Bach 333 - J.S. Bach The New Complete Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Annotation

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Annotation last modified on 2020-03-13 23:27 UTC.

Tracklist

1▶CD: Cantatas 150, 4, 71, 196 (1706-1708)
2▶CD: Cantatas 131, 106, 143, 18 (1708-1713)
3▶CD: Cantatas 182, 12, 54, 172 (1714)
4▶CD: Cantatas 21, 199 (1714)
5▶CD: Cantatas 61, 63, 152, 158, 31 (1714-1715)
6▶CD: Cantatas 165, 185, 163, 132, 155 (1715-1716)
7▶CD: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
8▶CD: Cantatas 75, 76, 24 (1723)
9▶CD: Cantatas 167, 147, 186, 136 (1723)
10▶CD: Cantatas 105, 46, 179, 50, 69a (1723)
11▶CD: Cantatas 77, 25, 119, 138 (1723)
12▶CD: Cantatas 95, 148, 48, 109 (1723)
13▶CD: Cantatas 89, 60, 90, 70, 40 (1723)
14▶CD: Cantatas 64, 190, 153, 65, 154 (1723-1724)
15▶CD: Cantatas 73, 81, 83, 144, 181 (1724)
16▶CD: Cantatas 18, 66, 134, 67 (1724)
17▶CD: Cantatas 104, 166, 86, 37, 44 (1724)
18▶CD: Cantatas 173, 184, 194 (1724)
19▶CD: Cantatas 20, 2, 7, 135 (1724)
20▶CD: Cantatas 10, 93, 107, 178 (1724)
21▶CD: Cantatas 94, 101, 113 (1724)
22▶CD: Cantatas 33, 78, 99, 8 (1724)
23▶CD: Cantatas 130, 114, 96, 5 (1724)
24▶CD: Cantatas 180, 38, 115, 139 (1724)
25▶CD: Cantatas 26, 116, 62, 91, 121 (1724)
26▶CD: Cantatas 133, 122, 41, 123 (1724-1725)
27▶CD: Cantatas 124, 3, 111, 92 (1725)
28▶CD: Cantatas 125, 126, 127 (1725)
29▶CD: Cantatas 1, 6, 42 (1725)
30▶CD: Cantatas 85, 103, 108, 87, 128 (1725)
31▶CD: Cantatas 183, 74, 68, 175, 176 (1725)
32▶CD: Cantatas 168, 137, 164, 79, 110 (1725)
33▶CD: Cantatas 57, 151, 28, 16 (1725-1726)
34▶CD: Cantatas 32, 13, 72, 43 (1726)
35▶CD: Cantatas 146, 129, 39 (1726)
36▶CD: Cantatas 88, 170, 187, 45 (1726)
37▶CD: Cantatas 102, 35, 17, 19 (1726)
38▶CD: Cantatas 27, 47, 169, 56 (1726)
39▶CD: Cantatas 49, 98, 55, 52, 58 (1726-1727)
40▶CD: Cantatas 82, 157, 84 (1727)
41▶CD: Cantatas 34, 193, 117, 188 (1727-1728)
42▶CD: Cantatas 171, 156, 159, 120a (1729)
43▶CD: Cantatas 174, 149, 51, 192, 112 (1729-1731)
44▶CD: Cantatas 29, 140, 36 (1731)
45▶CD: Cantatas 177, 9, 97, 14 (1732-1735)
46▶CD: Cantatas 100, 195, 197, 197a (c. 1728-1736)
47▶CD: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
48▶CD: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
49▶CD: 4-Part Chorales, BWV 250-318 AC-GO
50▶CD: 4-Part Chorales, BWV 319-381 GO-ME
51▶CD: 4-Part Chorales, BWV 382-438 MI-WO
52▶CD: Magnificat BWV 243, 243a
53▶CD: Motets
54▶CD: Mass in B minor (1 Mortensen)
55▶CD: Mass in B minor (2 Mortensen)
56▶CD: Mass in B minor (1 Brüggen)
57▶CD: Mass in B minor (2 Brüggen) / Missa BWV 233
58▶CD: Missas BWV 234-236
59▶CD: St. John Passion (1724) (1 Gardiner)
60▶CD: St. John Passion (1724) (2 Gardiner)
61▶CD: St. John Passion (1749) (1 Suzuki)
62▶CD: St. John Passion (1749) (2 Suzuki)
63▶CD: St. Matthew Passion (1 Gardiner)
64▶CD: St. Matthew Passion (2 Gardiner)
65▶CD: St. Matthew Passion (1 McCreesh)
66▶CD: St. Matthew Passion (2 McCreesh)
67▶CD: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
68▶CD: Easter Oratorio / Ascension Oratorio (Leonhardt)
69▶CD: Christmas Oratorio (1 Gardiner)
70▶CD: Christmas Oratorio (2 Gardiner)
71▶CD: Christmas Oratorio (1 Chailly)
72▶CD: Christmas Oratorio (2 Chailly)
73▶CD: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
74▶CD: Cantatas 134a, 203, 173a (1719-c. 1723)
75▶CD: Cantatas 36c, 205, 34a (1725-1726)
76▶CD: Cantatas 207, 204, 216a (1726-1728)
77▶CD: Cantatas 198, 201 (1727-1729)
78▶CD: Cantatas 213, 214 (1733)
79▶CD: Cantatas 211, 215 (1734)
80▶CD: Cantatas 206, 30a (1736-1737)
81▶CD: Cantatas 209, 210, 212 (1730s-1740s)
82▶CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
83▶CD: Cantatas 56, 82, 4
84▶CD: Cantatas 31, 104, 57
85▶CD: Cantatas 199, 173, 74, 151
86▶CD: Easter Oratorio / Cantata 140
87▶CD: Cantatas 170, 159, 102
88▶CD: Cantatas 80, 52, 84, 209
89▶CD: Cantatas 82, 158, 56
90▼CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
#TitleRatingLength
1"Nun komm, der Heiden Heiland", BWV 61: 1. Overture (Chorale): "Nun komm, der Heiden Heiland"
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (bassoonist) (in 1971-07)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (in 1971-07) and Fritz Kiskalt (cellist) (in 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1971-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, in 1971-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1971-07)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: I. Coro “Nun komm, der Heiden Heiland” (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
3:57
2"Nun komm, der Heiden Heiland", BWV 61: 2. Recitative: "Der Heiland ist gekommen"
