The Rossini Edition

~ Release by Gioachino Rossini (see all versions of this release, 1 available)

Tracklist

1CD: L’inganno felice (cond. M. Minkowski)
2CD: La scala di seta - Disc 1 (cond. G. Ferro)
3CD: La scala di seta - Disc 2 (cond. G. Ferro)
4CD: Tancredi - Disc 1 (cond. G. Ferro)
5CD: Tancredi - Disc 2 (cond. G. Ferro)
6CD: Tancredi - Disc 3 (cond. G. Ferro)
7CD: L’italiana in Algeri - Disc 1 (cond. C. Scimone)
8CD: L’italiana in Algeri - Disc 2 (cond. C. Scimone)
9CD: Il turco in Italia - Disc 1 (cond. G. Gavazzeni)
#TitleRatingLength
1Il turco in Italia: Sinfonia
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Sinfonia (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia (The Turk in Italy)
8:47
2Il turco in Italia: Atto I, scena 1. “Nostra patria è il mondo intero”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-08-31 until 1954-09-08)
mezzo-soprano vocals [Zaida]:
Jolanda Gardino (mezzo-soprano) (from 1954-08-31 until 1954-09-08)
tenor vocals [Albazar]:
Piero de Palma (tenor) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto I, scena 1. No. 1. Introduzione “Nostra patria è il mondo intero” (Coro, Zaida, Albazar) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto I
2:20
3Il turco in Italia: Atto I, scena 1. “Ho da fare un dramma buffo”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Prosdocimo]:
Mariano Stabile (baritone) (from 1954-08-31 until 1954-09-08)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-08-31 until 1954-09-08)
tenor vocals [Albazar]:
Piero de Palma (tenor) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto I, scena 1. “Ho da fare un dramma buffo” (Coro, Zaida, Albazar, Poeta) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto I
3:03
4Il turco in Italia: Atto I, scena 1. “Ah! se di questi Zingari I’arrivo”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Prosdocimo]:
Mariano Stabile (baritone) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto I, scena 1. Recitativo “Ah! se di questi Zingari l’arrivo” (Poeta) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto I
0:47
5Il turco in Italia: Atto I, scena 1. “Vado in traccia di una Zingara”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals [Geronio]:
Franco Calabrese (operatic bass) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto I, scena 1. No. 2. Cavatina “Vado in traccia di una Zingara” (Geronio) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto I
2:00
6Il turco in Italia: Atto I, scena 1. “Chi vuol farsi astrologar?”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals [Geronio]:
Franco Calabrese (operatic bass) (from 1954-08-31 until 1954-09-08)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-08-31 until 1954-09-08)
mezzo-soprano vocals [Zaida]:
Jolanda Gardino (mezzo-soprano) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto I, scena 1. “Chi vuol farsi astrologar?” (Zingari, Geronio) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto I
1:43
7Il turco in Italia: Atto I, scena 1. “Ah, mia moglie, san chi sono”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals [Geronio]:
Franco Calabrese (operatic bass) (from 1954-08-31 until 1954-09-08)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-08-31 until 1954-09-08)
mezzo-soprano vocals [Zaida]:
Jolanda Gardino (mezzo-soprano) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto I, scena 1. “Ah, mia moglie, san chi sono” (Zingari, Geronio, Zaida, Albazar) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto I
1:13
8Il turco in Italia: Atto I, scena 1. “Non si dà follia maggiore”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals:
Franco Calabrese (operatic bass) (from 1954-08-31 until 1954-09-08) and Nicola Rossi‐Lemeni (operatic bass) (from 1954-08-31 until 1954-09-08)
soprano vocals [Fiorilla]:
Maria Callas (soprano) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto I, scena 1. No. 3a. Cavatina “Non si dà follia maggiore” (Fiorilla) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto I
3:39
9Il turco in Italia: Atto I, scena 1. “Voga, voga, a terra, a terra”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-08-31 until 1954-09-08)
