Bach 333 - J.S. Bach The New Complete Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Annotation

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Annotation last modified on 2020-03-13 23:27 UTC.

Tracklist

1▶CD: Cantatas 150, 4, 71, 196 (1706-1708)
2▶CD: Cantatas 131, 106, 143, 18 (1708-1713)
3▶CD: Cantatas 182, 12, 54, 172 (1714)
4▶CD: Cantatas 21, 199 (1714)
5▼CD: Cantatas 61, 63, 152, 158, 31 (1714-1715)
#TitleRatingLength
1Nun komm, der Heiden Heiland, BWV 61: 1. Ouverture (Chorale): Nun komm, der Heiden Heiland
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: I. Coro “Nun komm, der Heiden Heiland” (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
2:49
2Nun komm, der Heiden Heiland, BWV 61: 2. Recitative: Der Heiland ist gekommen
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: II. Recitativo (Tenore): “Der Heiland ist gekommen” (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
1:19
3Nun komm, der Heiden Heiland, BWV 61: 3. Aria: Komm, Jesu, komm zu deiner Kirche
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: III. Aria (Tenore) “Komm, Jesu, komm zu deiner Kirche” (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
4:18
4Nun komm, der Heiden Heiland, BWV 61: 4. Recitative: Siehe, ich stehe vor der Tür
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals:
Olaf Bär (baritone) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: IV. Recitativo (Basso) “Siehe, ich stehe vor der Tür und klopfe an” (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
1:07
5Nun komm, der Heiden Heiland, BWV 61: 5. Aria: Öffne dich, mein ganzes Herze
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Nancy Argenta (soprano) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
performer:
Timothy Mason (classical cellist) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: V. Aria (Soprano) “Öffne dich, mein ganzes Herze” (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
3:47
6Nun komm, der Heiden Heiland, BWV 61: 6. [Chorale:] Amen
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
performer:
Nancy Argenta (soprano) (in 1992-01), Olaf Bär (baritone) (in 1992-01) and Anthony Rolfe Johnson (tenor) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: VI. Choral “Amen, Amen” (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
0:53
7Christen, ätzet diesen Tag, BWV 63: 1. Chorus: Christen, ätzet diesen Tag
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": I. Coro "Christen, ätzet diesen Tag" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
4:54
8Christen, ätzet diesen Tag, BWV 63: 2. Recitative: O sel’ger Tag
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Sara Mingardo (contralto) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": II. Recitativo (Alto) "O selger Tag! o ungemeines Heute" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
3:19
9Christen, ätzet diesen Tag, BWV 63: 3. Aria: Gott, du hast es wohl gefüget
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Stephan Loges (bass-baritone) (in 1998-12)
soprano vocals:
Ann Monoyios (soprano) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 63 (appendix) "Christen, ätzet diesen Tag": III(alt). Duet (Soprano & Bass) "Gott, du hast es wohl gefüget" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": III. Aria (Duetto: Soprano, Basso) "Gott, du hast es wohl gefüget"
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
6:49
10Christen, ätzet diesen Tag, BWV 63: 4. Recitative: So kehret sich nun heut das bange Leid
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
Rufus Müller (tenor) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": IV. Recitativo (Tenore) "So kehret sich nun heut das bange Leid" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