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (bassoonist) (in 1971-07)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (in 1971-07) and Fritz Kiskalt (cellist) (in 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1971-07)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-06 until 1970-07, in 1971-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1971-07)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: II. Recitativo (Tenore): “Der Heiland ist gekommen” (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
1:25
3"Nun komm, der Heiden Heiland", BWV 61: 3. Aria: "Komm, Jesu, komm zu deiner Kirche"
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (bassoonist) (in 1971-07)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (in 1971-07) and Fritz Kiskalt (cellist) (in 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1971-07)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-06 until 1970-07, in 1971-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1971-07)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: III. Aria (Tenore) “Komm, Jesu, komm zu deiner Kirche” (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
5:32
4"Nun komm, der Heiden Heiland", BWV 61: 4. Recitative: "Siehe, ich stehe vor der Tür"
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (bassoonist) (in 1971-07)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (in 1971-07) and Fritz Kiskalt (cellist) (in 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1971-07)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1970-06 until 1970-07, in 1971-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1971-07)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: IV. Recitativo (Basso) “Siehe, ich stehe vor der Tür und klopfe an” (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
1:17
5"Nun komm, der Heiden Heiland", BWV 61: 5. Aria: "Öffne dich, mein ganzes Herze"
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (bassoonist) (in 1971-07)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (in 1971-07) and Fritz Kiskalt (cellist) (in 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1971-07)
soprano vocals:
Edith Mathis (soprano) (from 1970-06 until 1970-07, in 1971-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1971-07)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: V. Aria (Soprano) “Öffne dich, mein ganzes Herze” (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
5:23
6"Nun komm, der Heiden Heiland", BWV 61: 6. [Chorale:] "Amen"
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (bassoonist) (in 1971-07)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (in 1971-07) and Fritz Kiskalt (cellist) (in 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1971-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, in 1971-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1971-07)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: VI. Choral “Amen, Amen” (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
0:58
7"Christen, ätzet diesen Tag", BWV 63: 1. Chorus: "Christen, ätzet diesen Tag"
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete I]:
Pierre Thibaud (French trumpeter) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete II]:
Paul Lachenmeier (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete III]:
Werner Binder (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete IV]:
Manfred Klette (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": I. Coro "Christen, ätzet diesen Tag" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
5:30
8"Christen, ätzet diesen Tag", BWV 63: 2. Recitative: "O sel'ger Tag"
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete I]:
Pierre Thibaud (French trumpeter) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete II]:
Paul Lachenmeier (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete III]:
Werner Binder (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete IV]:
Manfred Klette (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
alto vocals:
Anna Reynolds (alto) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": II. Recitativo (Alto) "O selger Tag! o ungemeines Heute" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
3:50
9"Christen, ätzet diesen Tag", BWV 63: 3. Aria: "Gott, du hast es wohl gefüget"
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete I]:
Pierre Thibaud (French trumpeter) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete II]:
Paul Lachenmeier (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete III]:
Werner Binder (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete IV]:
Manfred Klette (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
soprano vocals:
Edith Mathis (soprano) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": III. Aria (Duetto: Soprano, Basso) "Gott, du hast es wohl gefüget" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
7:25