soprano vocals [Fiorilla]:
Maria Callas (soprano) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto I, scena 1. No. 3b. Coro, cavatina e duettino “Voga, voga, a terra, a terra” (Turchi, Fiorilla) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto I
1:46
10Il turco in Italia: Atto I, scena 1. “Bella Italia, alfin ti miro”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals [Selim]:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-08-31 until 1954-09-08)
soprano vocals [Fiorilla]:
Maria Callas (soprano) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto I, scena 1. “Bella Italia, alfin ti miro” (Selim, Fiorilla) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto I
2:39
11Il turco in Italia: Atto I, scena 1. “Serva…” “Servo…”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals:
Franco Calabrese (operatic bass) (from 1954-08-31 until 1954-09-08)
bass vocals [Selim]:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-08-31 until 1954-09-08)
soprano vocals [Fiorilla]:
Maria Callas (soprano) (from 1954-08-31 until 1954-09-08)
tenor vocals [Narciso]:
Nicolai Gedda (tenor) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto I, scena 1. “Serva…” “Servo…” (Selim, Fiorilla, Poeta, Narciso) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto I
3:37
12Il turco in Italia: Atto I, scena 1. “Amici…soccorretemi”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Prosdocimo]:
Mariano Stabile (baritone) (from 1954-08-31 until 1954-09-08)
bass vocals [Geronio]:
Franco Calabrese (operatic bass) (from 1954-08-31 until 1954-09-08)
tenor vocals [Narciso]:
Nicolai Gedda (tenor) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto I, scena 1. Recitativo. “Amici…soccorretemi” (Geronio, Narciso, Poeta) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto I
0:54
13Il turco in Italia: Atto I, scena 1. “Un marito-scimunito!”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Prosdocimo]:
Mariano Stabile (baritone) (from 1954-08-31 until 1954-09-08)
bass vocals [Geronio]:
Franco Calabrese (operatic bass) (from 1954-08-31 until 1954-09-08)
tenor vocals [Narciso]:
Nicolai Gedda (tenor) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto I, scena 1. No 4. Quartetto “Un marito-scimunito!” (Poeta, Narciso, Geronio) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto I
5:30
14Il turco in Italia: Atto I, scena 2. “Olà: tosto il caffè. Sedete”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals [Selim]:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-08-31 until 1954-09-08)
soprano vocals [Fiorilla]:
Maria Callas (soprano) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto I, scena 2. Recitativo “Olà: tosto il caffè. Sedete” (Fiorilla, Selim, Geronio, Narciso) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto I
1:40
15Il turco in Italia: Atto I, scena 2. “Siete Turchi, non vi credo”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals [Geronio]:
Franco Calabrese (operatic bass) (from 1954-08-31 until 1954-09-08)
bass vocals [Selim]:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-08-31 until 1954-09-08)
soprano vocals [Fiorilla]:
Maria Callas (soprano) (from 1954-08-31 until 1954-09-08)
tenor vocals [Narciso]:
Nicolai Gedda (tenor) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto I, scena 2. No. 5. Quartetto “Siete turchi, non vi credo” (Fiorilla, Selim, Geronio, Narciso) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto I
3:16
16Il turco in Italia: Atto I, scena 2. “Io stupisco, mi sorprende”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals [Geronio]:
Franco Calabrese (operatic bass) (from 1954-08-31 until 1954-09-08)
bass vocals [Selim]:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-08-31 until 1954-09-08)
soprano vocals [Fiorilla]:
Maria Callas (soprano) (from 1954-08-31 until 1954-09-08)
tenor vocals [Narciso]:
Nicolai Gedda (tenor) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto I, scena 2. “Io stupisco, mi sorprende” (Fiorilla, Selim, Geronio, Narciso) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto I
2:50
