The Roulette Years

~ Release by Sarah Vaughan (see all versions of this release, 1 available)

Annotation

CD shows "Volumes 1 / 2" on cover.

Annotation last modified on 2020-02-13 04:25 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Ev’ry Time We Say Goodbye
bass:
George Duvivier (on 1961-07-18)
guitar:
Mundell Lowe (on 1961-07-18)
vocals:
Sarah Vaughan (on 1961-07-18)
recorded at:
RKO-Pathé Studios in New York, New York, United States (on 1961-07-18)
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (on 1961-07-18)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:27
2Great Day
cover recording of:
(It’s Gonna Be a) Great Day
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., LSQ Music Co. and WC Music Corp.
2:13
3Just in Time
producer:
Teddy Reig
bass and double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
recording of:
Just in Time (Bells Are Ringing) (from 1962-08-07 until 1962-08-08)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Bells Are Ringing (stage musical)
2:21
4You Stepped Out of a Dream
cover recording of:
You Stepped Out of a Dream (Ziegfeld Girl, 1941 film)
lyricist:
Gus Kahn
composer:
Nacio Herb Brown (US songwriter)
publisher:
EMI Feist Catalog Inc.
part of:
Ziegfeld Girl (1941)
2:19
5Have You Met Miss Jones?
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1960-10-19)
vocals:
Sarah Vaughan (on 1960-10-19)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1960-10-19)
cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1960-10-19)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
2:21
6Jump for Joy
cover recording of:
Jump for Joy
writer:
Duke Ellington (US composer, pianist & jazz bandleader), Sid Kuller and Paul Francis Webster
2:29
7Perdido
cover recording of:
Perdido (with lyrics)
lyricist:
Ervin Drake (songwriter) (in 1944) and Hans J. Lengsfelder (in 1944)
composer:
Juan Tizol (in 1941)
arranger:
Les Harris (Sr., arranger)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
version of:
Perdido (original instrumental version)
42:11
8I Cried for You
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-13)
drums (drum set):
Sonny Payne (on 1961-01-13)
guitar:
Freddie Green (on 1961-01-13)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-13)
reeds:
Marshall Royal (on 1961-01-13)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-13) and Billy Mitchell (US jazz saxophonist) (on 1961-01-13)
trombone:
Henry Coker (jazz trombonist) (on 1961-01-13), Al Grey (trombone) (on 1961-01-13) and Benny Powell (jazz trombonist) (on 1961-01-13)
trumpet:
Sonny Cohn (on 1961-01-13), Thad Jones (American jazz trumpeter) (on 1961-01-13), Joe Newman (US jazz trumpeter) (on 1961-01-13) and Snooky Young (on 1961-01-13)
woodwind:
Charlie Fowlkes (baritone saxophonist) (on 1961-01-13) and Frank Wess (on 1961-01-13)
vocals:
Sarah Vaughan (on 1961-01-13)
arranger:
Thad Jones (American jazz trumpeter)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-13)
cover recording of:
I Cried for You (on 1961-01-13)
lyricist:
Arthur Freed
composer:
Gus Arnheim and Abe Lyman
publisher:
Arthur Freed Music, CBS Miller Catalog, Inc. and Miller Music Corp.