10"Christen, ätzet diesen Tag", BWV 63: 4. Recitative: "So kehret sich nun heut das bange Leid"
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete I]:
Pierre Thibaud (French trumpeter) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete II]:
Paul Lachenmeier (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete III]:
Werner Binder (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete IV]:
Manfred Klette (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": IV. Recitativo (Tenore) "So kehret sich nun heut das bange Leid" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
0:55
11"Christen, ätzet diesen Tag", BWV 63: 5. Aria: "Ruft und fleht den Himmel an"
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete I]:
Pierre Thibaud (French trumpeter) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete II]:
Paul Lachenmeier (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete III]:
Werner Binder (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete IV]:
Manfred Klette (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
alto vocals:
Anna Reynolds (alto) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Aria (Duetto: Alto, Tenore) "Ruft und fleht den Himmel an" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
4:13
12"Christen, ätzet diesen Tag", BWV 63: 6. Recitative: "Verdoppelt euch demnach"
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete I]:
Pierre Thibaud (French trumpeter) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete II]:
Paul Lachenmeier (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete III]:
Werner Binder (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete IV]:
Manfred Klette (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VI. Recitativo (Basso) "Verdoppelt euch demnach, ihr heißen Andachtsflammen" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
1:15
13"Christen, ätzet diesen Tag", BWV 63: 7. Chorus: "Höchster, schau in Gnaden an"
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete I]:
Pierre Thibaud (French trumpeter) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete II]:
Paul Lachenmeier (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete III]:
Werner Binder (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete IV]:
Manfred Klette (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VII. Coro "Höchster, schau in Gnaden an diese Glut gebückter Seelen!" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
6:41
14"Christum wir sollen loben schon", BWV 121: 1. [Chorale:] "Christum wir sollen loben schon"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1971-06 until 1971-07), Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (bassoonist) (in 1972-03)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, in 1972-03)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1971-06 until 1971-07, in 1975-03)
oboe d'amore:
Manfred Clement (oboist) (from 1971-06 until 1971-07, in 1972-03)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (organist) (from 1971-06 until 1971-07, in 1972-03)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1971-06 until 1971-07, in 1972-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1971-06 until 1971-07, in 1972-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07, in 1972-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1971-06 until 1971-07, in 1972-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": I. Coro "Christum wir sollen loben schon" (from 1971-06 until 1971-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
2:30
15"Christum wir sollen loben schon", BWV 121: 2. Aria: "O du von Gott erhöhte Kreatur"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1971-06 until 1971-07), Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (bassoonist) (in 1972-03)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, in 1972-03)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1971-06 until 1971-07, in 1975-03)
oboe d'amore:
Manfred Clement (oboist) (from 1971-06 until 1971-07, in 1972-03)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (organist) (from 1971-06 until 1971-07, in 1972-03)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1971-06 until 1971-07, in 1972-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1971-06 until 1971-07, in 1972-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07, in 1972-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1971-06 until 1971-07, in 1972-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": II. Aria (Tenor) "O du von Gott erhöhte Kreatur" (from 1971-06 until 1971-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
5:01
