Bach 333 - J.S. Bach The New Complete Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Annotation

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Annotation last modified on 2020-03-13 23:27 UTC.

Tracklist

1▶CD: Cantatas 150, 4, 71, 196 (1706-1708)
2▶CD: Cantatas 131, 106, 143, 18 (1708-1713)
3▶CD: Cantatas 182, 12, 54, 172 (1714)
4▶CD: Cantatas 21, 199 (1714)
5▶CD: Cantatas 61, 63, 152, 158, 31 (1714-1715)
6▶CD: Cantatas 165, 185, 163, 132, 155 (1715-1716)
7▶CD: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
8▶CD: Cantatas 75, 76, 24 (1723)
9▶CD: Cantatas 167, 147, 186, 136 (1723)
10▶CD: Cantatas 105, 46, 179, 50, 69a (1723)
11▶CD: Cantatas 77, 25, 119, 138 (1723)
12▶CD: Cantatas 95, 148, 48, 109 (1723)
13▶CD: Cantatas 89, 60, 90, 70, 40 (1723)
14▶CD: Cantatas 64, 190, 153, 65, 154 (1723-1724)
15▶CD: Cantatas 73, 81, 83, 144, 181 (1724)
16▶CD: Cantatas 18, 66, 134, 67 (1724)
17▶CD: Cantatas 104, 166, 86, 37, 44 (1724)
18▶CD: Cantatas 173, 184, 194 (1724)
19▶CD: Cantatas 20, 2, 7, 135 (1724)
20▶CD: Cantatas 10, 93, 107, 178 (1724)
21▶CD: Cantatas 94, 101, 113 (1724)
22▶CD: Cantatas 33, 78, 99, 8 (1724)
23▶CD: Cantatas 130, 114, 96, 5 (1724)
24▶CD: Cantatas 180, 38, 115, 139 (1724)
25▶CD: Cantatas 26, 116, 62, 91, 121 (1724)
26▶CD: Cantatas 133, 122, 41, 123 (1724-1725)
27▶CD: Cantatas 124, 3, 111, 92 (1725)
28▶CD: Cantatas 125, 126, 127 (1725)
29▶CD: Cantatas 1, 6, 42 (1725)
30▶CD: Cantatas 85, 103, 108, 87, 128 (1725)
31▶CD: Cantatas 183, 74, 68, 175, 176 (1725)
32▶CD: Cantatas 168, 137, 164, 79, 110 (1725)
33▶CD: Cantatas 57, 151, 28, 16 (1725-1726)
34▶CD: Cantatas 32, 13, 72, 43 (1726)
35▶CD: Cantatas 146, 129, 39 (1726)
36▶CD: Cantatas 88, 170, 187, 45 (1726)
37▶CD: Cantatas 102, 35, 17, 19 (1726)
38▶CD: Cantatas 27, 47, 169, 56 (1726)
39▶CD: Cantatas 49, 98, 55, 52, 58 (1726-1727)
40▶CD: Cantatas 82, 157, 84 (1727)
41▶CD: Cantatas 34, 193, 117, 188 (1727-1728)
42▶CD: Cantatas 171, 156, 159, 120a (1729)
43▶CD: Cantatas 174, 149, 51, 192, 112 (1729-1731)
44▶CD: Cantatas 29, 140, 36 (1731)
45▶CD: Cantatas 177, 9, 97, 14 (1732-1735)
46▶CD: Cantatas 100, 195, 197, 197a (c. 1728-1736)
47▶CD: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
48▶CD: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
49▶CD: 4-Part Chorales, BWV 250-318 AC-GO
50▶CD: 4-Part Chorales, BWV 319-381 GO-ME
51▶CD: 4-Part Chorales, BWV 382-438 MI-WO
52▶CD: Magnificat BWV 243, 243a
53▶CD: Motets
54▶CD: Mass in B minor (1 Mortensen)
55▶CD: Mass in B minor (2 Mortensen)
56▶CD: Mass in B minor (1 Brüggen)
57▶CD: Mass in B minor (2 Brüggen) / Missa BWV 233
58▶CD: Missas BWV 234-236
59▶CD: St. John Passion (1724) (1 Gardiner)
60▶CD: St. John Passion (1724) (2 Gardiner)
61▶CD: St. John Passion (1749) (1 Suzuki)
62▶CD: St. John Passion (1749) (2 Suzuki)
63▶CD: St. Matthew Passion (1 Gardiner)
64▶CD: St. Matthew Passion (2 Gardiner)
65▶CD: St. Matthew Passion (1 McCreesh)
66▶CD: St. Matthew Passion (2 McCreesh)
67▶CD: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
68▶CD: Easter Oratorio / Ascension Oratorio (Leonhardt)
69▶CD: Christmas Oratorio (1 Gardiner)
70▶CD: Christmas Oratorio (2 Gardiner)
71▶CD: Christmas Oratorio (1 Chailly)
72▶CD: Christmas Oratorio (2 Chailly)
73▶CD: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
74▶CD: Cantatas 134a, 203, 173a (1719-c. 1723)
75▶CD: Cantatas 36c, 205, 34a (1725-1726)
76▶CD: Cantatas 207, 204, 216a (1726-1728)
77▶CD: Cantatas 198, 201 (1727-1729)
78▶CD: Cantatas 213, 214 (1733)
79▶CD: Cantatas 211, 215 (1734)
80▶CD: Cantatas 206, 30a (1736-1737)
81▶CD: Cantatas 209, 210, 212 (1730s-1740s)
82▶CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
83▶CD: Cantatas 56, 82, 4
84▶CD: Cantatas 31, 104, 57
85▶CD: Cantatas 199, 173, 74, 151
86▶CD: Easter Oratorio / Cantata 140
87▶CD: Cantatas 170, 159, 102
88▶CD: Cantatas 80, 52, 84, 209
89▶CD: Cantatas 82, 158, 56
90▶CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
