte Staaten (von 1962-07-23 bis 1962-07-24)
vocals:
Sarah Vaughan (von 1962-07-23 bis 1962-07-24)
conductor:
Don Costa (US pop music arranger & producer) (von 1962-07-23 bis 1962-07-24)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
Glad to Be Unhappy (von 1962-07-23 bis 1962-07-24)
Texter:
Lorenz Hart
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA) und Williamson Music Company
Teil von:
On Your Toes
4:15
23Spring Can Really Hang You Up the Most
recorded in:
New York, New York, Vereinigte Staaten (am 1962-07-27)
vocals:
Sarah Vaughan (am 1962-07-27)
conductor:
Don Costa (US pop music arranger & producer) (am 1962-07-27)
arranger:
Don Costa (US pop music arranger & producer)
recording of:
Spring Can Really Hang You Up the Most (am 1962-07-27)
Texter:
Fran Landesman
Komponist(in):
Tommy Wolf (US pianist/composer)
publisher:
Wolfland
3:48
24I Remember You
recorded in:
New York, New York, Vereinigte Staaten (von 1962-07-23 bis 1962-07-24)
vocals:
Sarah Vaughan (von 1962-07-23 bis 1962-07-24)
conductor:
Don Costa (US pop music arranger & producer) (von 1962-07-23 bis 1962-07-24)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
I Remember You (von 1962-07-23 bis 1962-07-24)
Texter:
Johnny Mercer (in 1941)
Komponist(in):
Victor Schertzinger (in 1941)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Paramount Music Corporation und Sony/ATV Music Publishing Australia Pty Ltd.
4:47

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