0:44
11Christen, ätzet diesen Tag, BWV 63: 5. Ruft und fleht den Himmel an
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Sara Mingardo (contralto) (in 1998-12)
tenor vocals:
Rufus Müller (tenor) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Aria (Duetto: Alto, Tenore) "Ruft und fleht den Himmel an" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
3:19
12Christen, ätzet diesen Tag, BWV 63: 6. Recitative: Verdoppelt euch demnach
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Stephan Loges (bass-baritone) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VI. Recitativo (Basso) "Verdoppelt euch demnach, ihr heißen Andachtsflammen" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
0:53
13Christen, ätzet diesen Tag, BWV 63: 7. Chorus: Höchster, schau in Gnaden an
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VII. Coro "Höchster, schau in Gnaden an diese Glut gebückter Seelen!" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
6:42
14Tritt auf die Glaubensbahn, BWV 152: 1. [Sinfonia]
orchestra:
Berliner Barock Solisten (from 2007-05 until 2007-06)
conductor:
Rainer Kussmaul (violinist) (from 2007-05 until 2007-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2007-05 until 2007-06)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": I. Sinfonia (from 2007-05 until 2007-06)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
3:15
15Tritt auf die Glaubensbahn, BWV 152: 2. Aria: Tritt auf die Glaubensbahn
bass vocals:
Thomas Quasthoff (bass-baritone) (from 2007-05 until 2007-06)
orchestra:
Berliner Barock Solisten (from 2007-05 until 2007-06)
conductor:
Rainer Kussmaul (violinist) (from 2007-05 until 2007-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2007-05 until 2007-06)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": II. Aria (Basso) "Tritt auf die Glaubensbahn" (from 2007-05 until 2007-06)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
3:01
16Tritt auf die Glaubensbahn, BWV 152: 3. Recitative: Der Heiland ist gesetzt
bass vocals:
Thomas Quasthoff (bass-baritone) (from 2007-05 until 2007-06)
orchestra:
Berliner Barock Solisten (from 2007-05 until 2007-06)
conductor:
Rainer Kussmaul (violinist) (from 2007-05 until 2007-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2007-05 until 2007-06)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": III. Recitativo (Basso) "Der Heiland ist gesetzt" (from 2007-05 until 2007-06)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
1:56
17Tritt auf die Glaubensbahn, BWV 152: 4. Aria: Stein, der über alle Schätze
soprano vocals:
Dorothea Röschmann (soprano) (from 2007-05 until 2007-06)
orchestra:
Berliner Barock Solisten (from 2007-05 until 2007-06)
conductor:
Rainer Kussmaul (violinist) (from 2007-05 until 2007-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2007-05 until 2007-06)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": IV. Aria (Sopran) "Stein, der über alle Schätze" (from 2007-05 until 2007-06)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
3:15
18Tritt auf die Glaubensbahn, BWV 152: 5. Recitative: Es ärgre sich die kluge Welt
bass vocals:
Thomas Quasthoff (bass-baritone) (from 2007-05 until 2007-06)
orchestra:
Berliner Barock Solisten (from 2007-05 until 2007-06)
conductor:
Rainer Kussmaul (violinist) (from 2007-05 until 2007-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2007-05 until 2007-06)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": V. Recitativo (Bass) "Es ärgre sich die kluge Welt" (from 2007-05 until 2007-06)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
1:17
19Tritt auf die Glaubensbahn, BWV 152: 6. [Duet:] Wie soll ich dich, Liebster der Seelen, umfassen?