91▼CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
#TitleRatingLength
1"Sehet, welch eine Liebe hat uns der Vater erzeiget", BWV 64: 1. Chorus: "Sehet, welch eine Liebe hat uns der Vater erzeiget"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": I. Coro "Sehet, welch eine Liebe hat uns der Vater erzeiget" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
2:24
2"Sehet, welch eine Liebe hat uns der Vater erzeiget", BWV 64: 2. Chorale: "Das hat er alles uns getan"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": II. Choral "Das hat er alles uns getan" (from 1970-06 until 1970-07)
composer:
Martin Luther (German theologian of the Reformation) and Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 108)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
0:50
3"Sehet, welch eine Liebe hat uns der Vater erzeiget", BWV 64: 3. Recitative: "Geh, Welt! behalte nur das Deine"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
alto vocals:
Anna Reynolds (alto) (from 1970-06 until 1970-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": III. Recitativo (Alto) "Geh, Welt! behalte nur das Deine" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
0:54
4"Sehet, welch eine Liebe hat uns der Vater erzeiget", BWV 64: 4. Chorale: "Was frag ich nach der Welt"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": IV. Choral "Was frag ich nach der Welt" (from 1970-06 until 1970-07)
lyricist:
Georg Michael Pfefferkorn
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 280)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
1:01
5"Sehet, welch eine Liebe hat uns der Vater erzeiget", BWV 64: 5. Aria: "Was die Welt in sich hält"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
soprano vocals:
Edith Mathis (soprano) (from 1970-06 until 1970-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": V. Aria (Soprano) "Was die Welt in sich hält" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
5:24
6"Sehet, welch eine Liebe hat uns der Vater erzeiget", BWV 64: 6. Recitative: "Der Himmel belibet mir gewiss"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1970-06 until 1970-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VI. Recitativo (Basso) "Der Himmel bleibet mir gewiß" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
1:33
7"Sehet, welch eine Liebe hat uns der Vater erzeiget", BWV 64: 7. Aria: "Von der Welt verlang ich nichts"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
alto vocals:
Anna Reynolds (alto) (from 1970-06 until 1970-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VII. Aria (Alto) "Von der Welt verlang ich nichts" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
6:45
8"Sehet, welch eine Liebe hat uns der Vater erzeiget", BWV 64: 8. Chorale: "Gute Nacht, o Wesen"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07) and Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VIII. Choral "Gute Nacht, o Wesen" (from 1970-06 until 1970-07)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 200)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
1:31
9"Sie werden aus Saba alle kommen", BWV 65: 1. [Chorus:] "Sie werden aus Saba alle kommen"
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": I. Coro "Sie werden aus Saba alle kommen" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
3:34
10"Sie werden aus Saba alle kommen", BWV 65: 2. Chorale: "Die Kön'ge aus Saba kamen dar"
sound engineer and balance engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": II. Choral "Die Kön'ge aus Saba kamen dar" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 302)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
0:42
11"Sie werden aus Saba alle kommen", BWV 65: 3. Recitative: "Was dort Jesaias vorhergesehn"
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
bass vocals:
Theo Adam (German classical bass-baritone) (in 1967-02)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": III. Recitativo (Bass) "Was dort Jesaias vorhergesehn" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
2:13
12"Sie werden aus Saba alle kommen", BWV 65: 4. Aria: "Gold aus Ophir ist zu schlecht"
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
bass vocals:
Theo Adam (German classical bass-baritone) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": IV. Aria (Bass) "Gold aus Ophir ist zu schlecht" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
2:37
13"Sie werden aus Saba alle kommen", BWV 65: 5. Recitative: "Verschmähe nicht, du meiner Seelen Licht"
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
tenor vocals:
Ernst Haefliger (tenor) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": V. Recitativo (Tenor) "Verschmähe nicht, du meiner Seele Licht" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": V. Recitativo (Tenor) "Verschmähe nicht, du meiner Seele Licht" (from 1967-02 to ????)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
1:32
14"Sie werden aus Saba alle kommen", BWV 65: 6. Aria: "Nimm mich dir zu eigen hin"
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
tenor vocals:
Ernst Haefliger (tenor) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VI. Aria (Tenor) "Nimm mich dir zu eigen hin" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
3:21
15"Sie werden aus Saba alle kommen", BWV 65: 7. Chorale: "Ei nun, mein Gott, so fall ich dir"
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VII. Choral "Ei nun, mein Gott, so fall ich dir" (in 1967-02)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 346)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
1:37
16"Was mein Gott will, das g'scheh allzeit", BWV 111: 1. [Chorus:] "Was mein Gott will, das g'scheh allzeit"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe [Oboe I]:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
oboe [Oboe II]:
Kurt Hausmann (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": I. Coro "Was mein Gott will, das gscheh allzeit" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit"
5:05
17"Was mein Gott will, das g'scheh allzeit", BWV 111: 2. Aria: "Entsetze dich, mein Herze, nicht"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe [Oboe I]:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
oboe [Oboe II]:
Kurt Hausmann (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": II. Aria (Bass) "Entsetze dich, mein Herze, nicht" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit"
3:51
18"Was mein Gott will, das g'scheh allzeit", BWV 111: 3. Recitative: "O Törichter! der sich von Gott entzieht"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe [Oboe I]:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
oboe [Oboe II]:
Kurt Hausmann (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
alto vocals:
Anna Reynolds (alto) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": III. Recitativo (Alt) "O Törichter! der sich von Gott entzieht" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit"
1:18
19"Was mein Gott will, das g'scheh allzeit", BWV 111: 4. Aria (Duet): "So geh ich mit beherzten Schritten"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe [Oboe I]:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
oboe [Oboe II]:
Kurt Hausmann (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
alto vocals:
Anna Reynolds (alto) (from 1972-03 until 1972-04)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": IV. Aria (Alt, Tenor) "So geh ich mit beherzten Schritten" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit"
8:28
20"Was mein Gott will, das g'scheh allzeit", BWV 111: 5. Recitative: "Drum wenn der Tod zuletzt den Geist"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe [Oboe I]:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
oboe [Oboe II]:
Kurt Hausmann (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
soprano vocals:
Edith Mathis (soprano) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": V. Recitativo (Sopran) "Drum wenn der Tod zuletzt den Geist" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit"
1:21
21"Was mein Gott will, das g'scheh allzeit", BWV 111: 6. Chorale: "Noch eins, Herr will ich bitten dich"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe [Oboe I]:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
oboe [Oboe II]:
Kurt Hausmann (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": VI. Choral "Noch eins, Herr, will ich bitten dich" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 345)
part of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit"
1:49
22"Jesus schläft, was soll ich hoffen", BWV 81: 1, Aria: "Jesus schläft, was soll ich hoffen?"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe d'amore [Oboe d'amore I]:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
oboe d'amore [Oboe d'amore II]:
Kurt Hausmann (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (from 1972-03 until 1972-04)
recorder [Blockflöte II]:
Günther Höller (recorder player) (from 1972-03 until 1972-04)
alto vocals:
Anna Reynolds (alto) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": I. Aria (Alt) "Jesus schläft, was soll ich hoffen?" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
5:35
23"Jesus schläft, was soll ich hoffen", BWV 81: 2. Recitative: "Herr! warum trittest du so ferne?"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe d'amore [Oboe d'amore I]:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
oboe d'amore [Oboe d'amore II]:
Kurt Hausmann (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (from 1972-03 until 1972-04)
recorder [Blockflöte II]:
Günther Höller (recorder player) (from 1972-03 until 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": VII. Choral "Unter deinen Schirmen" (from 1972-03 until 1972-04)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 197)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
1:26
24"Jesus schläft, was soll ich hoffen", BWV 81: 3. Aria: "Die schäumenden Wellen von Belials Bächen"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe d'amore [Oboe d'amore I]:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
oboe d'amore [Oboe d'amore II]:
Kurt Hausmann (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (from 1972-03 until 1972-04)
recorder [Blockflöte II]:
Günther Höller (recorder player) (from 1972-03 until 1972-04)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": III. Aria (Tenor) "Die schäumenden Wellen von Belials Bächen" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
3:15
25"Jesus schläft, was soll ich hoffen", BWV 81: 4. Arioso: "Ihr Kleingläubigen, warum seid ihr so furchtsam?"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe d'amore [Oboe d'amore I]:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
oboe d'amore [Oboe d'amore II]:
Kurt Hausmann (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (from 1972-03 until 1972-04)
recorder [Blockflöte II]:
Günther Höller (recorder player) (from 1972-03 until 1972-04)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": IV. Arioso (Bass) "Ihr Kleingläubigen, warum seid ihr so furchtsam?" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
1:32
26"Jesus schläft, was soll ich hoffen", BWV 81: 5. Aria: "Schweig, aufgetürmtes Meer!"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe d'amore [Oboe d'amore I]:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
oboe d'amore [Oboe d'amore II]:
Kurt Hausmann (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (from 1972-03 until 1972-04)
recorder [Blockflöte II]:
Günther Höller (recorder player) (from 1972-03 until 1972-04)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": V. Aria (Bass) "Schweig, aufgetürmtes Meer!" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
5:38