16"Christum wir sollen loben schon", BWV 121: 3. Recitative: "Der Gnade unermesslichs Wesen"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1971-06 until 1971-07), Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (bassoonist) (in 1972-03)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, in 1972-03)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1971-06 until 1971-07, in 1975-03)
oboe d'amore:
Manfred Clement (oboist) (from 1971-06 until 1971-07, in 1972-03)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (organist) (from 1971-06 until 1971-07, in 1972-03)
alto vocals:
Anna Reynolds (alto) (from 1971-06 until 1971-07, in 1972-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1971-06 until 1971-07, in 1972-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07, in 1972-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1971-06 until 1971-07, in 1972-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": III. Recitativo (Alt) "Der Gnad unermeßlichs Wesen" (from 1971-06 until 1971-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
1:33
17"Christum wir sollen loben schon", BWV 121: 4. Aria: "Johannis freudenvolles Springen"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1971-06 until 1971-07), Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (bassoonist) (in 1972-03)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, in 1972-03)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1971-06 until 1971-07, in 1975-03)
oboe d'amore:
Manfred Clement (oboist) (from 1971-06 until 1971-07, in 1972-03)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (organist) (from 1971-06 until 1971-07, in 1972-03)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1971-06 until 1971-07, in 1972-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1971-06 until 1971-07, in 1972-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07, in 1972-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1971-06 until 1971-07, in 1972-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": IV. Aria (Bass) "Johannis freudenvolles Springen" (from 1971-06 until 1971-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
8:50
18"Christum wir sollen loben schon", BWV 121: 5. Recitative: "Doch wie erblickt es dich in deiner Krippe?"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1971-06 until 1971-07), Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (bassoonist) (in 1972-03)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, in 1972-03)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1971-06 until 1971-07, in 1975-03)
oboe d'amore:
Manfred Clement (oboist) (from 1971-06 until 1971-07, in 1972-03)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (organist) (from 1971-06 until 1971-07, in 1972-03)
soprano vocals:
Edith Mathis (soprano) (from 1971-06 until 1971-07, in 1972-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1971-06 until 1971-07, in 1972-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07, in 1972-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1971-06 until 1971-07, in 1972-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": V. Recitativo (Sopran) "Doch wie erblickt es dich in deiner Krippen" (from 1971-06 until 1971-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
1:24
19"Christum wir sollen loben schon", BWV 121: 6. Chorale: "Lob, Ehr und Dank sei dir gesagt"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1971-06 until 1971-07), Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (bassoonist) (in 1972-03)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, in 1972-03)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1971-06 until 1971-07, in 1975-03)
oboe d'amore:
Manfred Clement (oboist) (from 1971-06 until 1971-07, in 1972-03)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (organist) (from 1971-06 until 1971-07, in 1972-03)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1971-06 until 1971-07, in 1972-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1971-06 until 1971-07, in 1972-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07, in 1972-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1971-06 until 1971-07, in 1972-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": VI. Choral "Lob, Ehr und Dank sei dir gesagt" (from 1971-06 until 1971-07)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Breitkopf 389 Choralgesänge (number: 42)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
1:13
20"Gottlob! nun geht das Jahr zu Ende", BWV 28: 1. Aria: "Gottlob! nun geht das Jahr zu Ende"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
organ:
Elmar Schloter (organist) (in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
soprano vocals:
Edith Mathis (soprano) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04, from 1972-06 until 1972-07)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": I. Aria (Soprano) "Gottlob! nun geht das Jahr zu Ende" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Erdmann Neumeister (from 1714 until 1717)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