bass vocals:
Thomas Quasthoff (bass-baritone) (from 2007-05 until 2007-06)
soprano vocals:
Dorothea Röschmann (soprano) (from 2007-05 until 2007-06)
orchestra:
Berliner Barock Solisten (from 2007-05 until 2007-06)
conductor:
Rainer Kussmaul (violinist) (from 2007-05 until 2007-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2007-05 until 2007-06)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": VI. Duetto (Soprano, Basso) "Wie soll ich dich, Liebster der Seelen, umfassen?" (from 2007-05 until 2007-06)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
4:03
20Der Friede sei mit dir, BWV 158: 1. Recitative: Der Friede sei mit dir
bass-baritone vocals:
Thomas Quasthoff (bass-baritone) (in 2004-01)
orchestra:
Berliner Barock Solisten (in 2004-01)
conductor:
Rainer Kussmaul (violinist) (in 2004-01)
performer:
Thomas Quasthoff (bass-baritone) (in 2004-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2004-01)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": I. Recitativo (Bass) "Der Friede sei mit dir" (in 2004-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
1:42
21Der Friede sei mit dir, BWV 158: 2. Aria & Chorale: Welt, ade, ich bin dein müde
bass-baritone vocals:
Thomas Quasthoff (bass-baritone) (in 2004-01)
orchestra:
Berliner Barock Solisten (in 2004-01)
conductor:
Rainer Kussmaul (violinist) (in 2004-01)
chorus master:
Daniel Reuss (conductor) (in 2004-01)
performer:
Thomas Quasthoff (bass-baritone) (in 2004-01) and RIAS Kammerchor (German chamber choir) (in 2004-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2004-01)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": II. Aria (Bass) con Choral (Sop) "Welt, ade, ich bin dein müde" (in 2004-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Georg Albinus (in 1649)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
5:49
22Der Friede sei mit dir, BWV 158: 3. Recitative: Nun Herr, regiere meinen Sinn
bass-baritone vocals:
Thomas Quasthoff (bass-baritone) (in 2004-01)
orchestra:
Berliner Barock Solisten (in 2004-01)
conductor:
Rainer Kussmaul (violinist) (in 2004-01)
performer:
Thomas Quasthoff (bass-baritone) (in 2004-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2004-01)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": III. Recitativo ed Arioso (Bass) "Nun, Herr, regiere meinen Sinn" (in 2004-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
1:33
23Der Friede sei mit dir, BWV 158: 4. Chorale: Hier ist das rechte Osterlamm
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2004-01)
orchestra:
Berliner Barock Solisten (in 2004-01)
conductor:
Rainer Kussmaul (violinist) (in 2004-01)
chorus master:
Daniel Reuss (conductor) (in 2004-01)
performer:
RIAS Kammerchor (German chamber choir) (in 2004-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2004-01)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": IV. Chorale "Hier ist das rechte Osterlamm" (in 2004-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
1:18
24Der Himmel lacht, die Erde jubilieret, BWV 31: 1. Sonata
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 2000-04-23 until 2000-04-24)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 2000-04-23 until 2000-04-24)
recorded at:
Georgenkirche in Eisenach, Thüringen (Thuringia), Germany (from 2000-04-23 until 2000-04-24)
live recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": I. Sonata (from 2000-04-23 until 2000-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
2:22
25Der Himmel lacht, die Erde jubilieret, BWV 31: 2. Chorus: Der Himmel lacht!
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 2000-04-23 until 2000-04-24)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 2000-04-23 until 2000-04-24)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 2000-04-23 until 2000-04-24)
recorded at:
Georgenkirche in Eisenach, Thüringen (Thuringia), Germany (from 2000-04-23 until 2000-04-24)
live recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": II. Coro "Der Himmel lacht! die Erde jubilieret" (from 2000-04-23 until 2000-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
3:23
26Der Himmel lacht, die Erde jubilieret, BWV 31: 3. Recitative: Erwünschter Tag!