27"Jesus schläft, was soll ich hoffen", BWV 81: 6. Recitative: "Wohl mir, mein Jesus spricht ein Wort"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe d'amore [Oboe d'amore I]:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
oboe d'amore [Oboe d'amore II]:
Kurt Hausmann (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (from 1972-03 until 1972-04)
recorder [Blockflöte II]:
Günther Höller (recorder player) (from 1972-03 until 1972-04)
alto vocals:
Anna Reynolds (alto) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": VI. Recitativo (Alt) "Wohl mir, mein Jesus spricht ein Wort" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
0:39
28"Jesus schläft, was soll ich hoffen", BWV 81: 7. Chorale: "Unter deinen Schirmen"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe d'amore [Oboe d'amore I]:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
oboe d'amore [Oboe d'amore II]:
Kurt Hausmann (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (from 1972-03 until 1972-04)
recorder [Blockflöte II]:
Günther Höller (recorder player) (from 1972-03 until 1972-04)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1972-03 until 1972-04)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": II. Recitativo (Tenor) "Herr, warum trittest du so ferne?" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
1:24
92▶CD: Cantatas 92, 126, 182 (Easter)
93▶CD: Cantatas 1, 4, 67, 104 (Easter)
94▶CD: Cantatas 34, 68, 39 (Whitsun)
95▶CD: Cantatas 30, 147 (Whitsun)
96▶CD: Cantatas 76, 21 (Trinity)
97▶CD: Cantatas 135, 10, 45, 105 (Trinity)
98▶CD: Cantatas 51, 78, 8, 130 (Trinity)
99▶CD: Cantatas 27, 5, 60, 26 (Trinity)
100▶CD: St. Matthew Passion (1 Richter)
101▶CD: St. Matthew Passion (2 Richter)
102▶CD: St. Matthew Passion (3 Richter)
103▶CD: Great Singers (1952-1965)
104▶CD: Great Singers (1967-2011)
105▶CD: Great Singers (Period Instruments)
106▶CD: Organ Works (Introduction 1)
107▶CD: Organ Works (Introduction 2)
108▶CD: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
109▶CD: Passacaglia & Fugue, BWV 582 / Other Weimar works
110▶CD: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
111▶CD: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
112▶CD: 6 Trio Sonatas, BWV 525-530 (Koopman)
113▶CD: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
114▶CD: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
115▶CD: Early Chorale Preludes / Chorale Partitas
116▶CD: Chorale Preludes (Mühlhausen & Weimar)
117▶CD: Breitkopf Collection, BWV 690-713
118▶CD: Orgelbüchlein (Preston)
119▶CD: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
120▶CD: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
121▶CD: 21 Chorale Preludes, BWV 669-689 (Walcha)
122▶CD: Clavier-Übung III (1) (Preston)
123▶CD: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
124▶CD: Free Works of Unproven Authenticity
125▶CD: Chorale-Based Works of Unproven Authenticity (Fragments)
126▶CD: Keyboard Works (Introduction 1: Harpsichord)
127▶CD: Keyboard Works (Introduction 2: Piano)
128▶CD: Early Fugues & Capriccios
129▶CD: Early Suites & Sonatas
130▶CD: Toccatas, BWV 910-916
131▶CD: Virtuoso Fantasias & Fugues
132▶CD: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
133▶CD: 2- & 3-Part Inventions / Preludes, BWV 924-943
134▶CD: English Suites 1-3 (Dreyfus)
135▶CD: English Suites 4-6 (Dreyfus)
136▶CD: French Suites 1-4 (Hogwood)
137▶CD: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
138▶CD: Partitas 1, 2, 6 (Rousset)
139▶CD: Partitas 3-5 (Rousset)
140▶CD: Italian Concerto / French Overture / 4 Duets (Rousset)
141▶CD: The Well-Tempered Clavier, Book I (1 Gilbert)
142▶CD: The Well-Tempered Clavier, Book I (2 Gilbert)
143▶CD: The Well-Tempered Clavier, Book II (1 Gilbert)
144▶CD: The Well-Tempered Clavier, Book II (2 Gilbert)
145▶CD: Goldberg Variations (Rousset)
146▶CD: Goldberg Variations (Esfahani)
147▶CD: English Suites 1-3 (Pogorelich / Schiff / Argerich)