52:57
9Mean to Me
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-12)
drums (drum set):
Sonny Payne (on 1961-01-12)
guitar:
Freddie Green (on 1961-01-12)
piano:
Kirk Stuart (on 1961-01-12)
reeds:
Marshall Royal (on 1961-01-12)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-12) and Billy Mitchell (US jazz saxophonist) (on 1961-01-12)
trombone:
Henry Coker (jazz trombonist) (on 1961-01-12), Al Grey (trombone) (on 1961-01-12) and Benny Powell (jazz trombonist) (on 1961-01-12)
trumpet:
Sonny Cohn (on 1961-01-12), Thad Jones (American jazz trumpeter) (on 1961-01-12), Joe Newman (US jazz trumpeter) (on 1961-01-12) and Snooky Young (on 1961-01-12)
woodwind:
Charlie Fowlkes (baritone saxophonist) (on 1961-01-12) and Frank Wess (on 1961-01-12)
vocals:
Sarah Vaughan (on 1961-01-12)
arranger:
Thad Jones (American jazz trumpeter)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-12)
cover recording of:
Mean to Me (on 1961-01-12)
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
2:52
10Lover Man
cover recording of:
Lover Man
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
3:59
11Honeysuckle Rose
alto saxophone:
Paul Horn (on 1962-09-09) and Wilbur Schwartz (on 1962-09-09)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-09-09)
bass:
Joe Comfort (on 1962-09-09)
bass trombone:
Ken Shroyer (trombonist) (on 1962-09-09)
drums (drum set):
Earl Palmer (on 1962-09-09)
guitar:
Ulysses Livingston (on 1962-09-09)
piano:
Lou Levy (on 1962-09-09)
tenor saxophone:
Buddy Collette (on 1962-09-09), Plas Johnson (on 1962-09-09) and Dave Pell (on 1962-09-09)
trombone:
Lou Blackburn (on 1962-09-09), Ed Kusby (on 1962-09-09) and Tommy Shepard (trombonist) (on 1962-09-09)
trumpet:
Don Fagerquist (on 1962-09-09), Carmell Jones (on 1962-09-09), Al Porcino (on 1962-09-09) and Shorty Sherock (on 1962-09-09)
tuba:
Red Callender (on 1962-09-09)
vocals:
Sarah Vaughan (on 1962-09-09)
conductor:
Benny Carter (on 1962-09-09)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-09-09)
cover recording of:
Honeysuckle Rose (on 1962-09-09)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
3:19
12I Can’t Give You Anything but Love
alto saxophone:
Bill Green (woodwind) (on 1962-08-15) and Paul Horn (on 1962-08-15)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-08-15)
bass:
Joe Comfort (on 1962-08-15)
bass trombone:
George Roberts (american bass trombone) (on 1962-08-15)
drums (drum set):
Earl Palmer (on 1962-08-15)
guitar:
Ulysses Livingston (on 1962-08-15)
piano:
Jimmy Rowles (on 1962-08-15)
tenor saxophone:
Buddy Collette (on 1962-08-15) and Plas Johnson (on 1962-08-15)
trombone:
Lou Blackburn (on 1962-08-15), Ed Kusby (on 1962-08-15) and Tommy Shepard (trombonist) (on 1962-08-15)
trumpet:
Don Fagerquist (on 1962-08-15), Carmell Jones (on 1962-08-15), Al Porcino (on 1962-08-15) and Shorty Sherock (on 1962-08-15)
tuba:
Red Callender (on 1962-08-15)
vocals:
Sarah Vaughan (on 1962-08-15)
conductor:
Benny Carter (on 1962-08-15)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-08-15)
cover recording of:
I Can’t Give You Anything but Love, Baby (on 1962-08-15)
lyricist:
Dorothy Fields (American librettist and lyricist)
writer:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:11
13When Lights are Low
producer:
Teddy Reig
bass and double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
When Lights Are Low (from 1962-08-07 until 1962-08-08)
lyricist:
Spencer Williams (US jazz composer, pianist & singer)
composer:
Benny Carter
publisher:
Bee Cee Music Co. and Mills Music
2:58
14All or Nothing at All
producer:
Teddy Reig
bass and double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
All or Nothing at All (from 1962-08-07 until 1962-08-08)
lyricist:
Jack Lawrence (US songwriter)
composer:
Arthur Altman and Jack Lawrence (US songwriter)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. and Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:14
15’Round Midnight
double bass:
Al McKibbon (double bassist) (on 1963-05-29)
drums (drum set):
Milt Turner (on 1963-05-29)
guitar:
John Collins (US jazz guitarist) (on 1963-05-29)
organ:
Ernie Freeman (on 1963-05-29)
tenor saxophone:
Teddy Edwards (jazz saxophonist) (on 1963-05-29)
trumpet:
Carmell Jones (on 1963-05-29)
vocals:
Sarah Vaughan (on 1963-05-29)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1963-05-29)
cover recording of:
’Round Midnight (on 1963-05-29)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
3:36
16Solitude
bass:
Red Callender (on 1963-06-13)
drums (drum set):