bass vocals:
Stephen Varcoe (bass-baritone) (from 2000-04-23 until 2000-04-24)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 2000-04-23 until 2000-04-24)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 2000-04-23 until 2000-04-24)
recorded at:
Georgenkirche in Eisenach, Thüringen (Thuringia), Germany (from 2000-04-23 until 2000-04-24)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": III. Recitativo (Basso) "Erwünschter Tag! sei, Seele, wieder froh!" (from 2000-04-23 until 2000-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
1:52
27Der Himmel lacht, die Erde jubilieret, BWV 31: 4. Aria: Fürst des Lebens
bass vocals:
Stephen Varcoe (bass-baritone) (from 2000-04-23 until 2000-04-24)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 2000-04-23 until 2000-04-24)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 2000-04-23 until 2000-04-24)
recorded at:
Georgenkirche in Eisenach, Thüringen (Thuringia), Germany (from 2000-04-23 until 2000-04-24)
live recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": IV. Aria (Basso) "Fürst des Lebens, starker Streiter" (from 2000-04-23 until 2000-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
2:20
28Der Himmel lacht, die Erde jubilieret, BWV 31: 5. Recitative: So stehe dann, du gottergeb’ne Seele
tenor vocals:
James Gilchrist (British tenor) (from 2000-04-23 until 2000-04-24)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 2000-04-23 until 2000-04-24)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 2000-04-23 until 2000-04-24)
recorded at:
Georgenkirche in Eisenach, Thüringen (Thuringia), Germany (from 2000-04-23 until 2000-04-24)
live recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": V. Recitativo (Tenore) "So stehe dann, du gottergebne Seele" (from 2000-04-23 until 2000-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
1:10
29Der Himmel lacht, die Erde jubilieret, BWV 31: 6. Aria: Adam muss in uns verwesen
tenor vocals:
James Gilchrist (British tenor) (from 2000-04-23 until 2000-04-24)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 2000-04-23 until 2000-04-24)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 2000-04-23 until 2000-04-24)
recorded at:
Georgenkirche in Eisenach, Thüringen (Thuringia), Germany (from 2000-04-23 until 2000-04-24)
live recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": VI. Aria (Tenore) "Adam muss in uns verwesen" (from 2000-04-23 until 2000-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
1:46
30Der Himmel lacht, die Erde jubilieret, BWV 31: 7. Recitative: Weil dann das Haupt
soprano vocals:
Gillian Keith (soprano) (from 2000-04-23 until 2000-04-24)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 2000-04-23 until 2000-04-24)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 2000-04-23 until 2000-04-24)
recorded at:
Georgenkirche in Eisenach, Thüringen (Thuringia), Germany (from 2000-04-23 until 2000-04-24)
live recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": VII. Recitativo (Soprano) "Weil dann das Haupt sein Glied" (from 2000-04-23 until 2000-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
0:44
31Der Himmel lacht, die Erde jubilieret, BWV 31: 8. Aria: Letzte Stunde, brich herein
soprano vocals:
Gillian Keith (soprano) (from 2000-04-23 until 2000-04-24)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 2000-04-23 until 2000-04-24)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 2000-04-23 until 2000-04-24)
recorded at:
Georgenkirche in Eisenach, Thüringen (Thuringia), Germany (from 2000-04-23 until 2000-04-24)
live recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": VIII. Aria (Soprano) e Choral "Letzte Stunde, brich herein" (from 2000-04-23 until 2000-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
3:51
32Der Himmel lacht, die Erde jubilieret, BWV 31: 9. Chorale: So fahr’ ich hin
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 2000-04-23 until 2000-04-24)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 2000-04-23 until 2000-04-24)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 2000-04-23 until 2000-04-24)
recorded at:
Georgenkirche in Eisenach, Thüringen (Thuringia), Germany (from 2000-04-23 until 2000-04-24)
live recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": IX. Choral "So fahr ich hin zu Jesu Christ" (from 2000-04-23 until 2000-04-24)
lyricist:
Nikolaus Herman
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Breitkopf 389 Choralgesänge (number: 357)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
51:02
6▶CD: Cantatas 165, 185, 163, 132, 155 (1715-1716)
7▶CD: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
8▶CD: Cantatas 75, 76, 24 (1723)
9▶CD: Cantatas 167, 147, 186, 136 (1723)
10▶CD: Cantatas 105, 46, 179, 50, 69a (1723)
11▶CD: Cantatas 77, 25, 119, 138 (1723)
12▶CD: Cantatas 95, 148, 48, 109 (1723)
13▶CD: Cantatas 89, 60, 90, 70, 40 (1723)
14▶CD: Cantatas 64, 190, 153, 65, 154 (1723-1724)
15▶CD: Cantatas 73, 81, 83, 144, 181 (1724)
16▶CD: Cantatas 18, 66, 134, 67 (1724)
17▶CD: Cantatas 104, 166, 86, 37, 44 (1724)
18▶CD: Cantatas 173, 184, 194 (1724)
19▶CD: Cantatas 20, 2, 7, 135 (1724)
20▶CD: Cantatas 10, 93, 107, 178 (1724)
21▶CD: Cantatas 94, 101, 113 (1724)
22▶CD: Cantatas 33, 78, 99, 8 (1724)
23▶CD: Cantatas 130, 114, 96, 5 (1724)
24▶CD: Cantatas 180, 38, 115, 139 (1724)
25▶CD: Cantatas 26, 116, 62, 91, 121 (1724)
26▶CD: Cantatas 133, 122, 41, 123 (1724-1725)
27▶CD: Cantatas 124, 3, 111, 92 (1725)
28▶CD: Cantatas 125, 126, 127 (1725)
29▶CD: Cantatas 1, 6, 42 (1725)
30▶CD: Cantatas 85, 103, 108, 87, 128 (1725)
31▶CD: Cantatas 183, 74, 68, 175, 176 (1725)
32▶CD: Cantatas 168, 137, 164, 79, 110 (1725)
33▶CD: Cantatas 57, 151, 28, 16 (1725-1726)
34▶CD: Cantatas 32, 13, 72, 43 (1726)
35▶CD: Cantatas 146, 129, 39 (1726)
36▶CD: Cantatas 88, 170, 187, 45 (1726)
37▶CD: Cantatas 102, 35, 17, 19 (1726)
38▶CD: Cantatas 27, 47, 169, 56 (1726)
39▶CD: Cantatas 49, 98, 55, 52, 58 (1726-1727)
40▶CD: Cantatas 82, 157, 84 (1727)
41▶CD: Cantatas 34, 193, 117, 188 (1727-1728)
42▶CD: Cantatas 171, 156, 159, 120a (1729)
43▶CD: Cantatas 174, 149, 51, 192, 112 (1729-1731)
44▶CD: Cantatas 29, 140, 36 (1731)
45▶CD: Cantatas 177, 9, 97, 14 (1732-1735)
46▶CD: Cantatas 100, 195, 197, 197a (c. 1728-1736)
47▶CD: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
48▶CD: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
49▶CD: 4-Part Chorales, BWV 250-318 AC-GO
50▶CD: 4-Part Chorales, BWV 319-381 GO-ME
51▶CD: 4-Part Chorales, BWV 382-438 MI-WO
52▶CD: Magnificat BWV 243, 243a
53▶CD: Motets
54▶CD: Mass in B minor (1 Mortensen)
55▶CD: Mass in B minor (2 Mortensen)
56▶CD: Mass in B minor (1 Brüggen)
57▶CD: Mass in B minor (2 Brüggen) / Missa BWV 233
58▶CD: Missas BWV 234-236
59▶CD: St. John Passion (1724) (1 Gardiner)
60▶CD: St. John Passion (1724) (2 Gardiner)
61▶CD: St. John Passion (1749) (1 Suzuki)
62▶CD: St. John Passion (1749) (2 Suzuki)
63▶CD: St. Matthew Passion (1 Gardiner)
64▶CD: St. Matthew Passion (2 Gardiner)
65▶CD: St. Matthew Passion (1 McCreesh)
66▶CD: St. Matthew Passion (2 McCreesh)
67▶CD: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
68▶CD: Easter Oratorio / Ascension Oratorio (Leonhardt)
69▶CD: Christmas Oratorio (1 Gardiner)
70▶CD: Christmas Oratorio (2 Gardiner)
71▶CD: Christmas Oratorio (1 Chailly)
