Tracklist

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1Wachet auf, ruft uns die Stimme, BWV 140: 1. [Coro]: "Wachet auf, ruft uns die Stumme"
choir vocals:
Heinrich-Schütz-Chor Heilbronn (from 1959-10-24 until 1959-10-30)
orchestra:
Pforzheim Chamber Orchestra (from 1959-10-24 until 1959-10-30)
conductor:
Fritz Werner (German conductor and organist) (from 1959-10-24 until 1959-10-30)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (from 1959-10-24 until 1959-10-30)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (from 1959-10-24 until 1959-10-30)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
adaptations:
Prelude to Peace
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach8:44
2Wachet auf, ruft uns die Stimme, BWV 140: 2. Recitativo (Tenore): "Er kommt, der Bräutgam kommt!"
tenor vocals:
Helmut Krebs (tenor) (from 1959-10-24 until 1959-10-30)
orchestra:
Pforzheim Chamber Orchestra (from 1959-10-24 until 1959-10-30)
conductor:
Fritz Werner (German conductor and organist) (from 1959-10-24 until 1959-10-30)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (from 1959-10-24 until 1959-10-30)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: II. Recitativo (Tenor) “Er kommt, er kommt, der Bräutgam kommt!” (from 1959-10-24 until 1959-10-30)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:04
3Wachet auf, ruft uns die Stimme, BWV 140: 3. Aria (Duetto: Soprano/Seele, Basso/Jesus): "Wann kömmst du, mein Heil?"
bass vocals:
Franz Kelch (from 1959-10-24 until 1959-10-30)
soprano vocals:
Ingeborg Reichelt (German soprano) (from 1959-10-24 until 1959-10-30)
orchestra:
Pforzheim Chamber Orchestra (from 1959-10-24 until 1959-10-30)
conductor:
Fritz Werner (German conductor and organist) (from 1959-10-24 until 1959-10-30)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (from 1959-10-24 until 1959-10-30)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: III. Aria (Sop, Bass) “Wann kömmst du, mein Heil?” (from 1959-10-24 until 1959-10-30)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach5:47
4Wachet auf, ruft uns die Stimme, BWV 140: 4. Choral (Tenore): "Zion hört Wächter singen"
tenor vocals:
Helmut Krebs (tenor) (from 1959-10-24 until 1959-10-30)
orchestra:
Pforzheim Chamber Orchestra (from 1959-10-24 until 1959-10-30)
conductor:
Fritz Werner (German conductor and organist) (from 1959-10-24 until 1959-10-30)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (from 1959-10-24 until 1959-10-30)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (from 1959-10-24 until 1959-10-30)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach5:10
5Wachet auf, ruft uns die Stimme, BWV 140: 5. Recitativo (Basso): "So geh herein zu mir"
bass vocals:
Franz Kelch (from 1959-10-24 until 1959-10-30)
orchestra:
Pforzheim Chamber Orchestra (from 1959-10-24 until 1959-10-30)
conductor:
Fritz Werner (German conductor and organist) (from 1959-10-24 until 1959-10-30)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (from 1959-10-24 until 1959-10-30)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: V. Recitativo (Bass) “So geh herein zu mir” (from 1959-10-24 until 1959-10-30)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:36
6Wachet auf, ruft uns die Stimme, BWV 140: 6. Aria (Duetto: Soprano, Basso): "Mein Freund ist mein! Und ich bin sein!"