148▶CD: English Suites 4-6 (Schiff / Bahrami / Hewitt)
149▶CD: French Suites 1-3 (Perahia)
150▶CD: French Suites 4-6 (Perahia)
151▶CD: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
152▶CD: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
153▶CD: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
154▶CD: The Well-Tempered Clavier, Book I (1 Pollini)
155▶CD: The Well-Tempered Clavier, Book I (2 Pollini)
156▶CD: The Well-Tempered Clavier, Book II (1 Schiff)
157▶CD: The Well-Tempered Clavier, Book II (2 Schiff)
158▶CD: Goldberg Variations (Schiff)
159▶CD: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
160▶CD: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
161▶CD: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
162▶CD: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
163▶CD: Orgelbüchlein (Walcha)
164▶CD: Brandenburg Concertos 1-6 (Goebel)
165▶CD: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
166▶CD: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
167▶CD: Orchestral Suites 1-3 (Goebel)
168▶CD: Orchestral Suites 2-4 (Goebel / Hogwood)
169▶CD: Orchestral Suites 1-4 (Pinnock)
170▶CD: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
171▶CD: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
172▶CD: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
173▶CD: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
174▶CD: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
175▶CD: Brandenburg Concertos (Landmark Performances 1935-1964)
176▶CD: Brandenburg Concertos (Landmark Performances 1967-2013)
177▶CD: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
178▶CD: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
179▶CD: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
180▶CD: Concertos (Alternative Instrumentations)
181▶CD: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
182▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
183▶CD: Suites for "Lute"
184▶CD: Cello Suites 1, 3, 5 (Watkin)
185▶CD: Cello Suites 2, 4, 6 (Watkin)
186▶CD: Violin Sonatas BWV 1014-1018
187▶CD: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
188▶CD: 5 Flute Sonatas / Partita for Solo Flute
189▶CD: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
190▶CD: Musical Offering / Canons (Goebel)
191▶CD: The Art of Fugue (Accademia Bizantina, Dantone)
192▶CD: The Art of Fugue (Aimard)
193▶CD: The Art of Fugue (1742) (Gilbert)
194▶CD: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
195▶CD: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
196▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
197▶CD: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
198▶CD: Cello Suites 1-3 (Fournier)
199▶CD: Cello Suites 4-6 (Fournier)
200▶CD: Solo & Chamber Works (Alternative Instrumentations)
201▶CD: Clavier-Büchlein W. F. Bach (1)
202▶CD: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
203▶CD: Notenbüchlein A. M. Bach (1725) (1)
204▶CD: Notenbüchlein A. M. Bach (1725) (2)
205▶CD: Schemelli Gesangbuch BWV 439-474
206▶CD: Schemelli Gesangbuch BWV 475-507
207▶CD: Bach: Early Influences
208▶CD: Concertos at Weimar (Telemann / Prince Johann Ernst)
209▶CD: Concertos at Weimar (Vivaldi)
210▶CD: Concertos at Weimar (Vivaldi / A. & B. Marcello)
211▶CD: The Bach Family
212▶CD: Bach & Other Composers (c. 1715-1730)
213▶CD: Bach & Other Composers (c. 1730-1742)
214▶CD: Bach & Other Composers (1742-1750)
215▶CD: Bach Renewed (From Bach's Sons to Mahler)
216▶CD: Bach Reimagined (Chaconne & Passacaglia)
217▶CD: Bach Orchestrated (Reger to Stokowski)
218▶CD: Inspired by Bach (Gounod to Pärt)
219▶CD: Bach & The Virtuoso Piano (Liszt and Busoni)
220▶CD: Bach & The Virtuoso Piano (The 20th Century)
221▶CD: Bach à la Jazz
222▶CD: New Colours of Bach
223▶DVD-Video: Bach: A Passionate Life

Credits

Release

ASIN:US: B07D2Y539K [info]
discography entry:https://www.bach333.com/en/ [info]

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]