72▶CD: Christmas Oratorio (2 Chailly)
73▶CD: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
74▶CD: Cantatas 134a, 203, 173a (1719-c. 1723)
75▶CD: Cantatas 36c, 205, 34a (1725-1726)
76▶CD: Cantatas 207, 204, 216a (1726-1728)
77▶CD: Cantatas 198, 201 (1727-1729)
78▶CD: Cantatas 213, 214 (1733)
79▶CD: Cantatas 211, 215 (1734)
80▶CD: Cantatas 206, 30a (1736-1737)
81▶CD: Cantatas 209, 210, 212 (1730s-1740s)
82▶CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
83▶CD: Cantatas 56, 82, 4
84▶CD: Cantatas 31, 104, 57
85▶CD: Cantatas 199, 173, 74, 151
86▶CD: Easter Oratorio / Cantata 140
87▶CD: Cantatas 170, 159, 102
88▶CD: Cantatas 80, 52, 84, 209
89▶CD: Cantatas 82, 158, 56
90▶CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
91▶CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
92▶CD: Cantatas 92, 126, 182 (Easter)
93▶CD: Cantatas 1, 4, 67, 104 (Easter)
94▶CD: Cantatas 34, 68, 39 (Whitsun)
95▶CD: Cantatas 30, 147 (Whitsun)
96▶CD: Cantatas 76, 21 (Trinity)
97▶CD: Cantatas 135, 10, 45, 105 (Trinity)
98▶CD: Cantatas 51, 78, 8, 130 (Trinity)
99▶CD: Cantatas 27, 5, 60, 26 (Trinity)
100▶CD: St. Matthew Passion (1 Richter)
101▶CD: St. Matthew Passion (2 Richter)
102▶CD: St. Matthew Passion (3 Richter)
103▶CD: Great Singers (1952-1965)
104▶CD: Great Singers (1967-2011)
105▶CD: Great Singers (Period Instruments)
106▶CD: Organ Works (Introduction 1)
107▶CD: Organ Works (Introduction 2)
108▶CD: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
109▶CD: Passacaglia & Fugue, BWV 582 / Other Weimar works
110▶CD: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
111▶CD: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
112▶CD: 6 Trio Sonatas, BWV 525-530 (Koopman)
113▶CD: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
114▶CD: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
115▶CD: Early Chorale Preludes / Chorale Partitas
116▶CD: Chorale Preludes (Mühlhausen & Weimar)
117▶CD: Breitkopf Collection, BWV 690-713
118▶CD: Orgelbüchlein (Preston)
119▶CD: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
120▶CD: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
121▶CD: 21 Chorale Preludes, BWV 669-689 (Walcha)
122▶CD: Clavier-Übung III (1) (Preston)
123▶CD: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
124▶CD: Free Works of Unproven Authenticity
125▶CD: Chorale-Based Works of Unproven Authenticity (Fragments)
126▶CD: Keyboard Works (Introduction 1: Harpsichord)
127▶CD: Keyboard Works (Introduction 2: Piano)
128▶CD: Early Fugues & Capriccios
129▶CD: Early Suites & Sonatas
130▶CD: Toccatas, BWV 910-916
131▶CD: Virtuoso Fantasias & Fugues
132▶CD: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
133▶CD: 2- & 3-Part Inventions / Preludes, BWV 924-943
134▶CD: English Suites 1-3 (Dreyfus)
135▶CD: English Suites 4-6 (Dreyfus)
136▶CD: French Suites 1-4 (Hogwood)
137▶CD: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
138▶CD: Partitas 1, 2, 6 (Rousset)
139▶CD: Partitas 3-5 (Rousset)
140▶CD: Italian Concerto / French Overture / 4 Duets (Rousset)
141▶CD: The Well-Tempered Clavier, Book I (1 Gilbert)
142▶CD: The Well-Tempered Clavier, Book I (2 Gilbert)
143▶CD: The Well-Tempered Clavier, Book II (1 Gilbert)
144▶CD: The Well-Tempered Clavier, Book II (2 Gilbert)
145▶CD: Goldberg Variations (Rousset)
146▶CD: Goldberg Variations (Esfahani)
147▶CD: English Suites 1-3 (Pogorelich / Schiff / Argerich)
148▶CD: English Suites 4-6 (Schiff / Bahrami / Hewitt)
149▶CD: French Suites 1-3 (Perahia)
150▶CD: French Suites 4-6 (Perahia)
151▶CD: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
152▶CD: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
153▶CD: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