17Il turco in Italia: Atto I, scena 2. “Come! sì grave scomo soffrir potete in pace?”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals [Geronio]:
Franco Calabrese (operatic bass) (from 1954-08-31 until 1954-09-08)
bass vocals [Selim]:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-08-31 until 1954-09-08)
soprano vocals [Fiorilla]:
Maria Callas (soprano) (from 1954-08-31 until 1954-09-08)
tenor vocals [Narciso]:
Nicolai Gedda (tenor) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto I, scena 2. “Come! sì grave scorno soffrir potete in pace?” (Fiorilla, Selim, Geronio, Narciso) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto I
3:16
18Il turco in Italia: Atto I, scena 2. “Un vecchio far non può maggior follia”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Prosdocimo]:
Mariano Stabile (baritone) (from 1954-08-31 until 1954-09-08)
bass vocals [Geronio]:
Franco Calabrese (operatic bass) (from 1954-08-31 until 1954-09-08)
soprano vocals [Fiorilla]:
Maria Callas (soprano) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto I, scena 2. Recitativo “Un vecchio far non può maggior follia” (Geronio, Poeta, Fiorilla) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto I
2:24
19Il turco in Italia: Atto I, scena 2. “Per Piacere alla signora”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals [Geronio]:
Franco Calabrese (operatic bass) (from 1954-08-31 until 1954-09-08)
soprano vocals [Fiorilla]:
Maria Callas (soprano) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto I, scena 2. No. 6. Duetto “Per piacere alla signora” (Geronio, Fiorilla) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto I
2:30
20Il turco in Italia: Atto I, scena 3. “No, mia vita, mio tesoro”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-08-31 until 1954-09-08)
bass vocals [Geronio]:
Franco Calabrese (operatic bass) (from 1954-08-31 until 1954-09-08)
soprano vocals [Fiorilla]:
Maria Callas (soprano) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto I, scena 2. “No, mia vita, mio tesoro” (Geronio, Fiorilla) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto I
3:31
21Il turco in Italia: Atto I, scena 3. “Gran meraviglie”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-08-31 until 1954-09-08)
mezzo-soprano vocals [Zaida]:
Jolanda Gardino (mezzo-soprano) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto I, scena 3. No. 7. Finale primo “Gran meraviglie” (Coro, Zaida) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto I
1:20
22Il turco in Italia: Atto I, scena 3. “Per la fuga è tutto lesto”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Prosdocimo]:
Mariano Stabile (baritone) (from 1954-08-31 until 1954-09-08)
bass vocals [Selim]:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-08-31 until 1954-09-08)
mezzo-soprano vocals [Zaida]:
Jolanda Gardino (mezzo-soprano) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto I, scena 3. “Per la fuga è tutto lesto” (Selim, Zaida, Poeta) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto I
4:31
23Il turco in Italia: Atto I, scena 3. “Perchè mai se son tradito”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
tenor vocals [Narciso]:
Nicolai Gedda (tenor) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto I, scena 3. “Perché mai se son tradito” (Narciso) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto I
2:34
24Il turco in Italia: Atto I, scena 3. “Evviva d’amore il foco vitale”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto I, scena 3. “Evviva d’amore il foco vitale” (Coro) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto I
0:55
25Il turco in Italia: Atto I, scena 3. “Chi servir non brama Amor s’allontani”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals [Selim]:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-08-31 until 1954-09-08)
soprano vocals [Fiorilla]:
Maria Callas (soprano) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto I, scena 3. “Chi servir non brama Amor s’allontani” (Fiorilla, Selim) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto I
1:58
26Il turco in Italia: Atto I, scena 3. “Qui mia moglie ha da venire”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Prosdocimo]:
Mariano Stabile (baritone) (from 1954-08-31 until 1954-09-08)
bass vocals [Geronio]:
Franco Calabrese (operatic bass) (from 1954-08-31 until 1954-09-08)
bass vocals [Selim]:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-08-31 until 1954-09-08)
mezzo-soprano vocals [Zaida]:
Jolanda Gardino (mezzo-soprano) (from 1954-08-31 until 1954-09-08)
soprano vocals [Fiorilla]:
Maria Callas (soprano) (from 1954-08-31 until 1954-09-08)
tenor vocals [Narciso]:
Nicolai Gedda (tenor) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto I, scena 3. “Qui mia moglie ha da venire” (Geronio, Fiorilla, Selim, Narciso, Zaida, Poeta) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto I
0:57
27Il turco in Italia: Atto I, scena 3. “Ah! che il cor non m’ingannava”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Prosdocimo]:
Mariano Stabile (baritone) (from 1954-08-31 until 1954-09-08)
bass vocals [Geronio]:
Franco Calabrese (operatic bass) (from 1954-08-31 until 1954-09-08)
bass vocals [Selim]:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-08-31 until 1954-09-08)
mezzo-soprano vocals [Zaida]:
Jolanda Gardino (mezzo-soprano) (from 1954-08-31 until 1954-09-08)
soprano vocals [Fiorilla]:
Maria Callas (soprano) (from 1954-08-31 until 1954-09-08)
tenor vocals [Narciso]:
Nicolai Gedda (tenor) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto I, scena 3. “Ah! che il cor non m’ingannava” (Geronio, Fiorilla, Selim, Narciso, Zaida, Poeta, Albazar, Coro) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto I
2:42
28Il turco in Italia: Atto II, scena 1. “Vada via, si guardi bene di cercar l’amante mio”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Prosdocimo]:
Mariano Stabile (baritone) (from 1954-08-31 until 1954-09-08)
bass vocals [Geronio]:
Franco Calabrese (operatic bass) (from 1954-08-31 until 1954-09-08)
bass vocals [Selim]:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto II, scena 1. Recitativo “Vada via, si guardi bene di cercar l’amante mio” (Poeta, Geronio) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto II
4:48
10CD: Il turco in Italia - Disc 2 (cond. G. Gavazzeni)
11CD: Il barbiere di Siviglia - Disc 1 (cond. J. Levine)
12CD: Il barbiere di Siviglia - Disc 2 (cond. J. Levine)
13CD: La Cenerentola - Disc 1 (cond. V. Gui)
14CD: La Cenerentola - Disc 2 (cond. V. Gui)
15CD: Ermione - Disc 1 (cond. C. Scimone)
16CD: Ermione - Disc 2 (cond. C. Scimone)
17CD: Bianca e Falliero - Disc 1 (cond. D. Renzetti)
18CD: Bianca e Falliero - Disc 2 (cond. D. Renzetti)
19CD: Bianca e Falliero - Disc 3 (cond. D. Renzetti)
20CD: Zelmira (1822 version) - Disc 1 (cond. C. Scimone)
21CD: Zelmira (1822 version) - Disc 2 (cond. C. Scimone)
22CD: Semiramide - Disc 1 (cond. A. Zedda)
23CD: Semiramide - Disc 2 (cond. A. Zedda)
24CD: Semiramide - Disc 3 (cond. A. Zedda)
25CD: L’assedio di Corinto - Disc 1 (cond. T. Schippers; mixed 1820/1826 version)
26CD: L’assedio di Corinto - Disc 2 (cond. T. Schippers; mixed 1820/1826 version)
27CD: L’assedio di Corinto - Disc 3 (cond. T. Schippers; mixed 1820/1826 version)
28CD: Le Comte Ory - Disc 1 (cond. V. Gui)
29CD: Le Comte Ory - Disc 2 (cond. V. Gui)
30CD: Guillaume Tell - Disc 1 (cond. L. Gardelli)
31CD: Guillaume Tell - Disc 2 (cond. L. Gardelli)
32CD: Guillaume Tell - Disc 3 (cond. L. Gardelli)
33CD: Guillaume Tell - Disc 4 (cond. L. Gardelli)
34CD: Edipo a Colono (cond. C. Scimone)
35CD: Rossini: Bicentenary Gala Concert Disc 1
36CD: Rossini: Bicentenary Gala Concert Disc 2
37CD: Colbran, the Muse
38CD: The Rossini Tenor
39CD: Encore: Rossini
40CD: Rossini Mélodies
41CD: Giovanna d’Arco e Ariette rare
42CD
43CD
44CD
45CD: Stabat Mater (cond. A. Pappano)
46CD: Petite Messe solennelle (cond. A. Pappano)
47CD: Messa di Gloria (cond. S. Accardo) - Improvisations & Transcriptions
48CD: 6 Sonatas for Strings (cond. C. Scimone)
49CD: La Boutique fantasque - Péchés de vieillesse
50CD: Quartets for Flute, Clarinet, Horn & Bassoon - Introduction, Theme And Variations

Credits

Release group