3:44
21"Gottlob! nun geht das Jahr zu Ende", BWV 28: 2. Chorale: "Nun lob, mein Seel, den Herren"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
organ:
Elmar Schloter (organist) (in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04, from 1972-06 until 1972-07)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": II. Coro "Nun lob, mein Seel, den Herren" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Johann Gramann (in 1530)
is based on:
Nun lob, mein Seel, den Herren (german hymn, lyrics after Psalm 103, with the melody of "Weiß mir ein Blümlein blaue", 16th century)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
4:27
22"Gottlob! nun geht das Jahr zu Ende", BWV 28: 3. Recitative & Arioso: "So spricht der Herr"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
organ:
Elmar Schloter (organist) (in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04, from 1972-06 until 1972-07)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": III. Recitativo (Arioso: Basso) "So spricht der Herr" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
1:56
23"Gottlob! nun geht das Jahr zu Ende", BWV 28: 4. Recitative: "Gott ist ein Quell"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
organ:
Elmar Schloter (organist) (in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04, from 1972-06 until 1972-07)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": IV. Recitativo (Tenore) "Gott ist ein Quell, wo lauter Güte fleußt" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Erdmann Neumeister (from 1714 until 1717)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
1:32
24"Gottlob! nun geht das Jahr zu Ende", BWV 28: 5. Aria: "Gott hat uns im heurigen Jahre gesegnet"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
organ:
Elmar Schloter (organist) (in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
alto vocals:
Hertha Töpper (mezzo soprano) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04, from 1972-06 until 1972-07)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": V. Aria (Duetto: Alto, Tenore) "Gott hat uns im heurigen Jahre gesegnet" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Erdmann Neumeister (from 1714 until 1717)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
2:50
25"Gottlob! nun geht das Jahr zu Ende", BWV 28: 6. Chorale: "All solch dein Güt wir preisen"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
organ:
Elmar Schloter (organist) (in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04, from 1972-06 until 1972-07)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": VI. Choral "All solch dein Güt wir preisen" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Paul Eber (in 1580)
part of:
Breitkopf 389 Choralgesänge (number: 124)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
1:06
91▶CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
92▶CD: Cantatas 92, 126, 182 (Easter)
93▶CD: Cantatas 1, 4, 67, 104 (Easter)
94▶CD: Cantatas 34, 68, 39 (Whitsun)
95▶CD: Cantatas 30, 147 (Whitsun)
96▶CD: Cantatas 76, 21 (Trinity)
97▶CD: Cantatas 135, 10, 45, 105 (Trinity)
98▶CD: Cantatas 51, 78, 8, 130 (Trinity)
99▶CD: Cantatas 27, 5, 60, 26 (Trinity)
100▶CD: St. Matthew Passion (1 Richter)
101▶CD: St. Matthew Passion (2 Richter)
102▶CD: St. Matthew Passion (3 Richter)
103▶CD: Great Singers (1952-1965)
104▶CD: Great Singers (1967-2011)
105▶CD: Great Singers (Period Instruments)
106▶CD: Organ Works (Introduction 1)
107▶CD: Organ Works (Introduction 2)
108▶CD: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
109▶CD: Passacaglia & Fugue, BWV 582 / Other Weimar works
110▶CD: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
111▶CD: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
112▶CD: 6 Trio Sonatas, BWV 525-530 (Koopman)
113▶CD: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
114▶CD: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
115▶CD: Early Chorale Preludes / Chorale Partitas
116▶CD: Chorale Preludes (Mühlhausen & Weimar)
117▶CD: Breitkopf Collection, BWV 690-713
118▶CD: Orgelbüchlein (Preston)
119▶CD: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
120▶CD: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
121▶CD: 21 Chorale Preludes, BWV 669-689 (Walcha)
122▶CD: Clavier-Übung III (1) (Preston)
123▶CD: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
124▶CD: Free Works of Unproven Authenticity
125▶CD: Chorale-Based Works of Unproven Authenticity (Fragments)
126▶CD: Keyboard Works (Introduction 1: Harpsichord)
127▶CD: Keyboard Works (Introduction 2: Piano)
128▶CD: Early Fugues & Capriccios
129▶CD: Early Suites & Sonatas