154▶CD: The Well-Tempered Clavier, Book I (1 Pollini)
155▶CD: The Well-Tempered Clavier, Book I (2 Pollini)
156▶CD: The Well-Tempered Clavier, Book II (1 Schiff)
157▶CD: The Well-Tempered Clavier, Book II (2 Schiff)
158▶CD: Goldberg Variations (Schiff)
159▶CD: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
160▶CD: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
161▶CD: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
162▶CD: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
163▶CD: Orgelbüchlein (Walcha)
164▶CD: Brandenburg Concertos 1-6 (Goebel)
165▶CD: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
166▶CD: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
167▶CD: Orchestral Suites 1-3 (Goebel)
168▶CD: Orchestral Suites 2-4 (Goebel / Hogwood)
169▶CD: Orchestral Suites 1-4 (Pinnock)
170▶CD: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
171▶CD: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
172▶CD: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
173▶CD: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
174▶CD: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
175▶CD: Brandenburg Concertos (Landmark Performances 1935-1964)
176▶CD: Brandenburg Concertos (Landmark Performances 1967-2013)
177▶CD: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
178▶CD: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
179▶CD: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
180▶CD: Concertos (Alternative Instrumentations)
181▶CD: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
182▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
183▶CD: Suites for "Lute"
184▶CD: Cello Suites 1, 3, 5 (Watkin)
185▶CD: Cello Suites 2, 4, 6 (Watkin)
186▶CD: Violin Sonatas BWV 1014-1018
187▶CD: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
188▶CD: 5 Flute Sonatas / Partita for Solo Flute
189▶CD: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
190▶CD: Musical Offering / Canons (Goebel)
191▶CD: The Art of Fugue (Accademia Bizantina, Dantone)
192▶CD: The Art of Fugue (Aimard)
193▶CD: The Art of Fugue (1742) (Gilbert)
194▶CD: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
195▶CD: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
196▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
197▶CD: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
198▶CD: Cello Suites 1-3 (Fournier)
199▶CD: Cello Suites 4-6 (Fournier)
200▶CD: Solo & Chamber Works (Alternative Instrumentations)
201▶CD: Clavier-Büchlein W. F. Bach (1)
202▶CD: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
203▶CD: Notenbüchlein A. M. Bach (1725) (1)
204▶CD: Notenbüchlein A. M. Bach (1725) (2)
205▶CD: Schemelli Gesangbuch BWV 439-474
206▶CD: Schemelli Gesangbuch BWV 475-507
207▶CD: Bach: Early Influences
208▶CD: Concertos at Weimar (Telemann / Prince Johann Ernst)
209▶CD: Concertos at Weimar (Vivaldi)
210▶CD: Concertos at Weimar (Vivaldi / A. & B. Marcello)
211▶CD: The Bach Family
212▶CD: Bach & Other Composers (c. 1715-1730)
213▶CD: Bach & Other Composers (c. 1730-1742)
214▶CD: Bach & Other Composers (1742-1750)
215▶CD: Bach Renewed (From Bach's Sons to Mahler)
216▶CD: Bach Reimagined (Chaconne & Passacaglia)
217▶CD: Bach Orchestrated (Reger to Stokowski)
218▶CD: Inspired by Bach (Gounod to Pärt)
219▶CD: Bach & The Virtuoso Piano (Liszt and Busoni)
220▶CD: Bach & The Virtuoso Piano (The 20th Century)
221▶CD: Bach à la Jazz
222▶CD: New Colours of Bach
223▶DVD-Video: Bach: A Passionate Life

Credits

Release

ASIN:US: B07D2Y539K [info]
discography entry:https://www.bach333.com/en/ [info]

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]