includes:Bianca e Falliero by Gioachino Rossini (composer); Katia Ricciarelli (soprano), Chris Merritt (American opera singer, tenor), Marilyn Horne (American operatic mezzo-soprano), Giorgio Surjan (bass-baritone), The London Sinfonietta Opera Orchestra, Donato Renzetti (Italian conductor)
Edipo a Colono by Rossini (composer); Ghiuselev (operatic bass), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Claudio Scimone (conductor)
Ermione by Rossini (composer); Gasdia (Italian operatic soprano), Zimmermann (mezzo-soprano), Merritt (American opera singer, tenor), Chœur Philharmonique de Prague (Czech Philharmonic Chorus, Prague Philharmonic Choir), Orchestre Philharmonique de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra), Claudio Scimone (conductor)
Il barbiere di Siviglia (London, 1975) by Gioachino Rossini (composer); Beverly Sills (soprano), Sherrill Milnes (baritone), Nicolai Gedda (tenor), Renato Capecchi (baritone), Fedora Barbieri (mezzo-soprano), Ruggero Raimondi (bass-baritone), The John Alldis Choir, London Symphony Orchestra, James Levine (US conductor and pianist)
Il turco in Italia (1954 studio cast) by Gioachino Rossini (composer); Maria Callas (soprano), Nicola Rossi‐Lemeni (operatic bass), Nicolai Gedda (tenor), Mariano Stabile (baritone), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Gianandrea Gavazzeni (conductor)
L’assedio di Corinto (Live, 1969-04-11, Milano) by Gioachino Rossini (composer); Beverly Sills (soprano), Marilyn Horne (American operatic mezzo-soprano), Franco Bonisolli (tenor), Thomas Schippers (conductor and composer)
L’inganno felice by Gioachino Rossini (composer); Annick Massis (soprano), Raúl Giménez (tenor), Rodney Gilfry (baritone), Pietro Spagnoli (baritone), Lorenzo Regazzo (bass-baritone), Le Concert des Tuileries, Marc Minkowski (bassoonist and conductor)
L’italiana in Algeri (1980 studio cast) by Gioachino Rossini (composer); Marilyn Horne (American operatic mezzo-soprano), Samuel Ramey (bass-baritone), Ernesto Palacio (Peruvian tenor), Kathleen Battle (soprano), Clara Foti (alto / contralto), Domenico Trimarchi (bass-baritone), Nicola Zaccaria (operatic bass), Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir), I Solisti Veneti, Claudio Scimone (conductor)
La Cenerentola (1953 studio cast) by Gioachino Rossini (composer); Marina de Gabarain (mezzo-soprano), Juan Oncina (tenor), Sesto Bruscantini (bass-baritone), Alda Noni (soprano), Glyndebourne Festival Chorus & Orchestra, Vittorio Gui (conductor and composer)
La scala di seta by Gioachino Rossini (composer); Luciana Serra (soprano), Cecilia Bartoli (mezzo‐soprano), William Matteuzzi (tenor), Roberto Coviello (baritone), Natale de Carolis (Italian operatic baritone), Oslavio di Credico (tenor), Orchestra del Teatro Comunale di Bologna, Gabriele Ferro (conductor)
Messa di Gloria by Gioachino Rossini (composer); Antonacci (soprano), Manca di Nissa (contralto), Araiza (tenor), Gambill (tenor), Spagnoli (baritone), Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Salvatore Accardo (violinist and conductor)
Petite messe solennelle by Gioachino Rossini (composer): Antonio Pappano (conductor and pianist), Marina Rebeka (soprano), Sara Mingardo (contralto), Francesco Meli (operatic tenor), Alex Esposito (Operatic bass baritone)
Semiramide by Gioachino Rossini (composer); Iano Tamar (soprano), Gloria Scalchi (mezzo-soprano), Michele Pertusi (operatic bass), Gregory Kunde (tenor), Coro Filarmonico di Praga (Czech Philharmonic Chorus, Prague Philharmonic Choir), Orchestra del Teatro Comunale di Bologna, Alberto Zedda (conductor)
Tancredi by Gioachino Rossini (composer); Fiorenza Cossotto (mezzo-soprano), Lella Cuberli (soprano), Werner Hollweg (tenor), Nicola Ghiuselev (operatic bass), Helga Müller (mezzo-soprano), Lucia Rizzi (soprano / mezzo-soprano), Chor des WDR Köln, Cappella Coloniensis, Gabriele Ferro (conductor)
Zelmira by Gioachino Rossini (composer); Cecilia Gasdia (Italian operatic soprano), Bernarda Fink (mezzo-soprano), William Matteuzzi (tenor), Chris Merritt (American opera singer, tenor), The Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), I Solisti Veneti, Claudio Scimone (conductor)