bass vocals:
Franz Kelch (from 1959-10-24 until 1959-10-30)
soprano vocals:
Ingeborg Reichelt (German soprano) (from 1959-10-24 until 1959-10-30)
orchestra:
Pforzheim Chamber Orchestra (from 1959-10-24 until 1959-10-30)
conductor:
Fritz Werner (German conductor and organist) (from 1959-10-24 until 1959-10-30)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (from 1959-10-24 until 1959-10-30)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VI. Aria (Sop, Bass) “Mein Freund ist mein” (from 1959-10-24 until 1959-10-30)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:11
7Wachet auf, ruft uns die Stimme, BWV 140: 7. Choral (Coro): "Gloria sei dir gesungen"
choir vocals:
Heinrich-Schütz-Chor Heilbronn (from 1959-10-24 until 1959-10-30)
orchestra:
Pforzheim Chamber Orchestra (from 1959-10-24 until 1959-10-30)
conductor:
Fritz Werner (German conductor and organist) (from 1959-10-24 until 1959-10-30)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (from 1959-10-24 until 1959-10-30)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VII. Choral “Gloria sei dir gesungen” (from 1959-10-24 until 1959-10-30)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach2:26
8Ich bin ein guter Hirt, BWV 85: 1. Aria (Basso): "Ich bin ein guter Hirt"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1959-10)
recording engineer:
Daniel Madelaine (engineer) (in 1959-10)
producer:
Michel Garcin (French producer)
bass vocals:
Franz Kelch (in 1957-10)
orchestra:
Pforzheim Chamber Orchestra (in 1959-10)
conductor:
Fritz Werner (German conductor and organist) (in 1959-10)
recording of:
Kantate, BWV 85 "Ich bin ein guter Hirt": I. Aria (Bass) "Ich bin ein guter Hirt" (in 1959-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 85 "Ich bin ein guter Hirt"
Johann Sebastian Bach4:23
9Ich bin ein guter Hirt, BWV 85: 2. Aria (Alto): "Jesus ist ein guter Hirt"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1959-10)
recording engineer:
Daniel Madelaine (engineer) (in 1959-10)
producer:
Michel Garcin (French producer)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1959-10)
orchestra:
Pforzheim Chamber Orchestra (in 1959-10)
conductor:
Fritz Werner (German conductor and organist) (in 1959-10)
recording of:
Kantate, BWV 85 "Ich bin ein guter Hirt": II. Aria (Alt) "Jesus ist ein guter Hirt" (in 1959-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 85 "Ich bin ein guter Hirt"
Johann Sebastian Bach3:51
10Ich bin ein guter Hirt, BWV 85: 3. Choral (Soprano): "Der Herr ist mein getreuer Hirt"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1959-10)
recording engineer:
Daniel Madelaine (engineer) (in 1959-10)
producer:
Michel Garcin (French producer)
soprano vocals:
Ingeborg Reichelt (German soprano) (in 1959-10)
orchestra:
Pforzheim Chamber Orchestra (in 1959-10)
conductor:
Fritz Werner (German conductor and organist) (in 1959-10)
recording of:
Kantate, BWV 85 "Ich bin ein guter Hirt": III. Choral (Sop) "Der Herr ist mein getreuer Hirt" (in 1959-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Kornelius Becker (Lutheran pastor 1561-1604) (in 1598)
part of:
Kantate, BWV 85 "Ich bin ein guter Hirt"
Johann Sebastian Bach5:27
11Ich bin ein guter Hirt, BWV 85: 4. Recitativo (Tenore): "Wenn die Mietlinge schlafen"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1959-10)
recording engineer:
Daniel Madelaine (engineer) (in 1959-10)
producer:
Michel Garcin (French producer)
tenor vocals:
Helmut Krebs (tenor) (in 1959-10)
orchestra:
Pforzheim Chamber Orchestra (in 1959-10)
conductor:
Fritz Werner (German conductor and organist) (in 1959-10)
recording of:
Kantate, BWV 85 "Ich bin ein guter Hirt": IV. Recitativo (Tenor) "Wann die Mietlinge schlafen" (in 1959-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 85 "Ich bin ein guter Hirt"
Johann Sebastian Bach0:56
12Ich bin ein guter Hirt, BWV 85: 5. Aria (Tenore): "Seht, was die Liebe tut"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1959-10)
recording engineer:
Daniel Madelaine (engineer) (in 1959-10)
producer:
Michel Garcin (French producer)
tenor vocals:
Helmut Krebs (tenor) (in 1959-10)
orchestra:
Pforzheim Chamber Orchestra (in 1959-10)
conductor:
Fritz Werner (German conductor and organist) (in 1959-10)
recording of:
Kantate, BWV 85 "Ich bin ein guter Hirt": V. Aria (Tenor) "Seht, was die Liebe tut" (in 1959-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 85 "Ich bin ein guter Hirt"
Johann Sebastian Bach3:57
13Ich bin ein guter Hirt, BWV 85: 6. Choral (Coro): "Ist Gott mein Schutz und treuer Hirt"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1959-10)
recording engineer:
Daniel Madelaine (engineer) (in 1959-10)
producer:
Michel Garcin (French producer)
soprano vocals:
Heinrich-Schütz-Chor Heilbronn (in 1959-10)
orchestra:
Pforzheim Chamber Orchestra (in 1959-10)
conductor:
Fritz Werner (German conductor and organist) (in 1959-10)
recording of:
Kantate, BWV 85 "Ich bin ein guter Hirt": VI. Choral "Ist Gott mein Schutz und treuer Hirt" (in 1959-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Ernst Christoph Homburg (in 1658)
part of:
Breitkopf 389 Choralgesänge (number: 216)
part of:
Kantate, BWV 85 "Ich bin ein guter Hirt"
Johann Sebastian Bach1:23
14Du Hirte Israel, höre, BWV 104: 1. Coro: "Du Hirte Israel, höre"
recording engineer:
Daniel Madelaine (engineer) (in 1957-03)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1957-03)
orchestra:
SWR Sinfonieorchester Baden‐Baden und Freiburg (SWR Baden-Baden and Freiburg Symphony Orchestra) (in 1957-03)
conductor:
Fritz Werner (German conductor and organist) (in 1957-03)
recorded at:
Johanneskirche (Weinsberg) in Weinsberg, Baden-Württemberg, Germany (in 1957-03)
recording of:
Kantate, BWV 104 "Du Hirte Israel, höre": I. Coro "Du Hirte Israel, höre" (in 1957-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 104 "Du Hirte Israel, höre"
Johann Sebastian Bach8:18
15Du Hirte Israel, höre, BWV 104: 2. Recitativo (Tenore): "Der höchste Hirte sorgt vor mich"
recording engineer:
Daniel Madelaine (engineer) (in 1957-03)
producer:
Michel Garcin (French producer)
tenor vocals:
Helmut Krebs (tenor) (in 1957-03)
orchestra:
Südwestfunk Orchestra, Baden-Baden (SWR Baden-Baden and Freiburg Symphony Orchestra) (in 1957-03)
conductor:
Fritz Werner (German conductor and organist) (in 1957-03)
recorded at:
Johanneskirche (Weinsberg) in Weinsberg, Baden-Württemberg, Germany (in 1957-03)
recording of:
Kantate, BWV 104 "Du Hirte Israel, höre": II. Recitativo (Tenor) "Der höchste Hirte sorgt vor mich" (in 1957-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 104 "Du Hirte Israel, höre"
Johann Sebastian Bach0:40
16Du Hirte Israel, höre, BWV 104: 3. Aria (Tenore): "Verbirgt mein Hirte sich zu lange"
recording engineer:
Daniel Madelaine (engineer) (in 1957-03)
producer:
Michel Garcin (French producer)
tenor vocals:
Helmut Krebs (tenor) (in 1957-03)
orchestra:
Südwestfunk Orchestra, Baden-Baden (SWR Baden-Baden and Freiburg Symphony Orchestra) (in 1957-03)
conductor:
Fritz Werner (German conductor and organist) (in 1957-03)
recorded at:
Johanneskirche (Weinsberg) in Weinsberg, Baden-Württemberg, Germany (in 1957-03)
recording of:
Kantate, BWV 104 "Du Hirte Israel, höre": III. Aria (Tenor) "Verbirgt mein Hirte sich zu lange" (in 1957-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 104 "Du Hirte Israel, höre"
Johann Sebastian Bach4:03
17Du Hirte Israel, höre, BWV 104: 4. Recit (Basso): "Ja, dieses Wort ist meiner Seelen Speise"
recording engineer:
Daniel Madelaine (engineer) (in 1957-03)
producer:
Michel Garcin (French producer)
bass vocals:
Franz Kelch (in 1957-03)
orchestra:
Südwestfunk Orchestra, Baden-Baden (SWR Baden-Baden and Freiburg Symphony Orchestra) (in 1957-03)
conductor:
Fritz Werner (German conductor and organist) (in 1957-03)
recorded at:
Johanneskirche (Weinsberg) in Weinsberg, Baden-Württemberg, Germany (in 1957-03)
recording of:
Kantate, BWV 104 "Du Hirte Israel, höre": IV. Recitativo (Bass) "Ja, dieses Wort ist meiner Seelen Speise" (in 1957-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 104 "Du Hirte Israel, höre"
Johann Sebastian Bach1:17
18Du Hirte Israel, höre, BWV 104: 5. Aria (Basso): "Beglückte Herde, Jesu Schafe"
recording engineer:
Daniel Madelaine (engineer) (in 1957-03)
producer:
Michel Garcin (French producer)
bass vocals:
Franz Kelch (in 1957-03)
orchestra:
Südwestfunk Orchestra, Baden-Baden (SWR Baden-Baden and Freiburg Symphony Orchestra) (in 1957-03)
conductor:
Fritz Werner (German conductor and organist) (in 1957-03)
recorded at:
Johanneskirche (Weinsberg) in Weinsberg, Baden-Württemberg, Germany (in 1957-03)
recording of:
Kantate, BWV 104 "Du Hirte Israel, höre": V. Aria (Bass) "Beglückte Herde, Jesu Schafe" (in 1957-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 104 "Du Hirte Israel, höre"
Johann Sebastian Bach8:30
19Du Hirte Israel, höre, BWV 104: 6. Choral (Coro): "Der Her ist mein getreuer Hirt"
recording engineer:
Daniel Madelaine (engineer) (in 1957-03)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1957-03)
orchestra:
Südwestfunk Orchestra, Baden-Baden (SWR Baden-Baden and Freiburg Symphony Orchestra) (in 1957-03)
conductor:
Fritz Werner (German conductor and organist) (in 1957-03)
recorded at:
Johanneskirche (Weinsberg) in Weinsberg, Baden-Württemberg, Germany (in 1957-03)
recording of:
Kantate, BWV 104 "Du Hirte Israel, höre": VI. Choral "Der Herr ist mein getreuer Hirt" (in 1957-03)
lyricist:
Kornelius Becker (Lutheran pastor 1561-1604)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 13)
part of:
Kantate, BWV 104 "Du Hirte Israel, höre"
Johann Sebastian Bach1:23

Credits

Release

manufactured in:EU (Europe)
art direction:Stuart Wilson (Art director)
liner notes:Nele Anders
Nicholas Anderson (producer and liner notes writer)
Alfred Dürr (German musicologist)
Ludwig Finscher (musicologist and author)
Wolfgang Marx (liner notes)
Gerhard Schumacher
remastering:Tony Bridge (mastering engineer)
Stephen Frost (sound engineer)
Tony Harrison (producer and sound engineer for classical music)
Mike Hatch (engineer/editor)
Limo Hearn
David Hinitt (UK recording engineer, early 21c)
Geoff Miles (editor and engineer)
Raphael Mouterde
booklet editor:Fabian Watkinson
artwork:Pieter Bruegel de Oude (in 1562: task: cover "The Fall of the Rebel Angel")
phonographic copyright (℗) by:Warner Classics (in 2004)
Warner Music UK Ltd. (not for release label use!) (in 2004)
art direction:WLP Ltd. (graphic design agency)
remastered at:Floating Earth Ltd. in London (Greater London), England, United Kingdom
Discogs:https://www.discogs.com/release/31180624 [info]