130▶CD: Toccatas, BWV 910-916
131▶CD: Virtuoso Fantasias & Fugues
132▶CD: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
133▶CD: 2- & 3-Part Inventions / Preludes, BWV 924-943
134▶CD: English Suites 1-3 (Dreyfus)
135▶CD: English Suites 4-6 (Dreyfus)
136▶CD: French Suites 1-4 (Hogwood)
137▶CD: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
138▶CD: Partitas 1, 2, 6 (Rousset)
139▶CD: Partitas 3-5 (Rousset)
140▶CD: Italian Concerto / French Overture / 4 Duets (Rousset)
141▶CD: The Well-Tempered Clavier, Book I (1 Gilbert)
142▶CD: The Well-Tempered Clavier, Book I (2 Gilbert)
143▶CD: The Well-Tempered Clavier, Book II (1 Gilbert)
144▶CD: The Well-Tempered Clavier, Book II (2 Gilbert)
145▶CD: Goldberg Variations (Rousset)
146▶CD: Goldberg Variations (Esfahani)
147▶CD: English Suites 1-3 (Pogorelich / Schiff / Argerich)
148▶CD: English Suites 4-6 (Schiff / Bahrami / Hewitt)
149▶CD: French Suites 1-3 (Perahia)
150▶CD: French Suites 4-6 (Perahia)
151▶CD: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
152▶CD: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
153▶CD: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
154▶CD: The Well-Tempered Clavier, Book I (1 Pollini)
155▶CD: The Well-Tempered Clavier, Book I (2 Pollini)
156▶CD: The Well-Tempered Clavier, Book II (1 Schiff)
157▶CD: The Well-Tempered Clavier, Book II (2 Schiff)
158▶CD: Goldberg Variations (Schiff)
159▶CD: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
160▶CD: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
161▶CD: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
162▶CD: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
163▶CD: Orgelbüchlein (Walcha)
164▶CD: Brandenburg Concertos 1-6 (Goebel)
165▶CD: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
166▶CD: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
167▶CD: Orchestral Suites 1-3 (Goebel)
168▶CD: Orchestral Suites 2-4 (Goebel / Hogwood)
169▶CD: Orchestral Suites 1-4 (Pinnock)
170▶CD: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
171▶CD: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
172▶CD: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
173▶CD: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
174▶CD: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
175▶CD: Brandenburg Concertos (Landmark Performances 1935-1964)
176▶CD: Brandenburg Concertos (Landmark Performances 1967-2013)
177▶CD: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
178▶CD: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
179▶CD: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
180▶CD: Concertos (Alternative Instrumentations)
181▶CD: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
182▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
183▶CD: Suites for "Lute"
184▶CD: Cello Suites 1, 3, 5 (Watkin)
185▶CD: Cello Suites 2, 4, 6 (Watkin)
186▶CD: Violin Sonatas BWV 1014-1018
187▶CD: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
188▶CD: 5 Flute Sonatas / Partita for Solo Flute
189▶CD: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
190▶CD: Musical Offering / Canons (Goebel)
191▶CD: The Art of Fugue (Accademia Bizantina, Dantone)
192▶CD: The Art of Fugue (Aimard)
193▶CD: The Art of Fugue (1742) (Gilbert)
194▶CD: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
195▶CD: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
196▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
197▶CD: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
198▶CD: Cello Suites 1-3 (Fournier)
199▶CD: Cello Suites 4-6 (Fournier)
200▶CD: Solo & Chamber Works (Alternative Instrumentations)
201▶CD: Clavier-Büchlein W. F. Bach (1)
202▶CD: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
203▶CD: Notenbüchlein A. M. Bach (1725) (1)
204▶CD: Notenbüchlein A. M. Bach (1725) (2)
205▶CD: Schemelli Gesangbuch BWV 439-474
206▶CD: Schemelli Gesangbuch BWV 475-507
207▶CD: Bach: Early Influences
208▶CD: Concertos at Weimar (Telemann / Prince Johann Ernst)
209▶CD: Concertos at Weimar (Vivaldi)
210▶CD: Concertos at Weimar (Vivaldi / A. & B. Marcello)
211▶CD: The Bach Family
212▶CD: Bach & Other Composers (c. 1715-1730)
213▶CD: Bach & Other Composers (c. 1730-1742)
214▶CD: Bach & Other Composers (1742-1750)
215▶CD: Bach Renewed (From Bach's Sons to Mahler)
216▶CD: Bach Reimagined (Chaconne & Passacaglia)
217▶CD: Bach Orchestrated (Reger to Stokowski)
218▶CD: Inspired by Bach (Gounod to Pärt)
219▶CD: Bach & The Virtuoso Piano (Liszt and Busoni)
220▶CD: Bach & The Virtuoso Piano (The 20th Century)
221▶CD: Bach à la Jazz
222▶CD: New Colours of Bach
223▶DVD-Video: Bach: A Passionate Life

Credits

Release

ASIN:US: B07D2Y539K [info]
discography entry:https://www.bach333.com/en/ [info]

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]