Alvin Stoller (on 1963-06-13)
guitar:
Barney Kessel (on 1963-06-13) and Tommy Tedesco (guitar) (on 1963-06-13)
piano:
Jimmy Rowles (on 1963-06-13)
reeds:
Bill Green (woodwind) (on 1963-06-13), Buddy Collette (on 1963-06-13), Bill Hood (Jazz multi-instrumentalist) (on 1963-06-13), Plas Johnson (on 1963-06-13) and Wilbur Schwartz (on 1963-06-13)
trombone:
Ed Kusby (on 1963-06-13) and Dick Nash (on 1963-06-13)
trumpet:
Bobby Bryant (on 1963-06-13), Conrad Gozzo (on 1963-06-13), Carmell Jones (on 1963-06-13) and Shorty Sherock (on 1963-06-13)
vocals:
Sarah Vaughan (on 1963-06-13)
conductor:
Benny Carter (on 1963-06-13)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1963-06-13)
cover recording of:
(In My) Solitude (on 1963-06-13)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
3:51
17I’ll Never be the Same
bass:
Red Callender (on 1963-06-13)
drums (drum set):
Alvin Stoller (on 1963-06-13)
guitar:
Barney Kessel (on 1963-06-13) and Tommy Tedesco (guitar) (on 1963-06-13)
piano:
Jimmy Rowles (on 1963-06-13)
reeds:
Bill Green (woodwind) (on 1963-06-13), Buddy Collette (on 1963-06-13), Bill Hood (Jazz multi-instrumentalist) (on 1963-06-13), Plas Johnson (on 1963-06-13) and Wilbur Schwartz (on 1963-06-13)
trombone:
Ed Kusby (on 1963-06-13) and Dick Nash (on 1963-06-13)
trumpet:
Bobby Bryant (on 1963-06-13), Conrad Gozzo (on 1963-06-13), Carmell Jones (on 1963-06-13) and Shorty Sherock (on 1963-06-13)
vocals:
Sarah Vaughan (on 1963-06-13)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1963-06-13)
cover recording of:
I’ll Never Be the Same (on 1963-06-13)
lyricist:
Gus Kahn
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI Robbins Catalog Inc. (ASCAP) and France Mélodie
3:47
18The Man I Love
cover recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
included in:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
4:09
19I’ll Be Seeing You
drums (drum set):
Percy Brice (in 1960-04)
guitar:
Barry Galbraith (in 1960-04)
harp:
Janet Soyer (in 1960-04)
trumpet:
Harry “Sweets” Edison (in 1960-04)
vocals:
Sarah Vaughan (in 1960-04)
recorded at:
Bell Sound Studios in New York, New York, United States (in 1960-04)
cover recording of:
I’ll Be Seeing You (in 1960-04)
lyricist:
Irving Kahal (in 1938)
composer:
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music and Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
2:55
20Maria
recording of:
West Side Story: Maria (Tony)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1956)
publisher:
Campbell Connelly & Co. Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story
3:18
21I Fall in Love Too Easily
recorded in:
New York, New York, United States (from 1962-07-23 until 1962-07-24)
vocals:
Sarah Vaughan (from 1962-07-23 until 1962-07-24)
conductor:
Don Costa (US pop music arranger & producer) (from 1962-07-23 until 1962-07-24)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
I Fall in Love Too Easily (from 1962-07-23 until 1962-07-24)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Feist Catalog Inc., EMI United Partnership Ltd. and Leo Feist, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 2)
3:23
22Glad to be Unhappy
recorded in:
New York, New York, United States (from 1962-07-23 until 1962-07-24)
vocals:
Sarah Vaughan (from 1962-07-23 until 1962-07-24)
conductor:
Don Costa (US pop music arranger & producer) (from 1962-07-23 until 1962-07-24)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
Glad to Be Unhappy (from 1962-07-23 until 1962-07-24)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
On Your Toes
4:15
23Spring Can Really Hang You Up the Most
recorded in:
New York, New York, United States (on 1962-07-27)
vocals:
Sarah Vaughan (on 1962-07-27)
conductor:
Don Costa (US pop music arranger & producer) (on 1962-07-27)
arranger:
Don Costa (US pop music arranger & producer)
recording of:
Spring Can Really Hang You Up the Most (on 1962-07-27)
lyricist:
Fran Landesman
composer:
Tommy Wolf (US pianist/composer)
publisher:
Wolfland
3:48
24I Remember You
recorded in:
New York, New York, United States (from 1962-07-23 until 1962-07-24)
vocals:
Sarah Vaughan (from 1962-07-23 until 1962-07-24)
conductor:
Don Costa (US pop music arranger & producer) (from 1962-07-23 until 1962-07-24)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
I Remember You (from 1962-07-23 until 1962-07-24)
lyricist:
Johnny Mercer (in 1941)
composer:
Victor Schertzinger (in 1941)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Paramount Music Corporation and Sony/ATV Music Publishing Australia Pty Ltd.
4:47